@07mk's banner p

07mk


				

				

				
0 followers   follows 0 users  
joined 2022 September 06 15:35:57 UTC
Verified Email

				

User ID: 868

07mk


				
				
				

				
0 followers   follows 0 users   joined 2022 September 06 15:35:57 UTC

					

No bio...


					

User ID: 868

Verified Email

A place where I've noticed the whole "self-improvement is right-wing" meme being true has been in fictional media. In recent years, a number of films (e.g. Star Wars, Captain Marvel) and TV shows (e.g. She-Hulk: Attorney at Law, Rings of Power) - all of them made by openly progressive people openly pushing a progressive agenda - have been criticized for what some have disparagingly called the "HER-o's Journey," wherein the heroine, often fairly boring or unlikeable from the start, goes through a character arc where she discovers that she was actually always as awesome as she always believed she was, realizing that all her problems were the fault of everyone else who couldn't see her innate awesomeness that was always within her. This is obviously meant to contrast with the classic "Hero's Journey," which tends to involve a hero going through a character arc where he struggles with and overcomes some flaw he has, allowing him to overcome some obstacle at the climax. It'd be easy to say that this is a projection of how women and men relate to each other IRL, where women judge if men are good enough for her while men improve themselves to become good enough for women, but I don't think it's that simple, since, AFAICT, fictional media that follow this type of narrative tend not to be particularly liked by women any more than they are by men. But to add on to this whole "refusal to self-improve" phenomenon, when these works underperform commercially, usually the creators of these works tend to blame the fans for failing to understand their value, rather than blaming themselves for failing to deliver something that fans would want to give money for.

More broadly, these phenomena both tie into something Jonathan Haidt has talked about with respect to modern leftist politics, which is that he sees it as "reverse-cognitive behavioral therapy." One well known trope in CBT is that one reframes "this person caused me to feel this way" to "this person did this, and I responded by feeling this way," which obviously shifts the locus of control from external to internal. Much of the modern left is informed by the idea of discovering one's true self and being in touch with one's emotions, which often rounds down to just trusting every feeling that goes through one's mind as true and valuable and projecting it onto the world - this is something we obviously see coming from all sides all the time, but the modern left particularly encourages this as virtuous for people who have been deemed oppressed.

Another disparate thought I have is that the left has long been associated with support for religious and sexual minorities, who have traditionally been oppressed by a society that would treat them as second class citizens for believing the things they believe. In such a setting, trusting one's own feelings over what society tells you is considered a righteous act of rebellion, and it's not at all a leap to go from that to the belief that any sort of belief in improving oneself is actually an internalized form of the oppressive standards that society imposes on you. I also wrote in another comment that the connection to postmodernism makes it so that it's easier to disconnect one's beliefs from base reality, which in this case is the belief that any negative health effects of being fat or obese are purely imposed by society and disconnected from biology or physics. This also connects with beauty standards, where the notion that skinny, fit women being considered attractive is deemed to be a purely arbitrary societal invention.

I don't know that there's any theory that neatly ties all this together. I'll just say, as someone who's been a leftist Democrat all my life, seeing Democrats whine about Republicans for so many decades without taking responsibility to improve themselves has largely made me check out of politics over the past half-decade to a decade. The idea that it's our responsibility and only our responsibility to shape our message to win over Republicans and independents to our cause, and that these people who disagree with us have no responsibility to be convinced by a message they don't find convincing just doesn't seem to occur to them. That said, I'm seeing this from the inside of just one side, and so maybe this exact same type of passing-the-buck phenomenon happens just as much in the other side.

I think there's something to this. Particularly in how so many character dynamics seem to reflect stuff that might be the most stressful part of a modern writer's lives, just transplanted to some fictional setting, such as, e.g. a fantasy princess rebelling against her arranged marriage in favor of her lesbian love interest, as was the case in Willow, I believe. Or in Star Wars, Admiral Holdo talking down to her hotshot male underling Poe for being a hotshot male who is upset that, as the leader, she hasn't communicated to her troops any information that would give them confidence that she has a plan for keeping the Resistance alive. There's just no sense that the writers had any understanding of the way people in these roles and with these responsibilities think and operate.

This extends to action scenes, of course, which break laws of physics in egregious suspension-of-disbelief-breaking ways that, say, Jackie Chan or even wire-fu Jet Li films didn't, which shows how little the choreographers or directors knew about actual combat and making it look believable (not necessarily realistic) within the setting. To say nothing of the even greater crime against good taste with the terrible camera work and uninteresting choreography you see in so many works (e.g. even the terrible The Matrix Revolutions from 2 decades ago had better choreography in its worst action scene than the even worse Resurrection had in its best one).

But I think there has to be more than this, because one very common refrain you see from writers in general and certainly the types of writers who support the promotion of (certain) agendas in writing is the power of fiction and narrative to change and influence people. There is no shortage of fiction from the past that they could learn things like how military structure works and why it works that way and how that would look when transplanted to a similar situation in a galaxy far, far away. It takes non-trivial research to get all this right, but personal experience, direct or indirect, isn't a requirement for writing these things well, or at least much better than what we're seeing these days.

And the fact that we see incredible incompetence in following basic narrative rules like characters going through arcs or setup and payoff also points at a deeper issue. These are things that someone who got a C in an undergrad creative writing course would understand and avoid. Some of it is surely that the garbage of the past got forgotten, so we're comparing the best of the past to the average of today. But there are like-for-like comparisons that can be made. E.g. the recent live-action Pinocchio remake presenting Pinocchio as an innocent bystander who only ever got dragged to doing bad things instead of giving into his temptations and learning from the negative consequences of them, along with his iconic lying-leads-to-nose-lengthening being used to help him get out of the cage instead of being punishment for lying to the fairy, shows that the writers simply didn't have a handle on the underlying themes of the story. They say that rules are made to be broken, but they also say that you should understand a rule before you break it, and the understanding of why these narrative rules were determined to be so good and useful that they were labeled as "rules" in the first place seems to be missing.

First of all, I do think this post is pretty much just "why is my idiotic outgroup so idiotic as to believe in idiotic things?" and not the kind of thing I like seeing here, personally.

Second, I think the things you describe about biology-denial is common not just in "wokes" but in much of the general population as well. The wokes certainly are the most fervent believers in it and also one of the primary driving forces that push it onto the general populace, but they're by far not the only ones to buy into the denialism hook-line-sinker.

Third, I think the answer to your question is just that most people don't actually care to do the research into this stuff. Most people, wokes included, follow a sort of cargo-cult version of principles that happen to be convenient for them in the moment, not principles themselves. An example that comes to mind - because it was one of the first I noticed back in my SJW days - was wokes (perhaps proto-wokes? "Woke" wasn't nearly as common a term back then as it is now, and they were usually called SJWs) calling opinions they disagreed with "gross" as a way to denigrate them. It came as a shock to me, because those same individuals had spent the past decade denigrating the notion of objecting to something on the basis of personal disgust in the fight for gay rights and gay marriage. Yet there they were, objecting to something on the basis of personal disgust. It made me realize that they mistakenly believed they were principled; it wasn't that they believed in the principle of non-judgment on the basis of disgust while their conservative opponents didn't, it was that they just didn't find gay marriage disgusting and so had no issue with using such a principle as a convenient momentary tool with which to beat down their conservative opponents.

So when it comes to science and specifically the evolution of the human brain and human societies, they don't actually follow the principles of science to do the research into figuring out truths about the universe, they just think cheering really loudly for the banner that says "science" on it while pushing all the same ideas they already believe in is what it takes for them to be pro-science.

I don't think this is unique to wokes. It's perhaps particularly worse in them than many other ideologies, because woke-ism specifically has concepts designed to turn off critical thinking. But then again, that's not exactly unique to woke-ism either. It just happens to be the one that is acceptable to people who consider themselves pro-science through optimizing itself to have the most convincing, shiniest pseudo-academic/pseudoscientific veneer that hides the fact that it's all made of cardboard.

I've been pretty obsessively playing around with AI image generation the last 3 or so weeks, and after learning what I have in that time, it's struck me how the culture war arguments seem to miss the contours of the actual phenomenon (i.e. like every other culture war issue). The impression that I got from just observing the culture war was that the primary use of these tools was "prompt engineering," i.e. experimenting with and coming up with the right sets of prompts and settings and seeds in order to get an image one wants. This is, of course, how many/most of the most famous examples are generated, because that's how you demonstrate the actual ability of the AI tool.

So I installed Stable Diffusion on my PC and started generating some paintings of big booba Victorian women. Ran into predictable issues with weird composition, deformities, and inaccuracies, but I figured that I could fix these by getting better at "prompt engineering." So I looked at some resources online to see how people actually got better at this. On top of that, I didn't want to just stick to making generic pictures of beautiful Victorian women, or of any sort of beautiful women; I wanted to try making fanart of specific waifus characters doing specific things (as surprising as it may be, this is not a euphemism - more because of a lack of ambition than lack of desire) in specific settings shot in specific angles and specific styles.

And from digging into the resources, I discovered a couple of important methods to accomplish something like this. First was training the model further for specific characters or things, which I decided not to touch for the moment. Second was in-painting, which is just the very basic concept of doing IMG2IMG on a specific subset of pixels on the image. (There's also out-painting which is just canvas expansion + noise + in-painting). "Prompt engineering" was involved to some extent, but the info I read on this was very basic and sparse; at this point, whatever techniques that are there seem pretty minor, not much more sophisticated than the famous "append 'trending on Artstation' to the prompt" tip.

So I started going ahead using initial prompts to generate some crude image, then using IMG2IMG with in-painting to get to the final specific fanart I wanted to make. And the more I worked on this, the more I realized that this is where the bulk of the actual "work" takes place when it comes to making AI images. If you want to frame a shot a certain way and feature specific characters doing specific things in specific places, you need to follow an iterative process of SD-generation, Photoshop edit, in-painting-SD-generation, Photoshop edit, and so on until the final desired image is produced.

I'm largely agnostic and ambivalent on the question of whether AI generated images are Art, or if one is being creative by creating AI generated images. I don't think it really matters; what matters to me is if I can create images that I want to create. But in the culture war, I think the point of comparison has to be between someone drawing from scratch (even if using digital tools like tablets and Photoshop) and someone using AI to iteratively select parts of an image to edit in order to get to what they want. Not someone using AI to punch in the right settings (which can also be argued to be an Art).

The closest analogue I could think of was making a collage by cutting out magazines or picture books and gluing them together in some way that meaningfully reflects the creator's vision. Except instead of rearranging pre-existing works of art, I'm rearranging images generated based on the training done by StabilityAI (or perhaps, the opposite; I'm generating images and then rearranging them). Is collage-making Art? Again, I don't know and I don't care, but the question about AI "art" is a very similar question.

My own personal drawing/illustration skills are quite low; I imagine a typical grade schooler can draw about as well as I can. At many steps along the process of the above iteration, I found myself thinking, "If only I had some meaningful illustration skills; fixing this would be so much easier" as I ran into various issues trying to make a part of an image look just right. I realized that if I actually were a trained illustrator, my ability to exploit this AI tool to generate high quality images would be improved several times over.

And this raises more blurry lines about AI-generated images being Art. At my own skill level, running my drawing through IMG2IMG to get something good is essentially like asking the AI to use my drawing as a loose guide. To say that the image is Artwork that 07mk created would be begging the question, and I would hesitate to take credit as the author of the image. But at the skill level of a professional illustrator, his AI-generated image might look virtually identical to something he created without AI, except it has a few extra details that the artist himself needed the AI to fill in. If I'm willing to say that his non-AI generated images are art, I would find it hard to justify calling the AI-generated one not art.

Based on my experience the past few weeks, my prediction would be that there will be broadly 3 groups in the future in this realm: the pure no-AI Artists, the cyborgs who are skilled Artists using AI to aid them along the process, and people like me, the AI-software operators who aren't skilled artists in any non-AI sense. Furthermore, I think that 2nd group is likely to be the most successful. I think the 1st group will fall into its own niche of pure non-AI art, and it will probably remain the most prestigious and also remain quite populous, but still lose a lot of people to the 2nd group as the leverage afforded to an actually skilled Artist by these tools is significant.

Random thoughts:

  • I didn't really touch on customizing the models to be able to consistently represent specific characters, things, styles, etc. which is a whole other thing unto itself. This seems to be a whole vibrant community unto itself, and I know very little of it first hand. But this raises another aspect of AI-generated images being Art or not - is it Art the technique of finding the right balance when merging different models or of picking the right training images and training settings to create a model that is capable of generating the types of pictures you want? I would actually lean towards Yes in this, but that may be just because there's still a bit of a mystical haze around it to me from lack of experience. Either way, the question of AI-generated images being Art or not should be that question, not whether or not picking the right prompts and settings and seed is.

  • I've read artists mention training models on their characters in order to aid them in generating images more quickly for comic books they're working on. Given that speed matters for things like this, this is one "cyborg" method a skilled Artist could use to increase the quantity or quality of their output (either by reducing the time required for each image or increasing the time the Artist can use to finalize the image compared to doing it from scratch).

  • For generating waifus, NovelAI really is far and away the best model, IMHO. I played around a lot with Waifu Diffusion (both 1.2 & 1.3), but getting good looking art out of it - anime or not - was a struggle and inconsistent, while NovelAI did it effortlessly. However, NovelAI is overfitted, making most of their girls have a same-y look. There's also the issue that NovelAI doesn't offer in-painting in their official website, and the only way to use it for in-painting involves pirating their leaked model which I'd prefer not to rely on.

  • I first learned that I could install Stable Diffusion on my PC by stumbling on https://rentry.org/voldy whose guide is quite good. I learned later on that the site is maintained by someone from 4chan, and further that 4chan seems to be where a lot of the innovation and development by the hobbyists is taking place. As someone who hasn't used 4chan much in well over a decade, this was a blast from the past. In retrospect this is obvious, given the combination of nihilism and degeneracy you see in 4chan (I say this only out of love; I maintain to this day that there's no online community that I found more loving and welcoming than 4chan).

  • For random "prompt engineering" tips that I figured out over time - use "iris, contacts" to get nicer eyes. "Shampoo, conditioner" seems to make nice hair with a healthy sheen.

I ask, after seeing Musk apparently fail to understand Wikipedia costs money to provide, who wouldn't?

The most charitable read here is that Musk thinks Wikipedia deserves less money, not no money

The link goes to a screenshot of Musk's Tweet, whose first sentence is (emphasis added):

Have you ever wondered why the Wikimedia foundation wants so much money?

Note the bolded "so much," which was not "any." As such, it actually isn't the most charitable read here that Musk thinks Wikimedia deserves less money, not no money, it's the obvious and straightforward read. And it's a highly uncharitable, to such an extent as to be just plain wrong read to say that this indicates a failure to understand that Wikipedia costs any money to provide.

To address the actual question of the post, I think it's notable that even midwits (I hate this term, but whatever, it's the original term used here and it conveys the meaning well enough) tend to look down on people who infer the broad competence of someone in some general endeavor based on a highly uncharitable and downright twisted interpretation of a single Tweet made by that person. Such an inference is so obviously unjustified and so obviously reflective of the interpreter's mentality rather than that of the person making the Tweet that it takes very little intelligence to understand that.

Series co-creator Will Graham became greatly concerned about bias built into Amazon’s system for evaluating shows, which multiple sources say often ranked broad series featuring straight, white male leads above all others.

...

Still, several Amazon veterans believe the system remains too dependent on those same test scores. “All this perpetuation of white guys with guns — it’s a self-fulfilling prophecy,” says one. And another: “Relying on data is soul crushing … There’s never, ‘I know the testing wasn’t that great, but I believe in this.'” Graham declined to comment.

As someone who grew up in an environment where third wave feminism was just taken for granted as the obviously correct thing (well, really 2.5th wave, I suppose, and it was just called "feminism"), I'm reminded of the basic attitude that I noticed there, which I'd sum it up as "feminism can't fail, it can only be failed." I've noticed this sort of attitude being a very strong feature of the downstream cluster of ideologies that have followed since, i.e. "identity politics," "SJW," "woke." There's this strong and constantly reinforced idea that we know that our ideology is the obviously correct one that we only need to present to others whose sole correct response is to agree and submit. Any sort of pushback is necessarily a failure on the part of those pushing back, reflecting their bigotry/stupidity which we have no responsibility to account for. This is the core of a lot of the very popular and influential memes in this space like "sit down and shut up," "white fragility," or "tone policing."

But when you're making products for a business, you run into the issue of actually having to appeal to potential customers so that they give you their money for the product. I think the principal-agent problem is certainly at play here, where the decision makers are motivated to push the kind of media they believe ought to be produced, regardless of their profitability. And if the audience doesn't reward them with their money, then so be it; these people are stupid bigots, and even if our company fails, at least we were morally righteous along the way.

But the reality of the market is that without that income, you eventually run out of people willing to fund your videos. This can take a long time, but most people still understand that it's unlikely to go on forever, which I think leads to a couple of different strategies. One is to use the same bullying tactics referenced above in sociopolitical situations, to try to shame the audience into giving them their money. I believe Amazon's Rings of Power's marketing had some of this with the emphasis on the diverse cast and accusations that believing that the racial diversity of some of the isolated population groups would take away from the immersion was bigotry. And more broadly, it's been a popular tactic in the industry with the creators of films like Bros, the Charlie's Angels reboot, and Terminator: Dark Fate outright saying that supporting their films was what good open-minded people would do. This tactic has worked extremely well in sociopolitical contexts where social or outright coercion are options, but I think in media it has had very little success at all.

The other strategy I see, a much more long-term one, is emphasizing socialism or some similar variant of anti-capitalism as the obviously correct way to move society towards. The idea being that without capitalism, video producers would be free to create whatever without constraints based on the audience and as such the media landscape would be more full of the morally correct kind of media, which would then help to reinforce the morally correct sort of sociopolitical views in society. Whether or not this kind of scenario is realistic, I think many people truly believe it, and that's why someone like, say, Anita Sarkeesian, one of the most famous and influential 3rd wave feminists in media in the past decade, has openly come out against capitalism.

The podcast Sold a Story claims that “whole language” and “balanced literacy” became mainstream curricula for reading instruction in American schools despite the fact that they are almost certainly trash.

I'm not sure that "despite" belongs there for any sort of widespread policy, government or otherwise. It just seems to me that "is this thing almost certainly trash?" simply isn't a thought that crosses anyone's minds when implementing this kind of stuff, and certainly not when they're following it. It's more, "Can it convincingly appear to people, especially people I consider important, to be effective?"

But to get away from the snarky cynical aside, I must admit that I find myself feeling little vindicated at learning of this. I'm a Korean immigrant to the USA, and I had immense difficulty learning how to read English when I first moved here, starting from no English knowledge at 1st grade. There was one lesson that was a huge breakthrough for me, which was when my father sat me down one day and wrote out for me each of the 26 letters and then the Korean (Hangul) next to each that came closest to the pronunciation of that particular letter. (E.g. "아" for "a"). From then on, I was able to mentally map English letters to Hangul and sound them out that way, eventually internalizing the English directly and getting to the point where my English reading was better than my Korean.

This had its issues, since English doesn't neatly map letters to sounds like in Hangul. And not just exceptions, but just standard usage - e.g. is the letter "a" more commonly pronounced like in "dab" or like in "haha" or like in "anus?" I don't know. Whereas "아" is always - almost definitionally - pronounced like the "a" in "haha." But it was, in my case, still evidently good enough to use as a base to make me reach the point where my reading skills were indistinguishable from that of a native.

I always assumed that my experience was atypical. Now I'm wondering how many students learning English are suffering like I did, but without having access to that sort of breakthrough lesson where they're taught explicitly the phonemes of each letter.

What made them think hiring subpar writers, rewriting lore, rewriting characters of one of the most popular fantasy IPs while simultaneously drafting off of the brand was a good idea? It feels like the motive isn't even to make money but solely to push an agenda, but who would do that?

I don't think they thought they were hiring subpar writers. I think they just have a different measure of what a quality writer is compared to the general public. When people who push this sort of agenda say that having representation of people of certain races/genders/sexualities makes a piece of fiction better, I think they actually believe it. They really do believe that if you take an existing successful franchise and tack on a story that appeals to such sensibilities with diverse characters or allegorical plot threads, it makes the work, in some real meaningful way, better. And thus hopefully more successful. And so they prioritize doing just that.

But, of course, there's no such thing as prioritizing everything at once. If you prioritize the messaging, you necessarily put less priority on the actual quality of the work in terms of things like world building, character development, interesting plot, etc. And making a good TV show isn't easy; you can't just de-prioritize those things and expect to end up with good results. But, again, the people making this stuff genuinely believe that the messaging is what makes the TV show good. There's much to be skeptical about when it comes to the narrative of Hollywood/filmmaking leftists being too far in their own echo chambers to understand what appeals to the general public, but the more I observe the leftist echo chambers in my own environments, the more I can believe in such a narrative.

Of course, such delusional beliefs do have to encounter the stark reality of revenue and watch numbers, but culture like this tends to turn slowly, and there's enough money to keep them afloat and going. And the always-dependable narrative that "we didn't fail the audience; the bigoted audience failed us by refusing to watch our show" (examples abound, but the recent Billy Eichner movie comes to mind, as well as the Charlie's Angels reboot-reboot from a couple years back), followed by "but next time, as the march of progress continues on and our side gets more and more vindicated as being the right side of history, the audience will be receptive to our correct notion of what constitutes quality."

Your post brings to mind something Jonathan Haidt has been saying for a while, which is that modern SocJus/idpol/wokeness/progressivism/etc. is performing anti-Cognitive Behavioral Therapy on the populace (one contention of his being that this is largely responsible for increase in mental health issues among teenagers and teenage girls in particular). CBT teaches various techniques for dealing with negative experiences, such as decatastrophizing - not jumping to the worst conclusions based on the data - or taking ownership of one's reactions - instead of "this made me feel bad," it's "this happened, and I reacted by feeling bad." These have obvious direct negative counterparts in SocJus, with microaggressions being explicit calls to presume some sort of bigotry from ambiguous behavior, and claims that speech that one deems as hateful are directly responsible for literally harming that person.

From my mostly nonexpert layman perspective, as someone who grew up immersed in the antecedents of modern SocJus, I definitely think there's a lot of truth to this. One example that really struck me happened way back in 2016 after Trump got elected, and a lesbian I knew was literally shaking for fear that it would be at most a couple of years before she would be sent to death camps. I recall being baffled by how absurd a belief that was, and how clearly her suffering was caused by all the people who had actually convinced her that Trump would be the next Hitler, rather than by Trump and his ilk.

To a large extent, I think this isn't even particularly malicious or intentional. The phrase I keep thinking of when I encounter other leftists in CW contexts is "cargo cult." There's just a real lack of understanding of how things work and a deep belief that pantomiming the general behavior of things that did work in the past is how to make things work. One example would be the anti-climate change "strikes" by kids not going to school until They do Something about the Problem. Strikes worked because they were literally workers that company owners needed to literally do stuff so they could literally make money from real customers; kids not going to school doesn't put any such pressure on governments. A more minor but much more common example is calling people "Nazis" as a way to discredit them; Nazis weren't bad because there's something magical about the syllables "nah" and "zee" when put together in order; they were bad because of real things they really did to real people using real guns held by real men.

Likewise, awards like Hugo's aren't prestigious or well-regarded because there's some ceremony and the author gets a fancy statue or whatever; it's because there's some credibility in the institution that chooses the award recipients that provides a sort of promise that the works they selected meet some level of quality that readers value. Handing out awards to people based on sociopolitical preferences doesn't give prestige to those sociopolitical preferences, it just kills the credibility of the awards.

My guess is that this sort of thing is just as common in the right as well, but I just don't see it because I'm a leftist who's mostly exposed to leftist things.

He compares the situation to Germans hating Jews, or Hutus hating Tutsis, but in both of those cases, the party on the offensive accused the other party of a pretty specific set of misdeeds. Those accusations may have been false, but they mobilized a lot of hatred. It appears that the Blue Tribe today does not accuse the red tribe of anything specific at all (barring some attempts that certainly haven't had the hoped-for effect, like mass Residential school graves or Jan 6). One might point back to the legacy of slavery or something, but that is largely absent from other Western histories, and the tribes have sorted themselves out the same way, with even more hostility, as in Canada, where the Blue hatred for Red (using the american color scheme for consistency) takes the form of quite overt punching-down.

As someone who was essentially born into the Blue tribe of the culture war and raised to be its soldier, I think you almost have it with "legacy of slavery," but rather, it's the broader oppression narrative, of which the legacy of slavery is one type. When I was growing up in the 90s and 00s in the bluest of blue areas, this oppression narrative was just taken for granted as Obviously True, with the notion that all the Bad Stuff like slavery, misogyny, homophobia, etc. in our society could be gotten rid of, while keeping all the Good Stuff we like, if only those ignorant people would stop holding up these old, decrepit, sexist, racist patriarchal structures. There was generally a real sense of pity for these ignorant bigots, though certainly there was some disgust as well.

It seems that in the decades since I was in school, this kind of teaching has only become more common in schools in less-blue and non-blue areas. It also seems to me that encouragement of active disgust instead of condescending pity has come into vogue in that time. Given that, I don't think Blue tribe's nigh-genocidal hatred of the Red is that surprising.

Of course, this just moves the question back a step: why is the Blue tribe teaching its kids in such a way as to make them believe this narrative about the evils of the Red tribe? I think that's a result of status games without correction. Much of the ideas behind this oppression narrative came from academia, and specifically parts of academia that are largely allergic to empirical testing. Sans empiricism, success in the field became even more about winning status than it normally is, which freed people to make more and more extreme statements (e.g. any old idiot can argue that murder is wrong, but it takes a true genius academic to argue that murder is right) without the messy real world getting in the way. And so teachers taught the (then-current) endpoints of these runaway status games to their students under the wholehearted belief that they were teaching something verified to be True.

Of course, that just moves the question back another step: why did the Blue Tribe allow the humanities in academia to be so freed from empiricism and basic checking as to allow status games to dominate over truth? That one's probably above my pay grade, but my guess would just be generic laziness, nothing interesting in particular. Doing rigorous analysis of anything is tough, and the appeal of taking shortcuts is always there even when you know others will critique your work. When you can be confident that others won't, and this becomes common knowledge among everyone in the field... it'd be surprising if it even accidentally produced truth even once.

I’ve sometimes heard that the left wing takeover of corporate America is a hollow one - they don’t REALLY cars about minorities, just look at umm their Middle East twitter accounts! They care about $$$ and aren’t true believers

The whole thing about the corporations not really caring about these ideologies but are just mouthing the words is what always struck me as hollow. Given that their actions and words are indistinguishable from that of a true believer, why does it matter the true content of their heart of hearts? In terms of consequential actions and decisions, they might as well be true believers, and that's really what matters.

In terms of the actual question of whether they really are or aren't, I think one can make the case that they really are true believers who are willing to sacrifice $ for ideology, but I think it's also likely that they care about $ but are mistaken about how effective the ideology would be for getting them more $. Where things can get messy is that the ideology itself also posits that following the ideology is a route towards more $ and all the other backwards companies that haven't bought into the ideology are leaving $ on the table (implying those backwards companies are the ones prioritizing their status-quo/"regressive"/"conservative" ideology in favor of $). So it could be that they're true believers who got fooled into believing that this was how to make $, or they're profit-hungry cynical capitalists who were misled by the ideology's claims that it will bring in $.

Obviously, any set of decision makers in a large company like Disney is likely to have plenty of both. What's notable is that there seem to have been no decision maker (with enough power, anyway) who was enough of a cynical profit maximizer to actually properly analyze the ideology's claims of profitability and to put a stop to this kind of ideology-prioritizing behavior. I think the way the ideology discourages skepticism and critical analysis of its claims - in fact, encouraging the coercive suppression of such things - could have played a part in the lack of such decision makers being present or being emboldened enough to push back.

I assume the creator chose this because he couldn’t make a pie chart that cheats so hard.

I can't recall where I saw it, but I saw some newspaper clipping a while back that just straight-up had no correlation between the pie chart size and the percentage. With subtle manipulation, this would be hard to detect and could even be plausibly denied as intentional manipulation rather than carelessness, but this one, IIRC, had a sliver with a number greater than 50% over a slice whose arc was clearly under 180 degrees. It certainly made me more careful about paying close attention to every part of a chart and their correlation to the underlying data whenever I encountered a chart in some article. Which kind of defeats the purpose of charts, but what can you do.

I am genuinely baffled by the efficacy of this sort of questioning when it comes to public optics. Are people not interested in or capable of putting themselves in the shoes of the individual being questioned?

What does putting oneself in the shoes of the individual being questioned have to do with it, though? We can empathize with dishonest, bad people while still appreciating it when they get more revealed for being dishonest and bad to more people. When someone like SBF gets put on trial and convicted, I can empathize with him while also appreciating that it is a good thing that our court system coordinated to kidnap him, judge him, and condemn him to imprisonment for some amount of time, TBD.

When I watch this sort of dishonest badgering with such an obvious goal behind it

I think this sort of badgering works in cases like this where there's an obvious noble - if controversially so - goal behind it.

So that story is entertaining on its own right, but it's also an interesting examination of the best ways to respond when someone points out an error of yours. Speaking for myself as someone who jumps at the opportunity to self-label as an egotistical narcissist, it seems like adopting a regular habit of admitting mistakes is plainly self-serving. It's almost a cheat code for how well it can bolster one's credibility, and I don't understand why it's not more common.

The basic contours of being motivated to save face are obvious enough, sure, but the part that continues to be absolutely bewildering to me is that dogged stubbornness only makes you look worse! I'm guessing there must be some other benefit here (assuming, of course, people who refuse to admit error are behaving remotely rationally) but I can't understand it.

I'm reminded of a quotation by Elena Gorokhova in her memoir about living in the Soviet Union, A Mountain of Crumbs, a version of which is commonly (mis-?)attributed to Aleksandr Solzhenitsyn:

The rules are simple: they lie to us, we know they're lying, they know we know they're lying, but they keep lying to us, and we keep pretending to believe them.

The idea seems to be that, if you have absolute power over your audience, then you don't need to bother with all that "credibility" nonsense. You just tell them whatever you want to tell them, and you don't particularly care if they believe you or not, because they have to pretend to believe you, lest they face the consequences.

Nowadays there are guys that brag with their inability to change a flat tire (true story).

I'm actually curious, what exactly is the brag here they were making? I've encountered people who can't change their own flat tires, but I've yet to encounter one who was anything less than sheepishly ashamed of this, much less proud enough to brag about this lack of ability on their part. Is it just that they enjoy such a luxurious life that they can just throw money at people to do this for them, even in unplanned emergencies?

Nowadays we live in the opposite culture - knowing is discouraged. The car works by magic, the iphone works by magic, the washing machine too.

I'm reminded of anecdotes I've heard from teachers mentioning that their students today don't understand computer filesystems. Everything is just done via app, and the idea of using a browser to download a file to a folder on their hard drive, then navigating to that folder in an explorer program, copying the file to another folder where it needs to be, and opening it with another application or whatever is completely foreign to them. It sort of makes sense given the environment in which they grew up and learned computers, and it seems similar to my own attitude towards cars, which is that they really are just a black box magic, and if something goes wrong, I go to my local mechanic magician to get it fixed. Because learning the magic myself just seems like more trouble than it's worth. When I was learning computers, I had to learn the filesystem to actually accomplish anything. Now, kids don't have to, so they don't.

I'm not sure if this is a good thing or a bad thing or either.

I'd like to discuss the best ideas my political opposition has, but I'm increasingly concerned that "signal boost liars" is the best idea my political opposition has--or, if not their best idea, maybe just their most pragmatically effective.

I don't think that's is a very charitable way of describing this, but I do think there's a grain of truth to this that could lead to fruitful discussion. When I read this description of what happened, not having heard of this person before and taking the top-level post at its word, the first thing I was reminded of was the affair of Jussie Smollett, whose hate crime hoax was initially met with immense amounts of support and sympathy, leading to a TV interview where he theorized that the supposed hate crime was motivated by his outsized criticism of "45," i.e. Donald Trump, before the absurdities in his story quickly caused the public perception tide to turn against him. I think anyone with a clear head or a belief in ethics would have recognized the hoax was both bad in itself and highly likely to be bad for himself, but I'd wager Smollett had neither. And the adoration that he received in the brief period before his story broke down was very real and very sizable, something I'm guessing he truly got a lot out of.

And this in turn reminded me of the affair of Jackie Coakley, the University of Virginia student whose story of being gang-raped as part of an apparent frat house hazing ritual was the basis for the Rolling Stone article A Rape on Campus by Sabrina Rubin Erdely which made waves about 10 years ago before it was retracted by the publication for purportedly lacking in veracity. I don't remember it too well, and Coakley wasn't a public figure like Smollett who actively tried to publicize herself, but I recall what little we got from her was that she genuinely stuck to her guns that the story was real, despite the lack of evidence.

What these highlight to me is that there are some people who are so narcissistic and lacking in a sense of ethics and honesty that they're willing to lie in an effort to gain... something that feeds their egos. I don't know if it's called sociopathy or what, but I feel like it's very similar to the kind of mentality we see in (people I think are) scam artists like Elizabeth Holmes of Theranos or possibly Sam Bankman-Fried or the guy who ran the Fyre Festival or Travis Pangburn. Who knows why they are the way they are, but they're that way, and they'll likely always be with us.

So as a society, it falls on the rest of us to have norms and rules and laws that allow us to accurately detect and prevent/punish people like that. And I think if you want to be charitable to your "political opposition," their failure is that they've created an environment that provides weak points for people like that to attack.

Another thing associated with your "opposition" I was reminded of when reading this post was "Believe Women" (FYI the fact that Jones in this story is a woman is tangential to the point I'm making, not least because her claim isn't one of sexual abuse). There is some controversy over what this actually means, muddled by the fact that "Believe All Women" was also a common variant of the phrase for a time, but the most charitable version of it that I've encountered is something like, "In the past, accusations by women against abusers were automatically treated with hyperskepticism, leading to many men to get away with abusive behavior, leading to more women being abused. Like it or not, you, by nature of living in this society, are also infected with this tendency towards hyperskepticism. In an effort to correct this injustice, you when judging the veracity of the next woman's claim of being abused, you should err on the side of believing her." This most charitable version still literally means that you personally should override what you personally believe to be your best judgment: your very ability to judge is not to be trusted, in favor of, well, "Believe Women."

The "Believe Women" meme is only one in a long line of similar memes and messages about overriding one's own best judgment in favor of taking claims at their word based on the particular scenario and identity. "Lived experience" is probably the most famous one. And there's a real belief that this is the ethical and just thing to do here, supported by a scaffolding of narratives around oppression and history and what is really believed to be social science. That the current oppressive structure of society has essentially infected the minds of everyday people with invisible - or "implicit" - biases that tilt them against the words of certain types of people, which must be actively fought against by consciously overriding their very ability to judge things.

When you have this sort of norm of shredding one's skepticism in certain circumstances, it becomes very easy to convince oneself that any particular case that makes one's enemies look bad must fit the circumstances. You do that enough times, and it just becomes automatic, to determine one's own skepticism based on how bad it makes one's enemies look, rather than based on the actual specifics of the situation at hand. And this norm has been pushed and pushed and pushed as the only correct thing to do in many influential leftist circles.

And let me be clear, I don't think this is well intentioned; but what I believe it is is an attempt at being well intentioned. This sort of downstream negative impacts aren't immediately obvious at first blush, but neither are they so counterintuitive and complex that it would take a genius to figure out. Every individual who believes in pushing some sort of sociopolitical message has the responsibility to think through things at least enough to figure this out. And the people who pushed this sort of norm hadn't. And so they failed in their attempt to be well intentioned. But they don't outright believe that "signal boosting liars" is their best idea. They just find themselves doing it because the norms they follow have corrupted their ability to distinguish between liars and truthtellers in cases where the lies are very flattering to their side.

I think this is a trap that everyone everywhere can fall into, and due to the asymmetry between the right and the left, the way it instantiates on the right-wing is different, looking more like authoritarian hierarchical organizations, such as the church. Our society has done a bang-up job in explicitly identifying and subverting such organizations for at least the past few decades, and I think (hope) we're catching up to doing the same for the left versions.

I've heard a variation of this joke, that a man marries a woman hoping she doesn't change, which she inevitably does, and a woman marries a man hoping he will change, which he inevitably doesn't.

People are drawn to that beauty and the imagination of it. “I want to be her” is common among women too. It’s common because the experience is unique, impossible to replicate, impossible to learn, impossible to buy (unless you’re very, very close and can finish the job with cosmetic surgery in your mid teens). And that impossibility of attainment (if you’re not already there) is true for men and women alike. A lot of autogynephilia that transwomen experience seems, to me, to be this almost gender-neutral impulse.

This seems very analogous to a similar and mirrored phenomenon I've been noticing in a non-trans context. Which is, feminists looking at the lives of extremely successful men and ascertaining that but for the patriarchy keeping them down, women could all live lives like those 99th percentile men. When, in fact, the lives of a 99th percentile man is just as out of reach for basically every man as it is for every woman.

One particularly acute example of this I saw recently was in the show Velma - which I haven't watched but watched this clip of - which involved the title character, an Indian-American girl, dressing up as a man and immediately being considered attractive by all the women in school while doing gross things like burping or eating garbage, getting a job over a woman by handing in a paper scribble resume saying "I'm male," winning an art competition over a woman who painted an intricate beautiful painting by rubbing "his" butt over some paint and then over some canvas, and immediately being listened to when taking over a stage during a dance party to order people to go home. The idea that a short, chubby, effeminate Indian boy would enjoy such social/professional advantages in such settings is... something I would consider delusional at best, and the delusion is understandable if the thinking is that every man goes through life like a 99th percentile man.

More broadly, these just seem like the Apex Fallacy.

Many academics posit that the concept of mammalian sexual dimorphism is a conspiracy of straight white men to oppress everyone else.

I don't think "conspiracy" is the right term for what they're positing. They don't believe in some smokey room where all the old straight cis men gather around to coordinate how to socially engineer everyone else to their liking. It's rather an emergent phenomenon in society that is downstream from all the old straight cis men oppressing everyone else. The upshot is that they get to claim vast nefariousness akin to a conspiracy but also get to stay strong in their views when all the evidence indicates that there's no actual men in smokey rooms coordinating anything of the sort. It really is an innovative worldview that has just enough layers of obfuscation to be acceptable to people who consider themselves intellectual while also retaining the passion and fervor that grand conspiracy theories can inculcate in true believers.

And notably, this phenomenon itself seems to be an emergent one, rather than the result of a bunch of power-hungry "academics" coordinating with each other to produce the ideology with the perfect combination of contagiousness and fervor for their audience. Rather, I think it's the result of simple evolution, as similar ideologies that were too conspiracy-minded or not totalizing enough got weeded out, leaving behind the highly optimized ideology that has been so successful in taking over so many institutions today.

4chan is one of the closest things we've gotten to that in the open web, and back when I used to use 4chan with any regularity over a decade ago, I recall thinking that it was not only usable, it was far more usable than any other "social media"-type websites, along with having an overall better social ecosystem (the enforced anonymity might have been the key to that one, though). Seeing how social media websites have evolved in the time since, I get the sense that the comparative advantage of 4chan has only gotten greater (though it seems 4chan itself may have changed in that time to become worse, so who knows).

We’re not going to show the full statue of David to kindergartners. We’re not going to show him to second graders. Showing the entire statue of David is appropriate at some age. We’re going to figure out when that is.

This really caught me off guard. Really, not to kindergartners? He states it as if it's just obvious that no decent person would show this famous statue in its entirety to kindergartners just because it has anatomically correct genitalia. I don't know if it's American prudishness even as an American, since American prudishness has changed a lot in the past 30 years I've lived there. I have to wonder if Donald Rumsfeld's John Ashcroft's, per correction below practice during Bush 2 of covering up breasts of statues when he was speaking in front of them had downstream effects I didn't anticipate.

But I think there's at least something to it; when I was growing up in Korea, it was pretty normal for cartoons and comic books for kids to have full frontal, often in comedic contexts (and always in non-sexual contexts - since sex didn't even mean anything to the target audience of <10 year olds). This was the case for Dragon Ball, a Japanese comic book series which is internationally popular including in both Korea and the US, and in which I discovered censorship of the protagonist Goku's dick and balls when I came to the US and read English localizations.

Also, I was randomly reminded of something from the DVD commentary of the 1999 film Election, a very good comedy about a high school president election, where one of the last scenes of the film starts with a close-up of the genitals of some statue at the Metropolitan museum. Apparently for TV/airplane/otherwise age-restricted versions of this R-rated film, they had to cut that opening shot, despite the fact that the statue was right there at the front of the museum for anyone walking in front of it to see.

Of course, on seeing this news I immediately wondered why it would count as "punishing" women to prevent them from doing something men don't generally have the option of doing (that is, making money by flashing breasts).

Twitch management has generally been known to be sympathetic to what's widely called "woke," and in that worldview, any discrepancy in stats that seem to disfavor [certain classes of people] is automatically definitive proof of some sort of bigotry. We see this in stuff like hiring, school admissions, and crime as well. Here, more women than men get caught breaking these rules, so the rules must be sexist. The reason being that more women break the rules because women, unlike men, have greater opportunity to gain money by breaking these rules are irrelevant.

I must admit, I feel like this is a rhetorical point you're making, rather than genuine confusion, because the people of this ideology tend to be very open about this. I think Ibram X Kendi has a well known quotation that whereever he sees racial discrepancy, he sees racism. It's just that with sexism here.

People stop thinking 'trans' is a thing and it's illegal to call someone by different pronouns than they were born with?

I just want to comment on this one thing, which is that this matches a pattern I've noticed by many people where they just project their own way of thinking to the other side, just reversed. The notion that any meaningfully mainstream pushback against SJ would involve illegalizing calling someone certain pronouns is pretty absurd. It's the SJ side that wants to illegalize such things, and the pushback is by people who want the chips to fall where they may without legal coercion.

Similarly, the pushback against SJ in transness isn't that "trans" isn't a thing - it's that it's a very different thing than what SJ claim it is. Of course, many in SJ would claim that that's the same as saying it's not a thing, but that's just word games; the fact is, the JK Rowlings of the world acknowledge that there is a category of people who identify themselves as "trans" - this clearly is all that is required to think that "trans" is a thing. They just don't believe that "trans" is the kind of thing that places obligations on other people to submit to the person who believes themselves as "trans" in terms of things like pronoun usage, prison assignments, shelters, sports, etc.

According to stats I’ve found, something like 1390 adolescents went on puberty blockers in the US in 2021, out of a population of about 42 million total teenagers. 282 teenagers got a mastectomy. In comparison, 2,590 kids died from a gunshot in that same year.

With those numbers, you’re exceedingly unlikely to know anyone with kids going through those procedures. To me, this just seems like a moral panic amplified through the news in order to distract the masses from real issues - the housing crisis, corruption, school shootings, inflation, wealth inequality, social services being stripped away, the erosion of the middle class. Why do you care about this? Why do trans issues keep getting posted, over and over, when it’s a largely irrelevant issue to the vast majority of people?

If even 139 adolescents of the 2,590 kids gunned down every year were all targeted by followers of the same ideology who were all following a standard playbook on best practices to gun down adolescents and members of that ideology were openly teaching it in public schools with support from public institutions, that would absolutely be a controversial issue that people talk about all the time. Heck, I'm pretty sure that'd apply even if it were just 14 adolescents a year. Salem Witch trials killed what, 19 people like 300 years ago? It's not a culture war issue, but it's still brought up a bunch to this day, in a large part because it was a case of our religious and governmental institutions all being complicit in, if not actively participating in, the unjust killing of those people.

And that's the missing piece from all these things like the housing crisis, corruption, school shootings, etc. At best you can say that social services being stripped away is largely from conservative/Republican ideology, but the rest, there's no particular ideologically aligned group of people actively pushing for this stuff with support from powerful institutions at every level of society. These are mostly just standard-issue societal problems which often do have culture war implications but which lacks any powerful institutions who are full-throatedly yelling to the skies that this is a Good Thing. The amount of people who say they love corruption and want more of it and will shout down anyone who tries to convince others that corruption is a bad thing is too small to matter. Even the Trumps of the world will frame their corruption as actually not-corrupt or a correction to a deeper corruption. In contrast to youths going through medical transition where you do see plenty of people doing those very things, all following a similar playbook from the same ideology which has massive institutional support.