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Content advisory: untagged spoilers for like a dozen movies below!
The other day I watched A Man Called Otto, Tom Hanks' 2022 remake of a Swedish movie (En man som heter Ove, based on a book of the same name) about an elderly man whose suicide attempt is interrupted by an Iranian immigrant, who gradually teaches him to live again. The Hanks edition hits a variety of CW notes; the Iranian is replaced with a Hispanic woman, the Swedish ending depicting Ove's reunion with his deceased wife in the afterlife is gone, and a homosexual character is replaced with a trans character (hashtag-gay-erasure). But there is one CW note in particular that really stood out to me. At the end of the movie, Otto dies and leaves his house and his car to the Hispanic woman, as well as enough money to fund the education of her three Hispanic children.
Maybe this would not have stood out to me had I not coincidentally recently re-watched the 2013's middling dystopic sci-fi, Elysium. If you've not seen this one, it is a story about an unusually talented blue collar laborer played by Matt Damon, presumably because everyone liked him as an unusually talented blue collar laborer in Stillwater, Good Will Hunting, and, uh, that artist guy in Titanic maybe? (Kidding!) Anyway this time blue-collared Matt lives in a Los Angeles peopled entirely by Mexicans (except for him), who spend most of their time trying to cross the border of space (illegally) so they can get high-tech medical treatment aboard the space station where all the billionaires moved when Earth got too crowded or warm or, who knows. For unimportant reasons, Matt finds that he's dying, so he goes to his
coyoteuhhuman traffickerspaceship launching ex (crime) boss to... Jesus Christ, who wrote this movie? Anyway, the moral of the story is that Matt gives his life to save the life of a young Hispanic girl while also making everyone on Earth a "citizen" so that suddenly the boundless healthcare resources the billionaires have been hoarding for no reason at all can be immediately deployed to cure all illness on Earth, the end.So this got me thinking about other movies I've seen with the same central beat: selfish single white male with nothing to lose learns to care again by temporarily filling the role of mentor or savior to a not-white young person, then gives (often, loses) everything so the not-white youngster can inherit a brighter future. Gran Torino (2008). Snowpiercer (2013).
But while many lists of "problematic white savior" movies include these titles, I feel like there's a distinction to be drawn where the not-white character is treated as a successor, rather than as a success. In Finding Forrester (2000), there's a not-white successor, but the "white savior" doesn't especially give anything up. In The Blind Side (2009) the "white savior" isn't looking for a successor (despite the professed concerns of the NCAA).
And I don't think that it's quite the same phenomenon as "expendable man dies for the woman he loves." Never mind that I already mentioned Titanic (1997)--the Bond movie No Time To Die (2021) might be what I'm talking about if Bond had died to save Nomi instead of Madeleine, but (to the best of my recollection!) he did not. I suppose Luke Skywalker biting it to preserve Palpatine's bloodline might be an example of what I'm talking about--definitely would if Rey was not-white, and definitely would if the sequels had focused more on Finn becoming a Jedi.
So I feel like I've identified four clear examples of the trope I'm spotting (to review: A Man Called Otto, Elysium, Gran Torino, Snowpiercer). I know better than to expect TVTropes to have a "non-straight-white-hypercapable-male successor" trope, but I did look around and do not think that Changing of the Guard, Take Up My Sword, Taking Up the Mantle, White Man's Burden, or similar tropes quite apply. Likewise, many people will identify the trope I have in mind as a (correspondingly problematic) "white savior" story, except that most "white savior" stories aren't BIPOC successor stories. Rather, this is taking the expendability of men--long a cultural staple in the West--and mixing it up with a not-even-remotely-subtle hint at White Replacement.
I think the reason I even noticed the pattern is that I have a long fascination with Rudyard Kipling's infamous poem, "The White Man's Burden." Specifically, the people I know who regard the poem as highly racist almost always also talk a great deal about "privilege," without ever seeming to notice the noblesse oblige implied by the idea of checking that privilege. There seems to be a deeply unresolved contradiction in "woke" spaces, whereby whites are simultaneously obligated to elevate others, and forbidden from even imagining they have the capacity to do so. In the trope I'm trying to track, the acceptable excuse seems to be that the (grizzled, lonely, etc.) white man gets something from the successor, namely a "new lease on life," such that he can then return the favor by then literally dying and dedicating his entire legacy to assure the future of someone else's children, children who are not even his co-ethnics.
(TVTropes does have a Cuckold page, but this is also not quite what I'm talking about... I think!)
So here are your discussion questions for the day:
Is there a name for this trope already? Have I missed a TVTropes pages somewhere? A RibbonFarm article? An obscure media studies dissertation?
I can't watch every movie, or even remember all the movies I've watched. Can you think of any other movies/TV shows/other media to add to the four I've identified?
I also can't think of any inverted examples. Can you think of any media in which the trope is inverted? How often do hypercompetent heroes "of color" learn to love whites and then give up their lives to ensure that several white children can afford to go to college? (Does the Wizard from Shazam! count, maybe, kinda?)
Perhaps most importantly... is there any possibility at all that the phenomenon isn't blatantly deliberate agenda-pushing?
Naturally, you are not limited to these questions--this is a discussion board, not a MOOC. But I've managed to stump myself so I'm interested in what you all make of this.
Terminator: Dark Fate
(Disclaimer: I am ONLY discussing T1, T2, and DF here because it fits this trope.)
Sarah Connor fought Skynet’s Terminators, first for her own survival and then her son’s. She prevented Skynet from coming into being. She became a true action hero in T2, a mama bear, right up there with Rambo and Ripley.
But she tried to kill Miles Dyson so he wouldn’t invent the militaristic Singularity. Miles was Black, and he died helping her kill Skynet. Thus, she isn’t allowed a happy ending.
DF picks up after the Los Angeles adventure in T2. Sarah and John flee the country to the tropics. A Terminator, Arnold model, emerges from the water and slaughters John Connor, successful in his mission at last. She saved the world but lost her only son, her motivation for fighting.
Hollow and defeated, she lives her life as a fugitive from the law until one day she gets a message pinpointing where and when a Terminator will emerge from the future. She shows up, kills it. This keeps happening until she saves the life of a Hispanic girl, the newest target.
It turns out Sarah only killed the first militaristic Singularity, Skynet. They’re going to keep happening as long as humans try to make smart machines. This one will be called “Legion” and has time travel and Terminators too.
On the run, they commiserate about being the targets of Terminators and losing family. Sarah waxes angsty about how meaningless it is that this girl will spend her life just trying to keep her son safe. The androgynous augmented woman warrior from the future tells Sarah that no, this girl is herself the future savior of humanity, the future general who takes down Legion.
Sarah Connor, the white waitress-turned-warrior woman who defeated Skynet in a time war, is devastated. She lost her son after he was no longer vital to humanity, and she’s on the run for crimes she committed to keep him safe.
This Hispanic girl, meanwhile, will someday be hailed as conquering hero. If she doesn’t strangle Legion in its crib, she’ll at least put it down with extreme righteous violence. She’s Sarah and John Connor wrapped up in one person.
The cuckolding of old and wrinkled Los Angelina Sarah Connor is made complete when it turns out the T-800 who killed her son became a really chill dude and has been feeding her the coordinates of Legion’s Terminators all along. The cuckoldry is doubled by Arnold’s doofy ass having become stepfather to a gun-loving Texas family.
Sarah gave it all, every ounce of strength and will and legal recourse, and her son besides, and the week she finds out she’s been the sidekick to her son’s slaughterer is also the week she finds out her son’s place in prophecy has been pre-empted by someone nonwhite, non-American, and non-male.
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