Folamh3
User ID: 1175
I read Chris Jesu Lee's review of Yellowface and thought it sounded like hot garbage.
Folamh3
20d ago
The kernel of truth at the center of this is that even men who are objectively, even wildly, sexually successful can still harbor the sexual resentment that sits at the core of the incel label.
I acknowledge that the phenomenon you're describing is real, but I wish we had separate terms for "men who resent women because they can't get laid" and "men who can get laid, but resent women because of lingering grievances brought about from earlier rejections".
Folamh3
23d ago
I think it's possible to write a great story when you don't feel emotionally invested in it, and equally possible to write a terrible story in spite of feeling very emotionally invested in it.
Folamh3
28d ago
Trembling Mad calls this gerrymandering power. When comparing Germany and Poland, Germany is stronger, ergo Germany's the bad guy - boooo! When comparing Germany and the USA, the USA is stronger, ergo Germany's the good guy - yaaaaay! It entirely depends on how close you zoom in.
I think this illustrates that "sympathising with the underdog" is a fundamentally wrongheaded approach to take in assessing which of two more parties has the moral high ground - once we've established that the weaker party is morally superior, that incentivises bad actors to contrive a narrative in which they're the weak victimised party, Goodhart's law-style. But even in cases where everyone pretty much agrees on which of two parties is strongest and weakest - well, it's still possible to be both strong and morally upstanding, or weak and morally degenerate. Common, even.
My theory is that at any one time, there's one "primary" international news topic which dominates the Anglosphere discourse for months or years at a time. This topic is sometimes coupled with a "local" topic which only dominates the discourse in specific Anglosphere nations. In addition to the primary and local topic du jour, there are smaller secondary topics which take up a great number of column inches for a few weeks, but rarely longer than a fiscal quarter, and never threatening the status of the "primary" topic.
A history of international "current things" in Ireland:
- Brexit (June-November 2016; intermittently recurs as a secondary topic whenever there's a lull in one of the subsequent primary topics)
- Donald Trump election and presidency (November 2016-March 2020)
- Covid (March 2020-December 2022)
- George Floyd/BLM protests (May 2020-September 2020) [I'm cheating a little bit; while the protests were ongoing they seemed to take up exactly as much space in the discourse as Covid, then after they died down Covid returned as the sole current thing)
- Russia-Ukraine war (February 2022-October 2023)
- Israel-Gaza war (October 2023-present)
A history of "local" topics which dominated the Irish discourse almost as much as the dominant topic du jour, but only locally (with some maybe getting a few write-ups in British outlets:
- Death of Savita Halappanavar (October 2012-January 2013) [as noted by @AvocadoPanic]
- Murder of Elaine O'Hara (September-December 2013)
- Introduction of water charges (mid 2013-mid 2014)
- Cancellation of Garth Brooks concerts (July 2014)
- Gay marriage referendum (January-May 2015)
- Berkeley balcony collapse (June-July 2015)
- Traveller mobile home fire (October-November 2015)
- Abortion referendum (February-May 2018, having been a secondary topic for years prior)
- CervicalCheck scandal (April-December 2018)
- Murder of Ana Kriegel (May-July 2018)
- Music Industry Stimulus Package (November 2020)
- Killing of George Nkencho (December 2020-February 2021)
- Murder of Aisling Murphy (January 2022)
- Parnell Street stabbing and subsequent riots (November 2023-January 2024)
Folamh3
7d ago
I saw a woman explaining why she chose bear over man, and almost all of her answers were variants on "bears can't speak, men can" (e.g. no bear ever catcalled me, no bear ever accused me of being a lesbian because I didn't want to have sex with him, no Vietcong ever called me a nigger etc.).
I don't know why you can't just take their word for it. In any other profession, when someone says "I got into this line of work because I'm good at it and it pays well", we generally take that at face value (surely no one believes that every doctor went to medical school because they "want to help people" - the ones volunteering for MSF, sure, but not a dermatologist in the Hamptons). Why, as a culture, are we married to this romantic ideal of the tortured artist, slitting his wrists over the typewriter in pursuit of his muse? Why do I have to believe that the artist sacrificed something of himself in order to produce his masterwork? My opinion of how entertaining a film Dirty Harry is isn't changed by the knowledge that Don Siegel only directed it for the money, and I don't see that my opinion should have changed.
Folamh3
11d ago
If you sign up to a mailing list, and then the company distributes the contents of that mailing list to a third party without your consent, I think that would be in direct violation of GDPR.
Folamh3
9d ago
Everyone tears down the other team's idols. What sets wokeness apart from other ideologies is that they apply this approach to everyone. Freddie deBoer said one of the defining aspects of social justice politics is the belief that "almost everyone you encounter in contemporary society is a bad person". Credit where credit is due, that blog "your fave is problematic" is relentless: in no way do celebrities get a pass from them merely by having the appropriate skin tone or mouthing the right shibboleths. When hardcore woke people say "everything is problematic", they mean it.
Folamh3
20d ago
This entails that men and women who refuse to live up to these ideals are disadvantaged in various ways.
I would substitute "fail" rather than "refuse". No man chooses to be 5'6".
Whenever I watch a film directed by John Carney, I'm left with this very unsettling feeling. Watching his films makes me feel like he's never actually met another human being in his life, that his entire knowledge of what people are like comes from watching other people's movies.
This wasn't always true of Christopher Nolan (the performances in Memento are remarkably naturalistic in spite of the contrived plot), but has become the case over time. No one in Inception, Interstellar, Tenet or Oppenheimer talks or acts like a real person (particularly damning in the latter case, given that 95% of the characters are based on real people who actually existed).
I want to do a sense-check to see if I agree with your core hypothesis. Here are a list of video games which I consider particularly well-written:
- Vampire: The Masquerade - Bloodlines (2004)
- Spec Ops: The Line (2012)
- Soma (2015)
- Max Payne (2001)
- Metal Gear Solid: 1 (1998), 2 (2001), 3 (2003)
- System Shock 2 (1999)
- BioShock (2007)
- BioShock Infinite (2013)
- Portal (2007)
- Psychonauts (2005)
- Detention (2016)
- Oxenfree (2016)
- Gone Home (2013)
- The Stanley Parable (2013)
- Bastion (2011)
- Silent Hill 2 (2001)
- Far Cry 3 (2012)
- Legacy of Kain: Soul Reaver (1999)
- Blood Omen: Legacy of Kain (1996)
I count three games which came out in the past ten years, ten which came out in the ten years prior to that, and eight which came out in the ten years prior to that. This suggests that stories in games were finding their feet in the PS1 era, achieved a creative peak in the late PS2-PS3 era, and have been declining in quality since the onset of the PS4 era, with most of the interesting creative stuff happening in the indie space. However, this is a biased sample, as all of my gaming is done on PC and prior to a few months ago my laptop wasn't powerful enough to run any game which came out in the past five years.
Folamh3
9d ago
I don't think the average woke person or leftist would be that put off learning that Che Guevara was an incompetent loser. But learning that he said something (GASP!) racist...
The term "incel" is generally hurled at three categories of men:
- Men who are sexually frustrated (the literal meaning of the term), who may resent women as a consequence
- Men who are not sexually frustrated, but harbour lingering resentment towards women owing to past periods in their life in which they were
- Men whose political opinions depart from progressive/woke orthodoxy in key ways, specifically with regard to gender politics
I know because I fit into the third category (certainly not the first, and I would like to think not the second), and have had the "incel" epithet hurled at me dozens of times.
Now, obviously it's ridiculous to assume that any man who departs from woke/progressive orthodoxy is either sexually frustrated or harbours a lingering resentment towards women as a group. I don't think I hold the opinions that I do because of resentment towards women. But I'm also not going to deny the existence of men who fit in category 2: they exist, I've interacted with them, I've spoken to them in person.
And what's more, even if these men only arrived at their opinions because of their lingering resentment towards women as a group, that doesn't in and of itself mean that their opinions are wrong, or their grievances lacking in merit - that would be a textbook example of Bulverism. Bob's underlying psychological motivation for believing in X has no bearing on whether or not X is true. I'm not required to deny the existence of resentful misogynistic men in order to make the case for why e.g. female underrepresentation in STEM is not the moral outrage many feminists seem to think it is.
Spin it back the other way around: it could be literally 100% true that Alice is only a socialist because she feels resentful of how unsuccessful she is, and that in and of itself wouldn't tell us anything about whether or not socialism is a preferable economic system to capitalism.
I took the OP's question as one of asking "among the subset of games which tell linear narrative stories with plots, characters, dialogue etc., have these stories declined in quality over time?" I think that's a fundamentally different question to the question of whether games without such narratives have improved or declined in quality. In Frostpunk, there is no "narrative": the narrative is the player's experience in the game, enabled by the mechanics. It's the difference between a novel and a DnD campaign. Everyone intuitively understands that Frostpunk is trying to do something fundamentally different from what Call of Duty is trying to do, at a mechanical and experiential level - it's confusing that "success" in game design is invariably described in reference to how "fun" the game is, when this descriptor hides more than it illuminates.
And maybe this is part of the story: maybe at the start of the PS4 era, all the smart game designers in the indie space collectively realised that trying to use video games to tell stories the same way that books or films do was a lost cause, and focused instead on crafting organic, player-directed simulations with more intuitive interfaces and better production values compared to their 90s forebears. This would mean that the last ten years of AAA games still doing the lame "Hollywood action movie but you're the main character" thing isn't evidence that video games have lost their way or are on the verge of another crash: it just means that the lumbering AAA game studios haven't cottoned to the new hot trend, which is intentionally narrative-light organic player-directed simulations. If this were the case, it would be a fascinating narrative to describe the last decade and a half.
Folamh3
23d ago
but I don't believe him.
Then your hypothesis is unfalsifiable.
The first example to come to mind is Chinatown, widely considered Roman Polanski's best film, which he himself said that he took on as a commercial project only, as a favour to Jack Nicholson.
Charles Dickens, Alexandre Dumas and Victor Hugo were paid by the line.
To quote TV Tropes (I've never read Pet Sematary but my understanding is that it's considered one of King's best novels):
Pet Sematary: While it was marketed as "the book so scary Stephen King didn't want to publish it," the real truth is that King wanted out of his Doubleday contract due to the publisher holding onto a huge backlog of his royalties. Doubleday refused to give the money back unless King delivered two more books. Having previously shelved the story for being too nihilistic for his liking, King threw the manuscript at them to settle half of the contract.
The Money, Dear Boy article includes the following examples:
- John Ford (6 Oscars, widely considered one of the greatest directors ever) 'repeatedly maintained over the years that moviemaking was just a way for him to make a living, which he stuck with because it paid well and he found it easy.'
- 'Don Siegel once said of his work "Most of my pictures, I'm sorry to say, are about nothing. Because I'm a whore. I work for money. It's the American way."'
- 'Anthony Burgess basically belched out A Clockwork Orange in a matter of weeks to pay off some debts. He regretted its glorification of violence and was annoyed by the way it overshadowed the rest of his work, causing quite a bit of Creator Backlash.' [I will grant that the film adaptation is more critically acclaimed than the source novel; on the other hand, the source novel is the only thing Burgess is known for in the popular imagination.]
- 'Orson Scott Card, a prolific author of fiction in genres ranging from science fiction to pious fiction, once answered the question, "Why do you write? What is your inspiration?" with the answer, "I write because nobody will pay me to do anything else. My inspiration is that from time to time we run out of money."'
- 'Thomas Hardy always wanted to be a poet and said that poetry has a "supreme place in literature". However, he wrote novels only because, in his early years, he would not make a living as a poet. With the success of Tess of the D'Urbervilles and Jude the Obscure (not to mention the latter novel's very harsh reception upon publication), he returned to the less-lucrative career of poetry and spent the rest of his life writing poems.'
There are dozens more.
It may be related to Geeks, MOPs and sociopaths. When video games were a niche interest, the only people making them were nerds who were passionate about what they were making and had a vision in mind. Over time, the medium swelled into a multi-billion dollar industry, which attracted a bunch of people who didn't care about the video games for their own sake and were only in it for the money/as a stepping stone in their careers/using video games as a vehicle to advance a social agenda/all of the above. I don't know if this is true of video games, but it is definitely true of video game journalism.
This is not to say that passion is a necessary component of great writing (no one is more passionate about their art than some dork writing Sonic fan fiction), but a clumsy story written by someone who cares about what they're writing at least has an endearing quality compared to a mediocre story written by someone who only cares about the paycheque.
Folamh3
23d ago
See also this article. TL;DR: National Book Award winners (and American novelists in general, by extension) used to come from all walks of life, but in recent years winners and nominees have been dominated almost to the exclusion of all else by college-educated novelists who have completed MFAs. This has the effect of making recent acclaimed literary novels insular and hermetic, with little of the grit, colour or life experience of literary novels from decades past.
Columbia protests and the "right side of history"
A tremendously dumb argument, especially when made by woke people
[A tweet reading “Is [sic] is amazing how the protesters are always right 50 years ago and always wrong today.” @Will_Bunch]
In reaction to the ongoing pro-Palestine protests at Columbia University, a lot of people I respect have shared the above tweet. I don’t have especially strong opinions about the protests themselves, but I uncritically support the right of political activists to protest for any cause they choose to, and think that the Republicans (such as Greg Abbott) trying to prevent them from doing so are pathetic, cowardly and shamelessly hypocritical.
First things first: the tweet is just wrong on its face, unless you would have me believe that the people who protested against racially integrated schools in 1960s America were really in the right all along (hot take if so).
[By Will Bunch’s account, heroes unappreciated in their lifetimes.]
No: I’m sure that what Mr. Bunch meant is that all of the protestors from fifty years ago who are currently considered to have been on the right side of whichever political issue they protested were deeply unpopular at the time. This is probably true, but essentially useless when gauging the relative virtue of current political movements, because of survivorship bias. If there were only two sides to every political issue and the less popular one always came out on top in the judgement of the future, one could accurately predict which side of a current political issue would “win” purely based on which one had the lowest approval ratings. But, of course, there aren’t two sides to every political issue, many political activists protested for causes which were deeply unpopular at the time and remain so to this day, and so the category of “protesters who protest in favour of highly unpopular causes” is bound to include political causes which go on to be viewed in a generally positive light and political causes whose popularity never improves from a low baseline. (For a historical example, Oswald Mosley’s British Union of Fascists never fielded any successful election candidates and their peak membership was only 40,000 people. More recently, to the extent that the riot in the Capitol on January 6th was a “protest”, most Americans think it was a bad idea, and I hope it stays that way.) A more accurate rephrasing of Bunch’s tweet might read: “Of the people who protested for various political causes 50 years ago, it is amazing how most of them were generally considered wrong at the time and a small subset of them are now looked upon favourably in the popular imagination.” (Not as catchy, but it does fit into the 280-character limit!)
But the tweet isn’t really about historical protests: it was tweeted about the Columbia protests, the implication being that, fifty years from now, historians (and society more generally) will look upon the protests in a favourable light. The tweet is hence just the latest example of that tiresome argumentative trope that woke people trot out for essentially every political issue, the assertion that their support for this or that political movement places them on the “right side of history”.1
All the “right side of history” framing boils down to is a prediction that future popular consensus will judge Political Group X favourably. I think this argument would be profoundly weak and fallacious coming from any political faction: how arrogant of anyone to think they can accurately predict what the people two generations from now will believe, when they can’t even reliably predict where they’re going to go for lunch tomorrow. But I’ve always found it especially strange when woke people in particular make the “right side of history” argument. I’ve never been able to put my finger on quite why, until the tweet above got me thinking about it.
The reason being, historical revisionism is woke people’s favourite pastime. There’s nothing woke people enjoy more than taking a historical figure who enjoys a high level of approval in the popular imagination and demanding that we reappraise their moral character, even to the point of completely reversing it: not merely that such-and-such was a more complex and flawed person than is widely believed, but that he was actually a monster. The woke exist to take the wind out of people’s sails, never forgoing an opportunity to remind people around them that Their Fave is Problematic, actually. It’s such a quintessential part of the woke playbook that even The Onion poked fun at it; or think of that wonderful scene in Tár where the “BIPOC pangender person” says they can’t enjoy Bach’s music because of Bach’s unrepentant misogyny. Take just about any historical figure who is widely admired in one or more Anglophone countries, and I guarantee you I can find a woke article in a mainstream publication arguing that he or she actually sucks (usually for reasons relating to the woke faction’s monomaniacal fixation on race and/or sex), e.g.:
-
Abraham Lincoln (consistently ranked one of the top three Presidents in American history)? Check, check, check.
-
Franklin Delano Roosevelt (likewise)? Check.
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Ronald Reagan (likewise)? I feel like I don’t need to demonstrate this one (even normie Democrats hate Reagan), but for the sake of consistency here you go.
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Winston Churchill (voted the greatest Briton in history in a 2002 poll)? Check.
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Charles Darwin (voted the fourth-greatest Briton in history)? Check.
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Christopher Columbus? I mean, they created Indigenous People’s Day (https://en.wikipedia.org/wiki/Indigenous_Peoples%27_Day_(United_States)) for a reason.
(If you really want a laugh, turn this technique back on them. Next time you see some twentysomething university student reeking of weed wearing a Che Guevara t-shirt, point out to him that the man in question once asserted “The negro is indolent and lazy, and spends his money on frivolities”.)
I’m not even arguing that the woke revisionist accounts of the figures listed above are factually wrong or uncharitable (I certainly have no interest in defending Churchill from accusations of genocidal white supremacism, or Reagan from accusations of unabashed hatred of gay men). My point is that, once you recognise that morally atrocious people can go on to become near-unanimously revered both by scholars and in the popular imagination, it completely neuters the case for “the right side of history” being a useful guide to the moral virtues of present-day political figures or movements (or lack thereof), even assuming that one could accurately predict how these entities will be viewed in the popular imagination of the future.
To put it more plainly, woke people would have us believe both that:
1)Many historical figures who by popular and academic consensus are currently considered moral heroes, were in reality atrocious people.
and
2)In the future, popular and academic consensus will hold that the woke movement of the early 21st century was morally heroic.
The first premise is unassailably true, the second remains to be seen. But even if both premises are true, this doesn’t even come close to demonstrating that the woke movement actually is morally heroic. So in the future, historians and society more generally will look upon the Columbia protesters in a favourable light. So what? By the moral and epistemological standards espoused by woke people themselves, a popular consensus that Alice was a good person does not remotely imply that Alice actually was a good person. If Winston Churchill was an irredeemable monster who went on to be considered the greatest Briton who ever lived, why couldn’t this also be true of (to pick the first two woke Britons who popped into my head) Humza Yousaf or Diane Abbott? Not to say that either of these people are irredeemably awful, but there’s literally nothing in the woke framework which contradicts the notion that they could be and subsequently go on to be generally considered paragons of virtue.
This is the problem with employing postmodernism as a rhetorical device. Once you’ve done your best to redpill your listener by telling them that a widely admired figure was actually a crypto-fascist pederast Nazi sympathiser and the establishment don’t want you to know about it - following that up with “the establishment will look upon our movement in a favourable light” doesn’t seem like much of an accolade, even if it’s an accurate prediction. “So let me get this straight: you’re saying that history books have always been written by biased historians beholden to special interests, who systematically lionize awful, wretched people and ignore or gloss over their most atrocious moral failings, provided the person in question helped to advance the historians’ own political agenda. But the historians of the future (who by inclination and temperament will be no different from the historians of the present or the past) will look upon your political faction in a favourable light? Wow, what a ringing endorsement of your political faction! Sign me up!”
And this brings me to my final point. Although “the right side of history” sounds like it’s appealing to the listener’s moral sensibility, it’s really little more than a veiled promise and threat. History is written by the winners, so an assertion that supporting this or that movement puts you on the “right side of history” is really just a prediction that your team will win. That’s all it is: “my team is going to win”. Try rephrasing it in your head: “I support gender-affirming care for minors because I predict that my team will win” doesn’t sound half as noble as “I support gender-affirming care for minors because I want to be on the right side of history”, now does it? What the “right side of history” promises is that, if you join our team, historians will write hagiographies about us and forgive all of our worst sins. And if you don’t join our team? We’ll have no choice but to smear your team as depraved monsters with no redeeming features to speak of. Nice reputation among future generations you’ve got there - it’d be a shame if something happened to it.
1I had a feeling that the specific wording of “right side of history” had fallen out of popularity in recent years, and Google Trends seems to bear that out. That massive spike in 2019 appears to be the release of Ben Shapiro’s book of the same name (lol).
I went into a shop to buy a blouse my girlfriend wanted. The cashier said "it's 10% off if you sign up to our mailing list". I said "sure" and she told me to scan the QR code. It brought me to a website in which I had to enter my email address. I quickly fired up temp-mail to generate a burner email address, entered that in the field, and showed the cashier that I'd signed up. 10% discount applied.
Have I done something morally wrong?
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