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Notes -
There have been some interesting results in relation to the Hugo Awards, and to the broader WorldCon environment. Kevin Standlee, a previous chair of the World Science Fiction Society (the WorldCon runners) posts Elections have Consequences:
The Hugo Nomination statistics were released on Friday, and unsurprisingly there are some oddities. Some of the disqualifications are likely politically charged over Chinese-specific matters, and others more universal. To be fair, the exact rules for qualification are complex, and some past nominees have been screwed over by esoterica of first publication dates; given the number of new voters, it's not too surprising that some nominated works fell outside of the eligibility timeline.
To be somewhat less charitable, I'm not familiar with too many previous times where nominees were listed as eligible by associated vendors before getting disqualified. The nominations are also bizarre in other ways, if one expected a largely Chinese fandom: there's a few Chinese-original pieces and editors, but not many.
Officially, there was absolutely no political pressure for these decisions, which have an explanation that the WorldCon Chendgu admins won't be providing.
On one hand, it's hard to be surprised if something wacky happened, and surely the people who set up WorldCon inside the CCP should have known it'd be a charlie foxtrot one way or the other. It's even part of the WorldCon bylaws that given a lot of power to the laws of the hosting nation, as Standlee points out. WorldCon locations are determined by member votes, even if this rounds out a little weird.
On the other hand, there were some fun questions about exactly how fair that vote for the 2023 WorldCon bid was well before this point -- quite a lot of ballots were allegedly filled out remotely and dropped off by a small number of visitors. Which wasn't and currently isn't against the rules, mind you! And the WSFS certainly wouldn't bring up questions of authenticity in 2021.
((On the gripping hand, unlike nearly every other vote at WorldCon, the location vote is heavily vetted internally rather than going through a member nominee process; only sufficiently prepared locales are listed. And WorldCon Chengdu advocates had been wining-and-dining hard for a while, which, given the logistical issues the convention had that included a complete rescheduling, might have been descisive.))
Schadenfruede isn't great for the soul, so to some extent I'm pretty happy to that a number of critics of modern WorldCon have had better things to do with their time, even if I personally have struggled not to snark a bit. And it's hard to expect too much to come from any retrospective at this point: because ballots and nominations, proving or disproving any tomfoolery incoherent as a position; more likely, it ends up with some minor tweaks to the location bid process, and just becomes one of those weird bits of fan lore, like when people wonder why Mercedes Lackey disappeared from SFWA conferences.
It's already too late to pass out the Asterisk Awards v2, and most of the winners weren't bad; many would have won regardless, even if the novel slot is definitely curious. ((Though I'm definitely less-than-happy that Scalzi squeaked in a nomination on another terrible work because of the DQ's)). Which brings up the culture war side. Standlee has an example :
To be fair, Standlee gets pushback, and eventually admits that no, that's not actually the existing law. I expect if pressed hard enough, he'd even admit it would surprise him were a Florida WorldCon's subcommittee willing to comply with such a law. (To be a little less charitable, he's probably going to be a go-to example for people on the left assuming conservative jurisdictions will ignore courts orders, if only because most people use video format or circumlocutions). And perhaps there are uses to bringing forward a nearby hypothetical over a distant reality (and, tbf, the at-least-up-as-a-bid-but-still-implausible WorldCon Uganda gets some attention on File 770).
But it's a slightly awkward comparison. It's not like either of these hypotheticals are really things this cohort experience personally, or even by second- or third-hand. Yet they're useful boogeymen.
Is there a particular reason you’re using ((these parentheses))?
It's an old habit, arising from conventions of online dialogue, most often seen in fanfiction and roleplay communities, where (()) was a popular way to indicate asides, stage directions, or more general notes, that are not essential to the post and may contradict it in theme, but still help illuminate the view the writer is trying to bring forward.
The telos was to apparently enable a particularly good pun about parenting vs divorce that I can't find from the old subreddit.
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