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faceh


				

				

				
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joined 2022 September 05 04:13:17 UTC

				

User ID: 435

faceh


				
				
				

				
4 followers   follows 2 users   joined 2022 September 05 04:13:17 UTC

					

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User ID: 435

Ha, I would have guessed it was for Apple, given all the effort Apple went to casting themselves as the brand for misunderstood geniuses and creative weirdos.

Literally using the name of the product in the song is a little on the nose.

Yes, I think most of success really is Talent, but dependent heavily on Motivation and Luck.

And that motivation, well, it can come from many places, both banal and esoteric or exotic. "I will go broke if I don't get this done" works.

Yeah, I've come to realize that most of the art that we judge to have the deepest meaning and most heartfelt creation is just people working for a paycheck, under a deadline, and with no particular intent on making a masterpiece, indeed no way of knowing if anyone would even care about it after they released it.

Then, when one of these works of arts hits mainstream success, the narrative of its creation is amended to make it seem as though the sole motivation for its creation was the artists' outpouring of their soul and they dug deep into their well of angst and it was a work of pure creative oubrust.

Take for example the Song "Sweet Child O' Mine," by Guns N' Roses, which is undoubtedly a GREAT song on almost every level. Evocative, intensely emotional but energetic. Skill was involved in its creation, no doubt.

But how'd they compose the song and come up with such appropriate lyrics, especially the breakdown?

Almost pure fuckin' chance

During a jam session at the band's house in Sunset Strip, drummer Steven Adler and Slash were warming up and Slash began to play a "circus" melody while making faces at Adler.

LITERALLY just goofing around with each other and came up with an neat-sounding riff.

Then:

When the band recorded demos with producer Spencer Proffer, he suggested adding a breakdown at the song's end. The musicians agreed, but were not sure what to do. Listening to the demo in a loop, Rose started saying to himself, "Where do we go? Where do we go now?" and Proffer suggested that he sing that.

The iconic breakdown of the song wasn't so much the process of talented genius... it was an expression of uncertainty and some third party said "run with that."

(Side note, knowing this story makes me find this portion of the song hilarious if you pretend the band is literally asking the audience "hey guys we don't know how to end this song, any thoughts?" like a genuine question.)


How many songs are out there that have similar creation stories... but never got any popularity so nobody knows the story or would care anyway.

So much of life is just that. A confluence of random factors which we then create a retroactive narrative about to seem more meaningful ("authentic") than it really is.

Contributes to my general perception that women are largely able to avoid the worst consequences of their behavior.

No reason to expect he would lie on this.

SOME reason to think he might, because if he straight up named conspirators, then now he's got to prosecute it and most likely try to have them executed.

There are scenarios where that is less than ideal, and the preferred method is letting them know he knows but otherwise dismissing it.

I'm curious what you think the counterfactual world looks like, where Trump comes out instead and claims "There were malicious people at work, and it was all orchestrated by [specific actors]."

What would happen next?

And if you're going off the assumption that Trump is being truthful and fully transparent, then why'd you bring up the election issues?

Are YOU saying that his claims of the election being stolen are credible, since you're here saying that he's honest about such serious matters?

His supporters otoh, have ramped up the anti-elite conspiracy to include this assassination attempt, in order to show loyalty/outbid themselves, even here on the motte.

Neat.

Now do the people who don't think Trump was shot at all.

So long as we're addressing conspiracy theories.

Not quiiiiite true.

The actual solution to the final exam involved Harry casting a spell directly on Quirrell, for example. If the spell effect were small enough I'd guess its something that he could actually do without triggering a major problem, OR he could have someone else do it for him, which is his MO for almost all the other stuff he pulls outside of the Azkaban rescue.

And Quirrell's initial motivation was to create a worthy opponent to play with so he wouldn't be bored in eternal immortality. And that only changed once he learned of a Prophesy that would DIRECTLY threaten that immortality, with Harry being the trigger.

Adjusting Harry's thinking so that he wouldn't discover Quirrell's secret before Quirrell had won him over is well within bounds of that motivation.

Now she is planning to remarry.

Just to clarify, is this because she met someone new, or is that her vague expectation on how she'll proceed?

I wonder what socially conservative child support reform would look like.

The money goes into an account handled by a third party who is in charge of ensuring the money is spent on the child's needs.

None of it goes into an account the mother controls. When the child turns 18, we can either give the child full control of the account or (here's a thought!) refund it back to the father.

Didn't he explain that in parseltongue, which is the language that allegedly prevents the speaker from lying.

Of course, the reflexive reliance on the killing curse is indicative enough on its own.

Oh, I also remember that my other theory was that Harry himself had been specifically confunded to be unable to make any direct observations about Quirrel's true nature, which is why he was seemingly unable to make basic reasoning/connections about the guy even as evidence mounted.

And then there's a moment in Chapter 104, right before the finale pops off for real:

"Wait!" Harry blurted.

The Potions Master's hand hovered about his robes. "Why?" said the Potions Master.

"I... I just think you probably shouldn't call them..."

In a blur, the Potions Master's wand was in his hand. "Nullus confundio!" A black jet darted out and hit Harry, striking in the direction Harry had already started to evade. There followed four other spells, containing words like Polyfluis and Metamorphus; and for those Harry politely stood still.

Snape literally hit him with a spell for dispelling confusion caused by another spell, and then SHORTLY THEREAFTER (mere minutes later) Harry puts together the entire puzzle of Quirrel's role in everything.

Just really interesting timing, that.

I think EY intended Harry's issue seeing Quirrel for evil as an example of a massive failure mode for rationalists (I really don't want this thing to be true so I will purposefully avoid accepting information that would make me update that way). But it also makes sense that Quirrelmort might take the extra precaution of screwing up Harry's thought processes just enough to avoid catching on too quickly.

Well this explains a lot about your stated positions.

Makes me realize that I probably turned out as weird as I did because I kind of had a one-foot-in-one-foot out upbringing, where half my family was churchgoing patriotic traditionalists and the other was more... bohemian? And both sides seemed pretty happy with their lives and had things mostly held together.

'How does everyone fit into society' is a question that needs to be answered and if you've already decided personal characteristics are the way to go about it, well...

We've talked about basic life scripts before, and in general I think that demolishing those scripts has made life harder, scarier, more uncertain, less fulfilling for most people. Becoming an adult is difficult enough when there IS a direct example to follow. Now you have to do it while explicitly being told there is no one 'right way' to go about it.

When every single day, month, year of your life feels like you're having to hack through uncharted wilderness, and determine your location via a hand-drawn map and dead-reckoning, then yeah you're going to keep second-guessing a lot of decisions and live in constant fear of bear attacks, vs. staying on a well-beaten, marked, and lit pathway. (I overstate the analogy just to make a point).

And as you note, people who LARP Conservativism don't really push a RETVRN to such life scripts, or have a plan for bringing those scripts back. Because telling your viewers "go to church, follow the bible, and accept your given place and role in life without much complaint" is so utterly uncool and, for an influencer, self-defeating. If the audience does that they will start listening to their pastor more than you, right?

In fact, now I think about it: the term "Conservative Influencer" is almost a contradiction.

I don't think this mentality can come back from the government, but only from intermediating institutions that democrats would like to punish for doing their job and pushing this. But this is the key difference; most adults have probably worked it out for themselves but nobody ever says it out loud.

Agreed. But both the right and the left seem to have converged on the idea that the government ought to be the single wellspring from which all morality and practical guidance comes. What to eat, what to wear, how to arrange your affairs.

Again, overstating the case. I have spent a good portion of my adult life groping around for SOME institution, group, maybe even (ugh) ideology that would give me a provably reliable path towards a better life. But very explicitly not wanting to fall into a cult.

The only one that hasn't let me down in some egregious way, and has remained a steadying force in life is, no shit, my martial arts gym.

The gym I teach at provides the following:

  • A strong routine. The schedule for classes has been the same for years and years.
  • A curriculum of new material to learn (I've mastered basically all of it, but that just lets me reach out and find new stuff)
  • A great social group of generally good, reliable people. (If they weren't good and reliable, they wouldn't stick it out. This stuff is HARD).
  • A certain amount of moral instruction: "We are teaching you to inflict physical harm on your fellow human, here are the conditions under which you can do so or should do so."
  • A system for advancement (there are tests on a regular schedule, and you earn higher belts as you go).
  • Which also allows for a benevolent soft hierarchy. Higher belts are more experienced (and theoretically more dangerous) and thus command some respect, but they have a reciprocal duty to help lower belts learn faster. And nobody thinks, for example, a blue belt has the authority to ORDER a yellow belt to do something.
  • Also fun.

I'd guess this checks a lot of the boxes for people who want to be able to follow instructions and see improvement in their life circumstances and be rewarded for the progress. There was a period of time where I think Corporations tried to sort of provide that to employees to make them more productive, but the underlying loyalty that requires has dissipated.

Church is still there, but good luck picking one that isn't compromised by political activism or that isn't mostly full of LARPers.

That seems to leave most people with joining up with political activism or getting into politics. Which tends to make everything worse.

I think the only way to make it 'clearer' was to not make the whole fanfic explicitly about disrupting the canon set up by Rowling in every way possible.

That is, its still pretty possible that there was an incompetent Lord Voldemort who got destroyed by the combined might of the good wizards...

AND there's a vastly more competent dark wizard who isn't blatantly evil but is definitely running machinations in the background that are far and beyond what Voldemort could achieve, whilst having nothing to do with voldemort.

I guess the one factor I didn't see right away is the why, as to why a supergenius wizard with demigod-level powers would want to adopt that persona for long periods of time. That came out later.

But yeah, he practically bashed people over the head with clues.

Man I don't think there's much moral judgment going on.

Aesthetic, yes. Maybe a bit of psychological, but unless you're Jewish I doubt there's much inherent moral judgment towards people making minor changes to their own bodies.

I kinda just wish it wasn't as popular among otherwise attractive single women as it apparently is.

It was! Which may have been why people expected him to subvert it.

Yudkowsky said he thought it was blatantly obvious as soon as we found out that, e.g. Quirrell and Voldemort (by Quirrel's own admission!) were trained in the same martial arts dojo by the same teacher.

But I think many people (myself included, I guess) were expecting some kind of clever double-twist to be revealed later.

This thread is full of people saying that tattoos aren't attractive.

Not quite.

Its more that they're correlated with low social status in the larger scheme. This doesn't mean they isn't a local maxima where they make someone more attractive than they would otherwise be, even if it also makes them vastly less attractive to a certain segment of the population.

In fact, I've said it straight up that the 'cheat code' to getting more women interested in you is get tattoos, get subversive piercings and buy a motorcycle. This can lead to other negative effects, but the tradeoffs may be worth it! At least in the short term.

There's a dearth of people who hold positions of true wealth power who have tattoos, though. Thus, they remain a reliable class signifier.

When something is largely a lower-class phenomenon, just like enjoying MMA or light beer, the fact that a few upper class folks indulge doesn't really prove otherwise.

yet every cop and every Navy SEAL and every BJJ champ and every boxer I know has at least one tattoo visible in short sleeves.

Yes, which might explain why people who AREN'T tough want to mimic a signal that makes them seem tough, whether they are or are not. That's common enough in nature.

And if they do so, that degrades the strength of the signal. And makes counter-signalling more viable. If all the cops, SEALs and BJJ guys have tattoos, what might you surmise about the ones that have resisted the trend and don't have any?

I dunno, it reads like a social trend like any other. I lived through the era of tramp stamps, and those faded from popularity. I've seen dozens of fashion trends come and go. The only trick with tattoos is they're more costly to alter or remove.

Also, add in that there is research indicating they can lead to health issues.

i.e. people who got them unwillingly.

I'd say soldiers and sailors who were putting their life on the line and thus could never really be sure if they'd make it back to respectable society would also get a pass, although that also kind of falls in my "symbolic of something meaningful" exception.

Oh, and its worth mentioning how it seems like now full sleeves are kind of the default for Cops, Soldiers, even firemen these days. Like its functionally part of the 'uniform'!

I'm going to go a step further, for controversy's sake, and say that close to zero tattoos truly look good in practice.

Human skin is just not a great medium for artistic expression. The ones that are hyperdetailed kind of look okay if you look from the right angle, but get up too close and they tend to betray imperfections and from further away they all look like jumbles of random shapes and generally don't look like intentional art pieces.

The ones I might grant as appealing tend to be simple designs or patterns that emphasize the underlying physical features. But most people don't have good taste, and someone willing to permanently mark their body is probably even less likely to have good taste about it.

And time ticks by a few years, colors fade, clean lines get washed out, skin deforms and wrinkles and whatever trendy design you had falls from popularity (mileage may vary by how you care for them).

I make some exceptions for tattoos that genuinely symbolize something meaningful or important in the person's life. It is actually interesting to see a unique tattoo, ask about it, and get an actual story about its significance! That serves a 'useful' social purpose. But then, the signalling value is not in the aesthetics of the tattoo itself!

Yes, but drill it in a little deeper, the demonstrated ability to wreak havoc on your enemies is catnip for women since in the ancestral environment that was a major signal for genetic fitness, that you would produce strong children and could protect them to adulthood.

That's why I don't quite think that its a failure of risk-aversion (I mean, after the first time he hits her, sure), since on an evolutionary level, there'd be a larger risk to pairing with a guy who was physically incapable of defending you.

But it is bonkers that once they feel attraction the prefrontal cortex isn't able to project the longer term consequences of pursuing the guy. Not just that he might beat her, but that he's got no real prospects for building wealth or raising a family in a stable environment. This is so fucking primal that you see fashion Heiresses getting knocked up by sexy felons and a literal Rothschild leaving her husband to date a rapper.

And yeah, there are counter stories about wealthy men blowing up their lives and leaving faithful women to pursue or marry a stripper or even literal prostitute. No doubt. But far as I can tell that's never socially celebrated or sanctioned or really excused.

I think about this video constantly ever since I first saw it.

The stated admission (that I do not think is a joke!) that even a literal villain who slaughtered her people can instantly win her over by... pointing a sword at her throat.

I don't think the 'true' upper class ever really started wearing tattoos, is the thing.

Celebrities, athletes, maybe some actors, but rarely anyone with real 'power.'

I would defy you to find any tattoo worn by an actual human being that actually signals "I am a higher class than you."

I just did a cursory google search and I can tentatively say that ZERO billionaire business magnates have a single tattoo. Musk, Bezos, Zuckerberg, Gates, Dorsey, not even Palmer Luckey. Wait, Jensen Huang apparently has one, but I can only find the one photo and he clearly states he won't get another.

Not even Steve Jobs back in the day had one.

And these are guys that could hire the literal best artists alive to create absolute masterworks for them. And, goes without saying, couldn't easily be fired for getting one.

On the flip side there's the principal-agent problem.

If you're incompetent and unteachable enough that you need to be governed with direct intervention, and restricted from handling your own affairs, you're also not really equipped to tell if your overseer is making good decisions on your behalf, and even if they aren't actively exploiting you, they can of course be making decisions that are suboptimal for your personal wellbeing, simply because they are not as motivated to do the best possible job.

Maybe there needs to be an overseer-advocate role whose sole job is to audit the other overseers and ensure they're at least complying with best practices.

But this adds extra complexity and expense to this system.

So one really hopes that in the aggregate the added costs of supervising the supervisors and auditing the expenses and otherwise ensuring that the wards are being treated adequately well are actually producing more value than just leaving those folks to their own devices to be exploited.

I can see why institutionalization was a popular solution for this in decades past. If you can put the wards all in one place and lock them in, it takes relatively few supervisors to manage them all, and in theory if you can check in on the conditions regularly and make sure there's no wanton abuses.

In practice, the people most drawn to these jobs would, in many cases, be the most likely to want to commit some kind of abuse.

Perhaps it's a class thing or it's just that me and everyone around me has somehow filtered out the crazy.

That's the one. Its a class thing AND you've also filtered out crazies.

I worked as a public defender specifically on a domestic violence docket for about six months. EVERY single horror story you can think of, both in terms of loved ones beating on each other (not just spouses, mind!) and false accusations ruining lives are true, and indeed are happening daily.

Yet... I know of literally nobody in my personal circle of immediate friends and family who has had to deal with that situation.

The level of dysfunction required for someone to actually physically beat someone they care about, or to falsely accuse someone of same, is actually QUITE high. But, there's the bottom, lets call it quartile of the population in terms of impulse control who will absolutely pass that threshold at times.

So if you're drawing most of your social circle from the top two quartiles, with some dipping into the third quartile, then by sheer selection effects, you probably won't know anybody who actually ended up arrested and in court for DV-related reasons.

And be happy for that, in Florida at least the Court system is NOT optimized for helping ensure domestic tranquility, it is there to throw down barriers and inflict punishments and it is very heavy-handed when applying both, so it is a very unpleasant system to interact with whether or not you're guilty of what you've been accused of.

Far be it from me to criticize the economics of an action film, but yeah, there genuinely CANNOT be enough contract killings needed in this world to justify the number of assassins that populate New York.

I can imagine that intergang warfare flares up from time to time which requires hiring on more talent, but if most of them have enough downtime to just hang out in the city, and need money badly enough to go after the most feared killer alive, there must not be much else going on between gang wars.

And it would nice to portray an assassin who sees the contract to take out John, looks at the monetary amount, shakes his head, and goes back to his crosswords b/c screw that.

My headcanon is that "The Table" gets involved in international politics by taking contracts from nation-states to kill elites/politicians/businessmen in other countries and this is where most of the money in the assassin economy comes from, and the main reason they maintain such strict procedures and rules, so that various governments 'trust' them to keep things orderly and in exchange, tolerate their existence rather than declare war on them.

There's literally nothing shown in the movies to corroborate this, of course.

That visceral sense of fear, the impression that John was going up against competent foes and beating them through sheer skill? Gone.

I mean, being fair, at this point a competent foe would have a small army of snipers watching out for John. And might just fire a grenade launcher at him if he shows up (it almost worked the first time they tried it). So there has to be some kind of suspension of disbelief or unspoken code for the fights to unfold the way they do.

I do really find it annoying that the first movie basically made him an ultra-capable one-man-army in a relatively grounded criminal underworld, but as that criminal underworld was expanded, it became WAY less grounded. And so did John's capabilities.

By the third it is implied that "The Table" functionally runs the world?

I dunno. I like the smaller scale ideas like the Continental being a sacred space where ceasefire is enforced, high class gun and clothing stores in major cities that specialize in outfitting assassins, and the local cops being clued in/on the payroll, which helps explain why they don't interfere when stuff pops off.

Basically, the very concept of John Wick works best in a world where criminals/crime syndicates have a heavily enforced honor code, but are also constantly fighting with each other and stay completely in the shadows, vs. going balls to the wall in a busy street. Simple fridge logic: why the fuck don't the bystanders in cars just STOP when they see a shootout occurring? Also applies to people who keep dancing in a nightclub while men are being slaughtered with axes all around.

Anyway yeah. I will defend the series pretty heavily, but it now operates almost entirely on "rule of cool."

I thought it was dumb as hell, but everyone around me and everyone online said that it was awesome.

Well, there's the whole problem expressed by OP in a nutshell.

Writing doesn't have to be 'good' if people are that easily impressed and don't think about it too hard.

Fixed the link.

It's this one.

https://youtube.com/watch?v=NDWKRFSZlCM&t=64

This scene in the Mario Movie has NO REASON TO EXIST, they don't resolve anything, it lasts less than 2 minutes, there's no real danger, and they just solve the problem without even thinking about it, and get back to the storyline. Literally the next scene leads into the final showdown.

The whole movie feels like this.