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GBRK


				

				

				
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joined 2024 September 14 04:22:24 UTC

				

User ID: 3255

GBRK


				
				
				

				
0 followers   follows 0 users   joined 2024 September 14 04:22:24 UTC

					

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User ID: 3255

My model of learning is that most skills look kind of like pokemon exp curves-- logistic based on quantity of prior experience, but with difficult tasks paying out more exp. I'll concede that you can come up with definitions of "normal reading abilities" and "slop" such that the addional exp gained by reading slow is effectively negligible, but would argue that in practice...

  1. A person's ability to do something is a combination of not just their skill, but also their motivation and discipline. Even if a book completely fails to increase someone's reading skill, having more positive experiences with books overall increases their motivation to read, and making a habit out of reading increases their discipline.
  2. "Normal reading abilities" aren't. I can point you to any number of surveys that say text comprehension and literacy rates are dropping in the english-speaking world, especially as a result of idiotic teaching policies like elevating "Whole Language Learning" over "phonics". In particular, I addressed my recommendation to read slop very specifically to people I suspect have subnormal reading abilities, in some sense. Ref-- "If you feel like you're a guy, and you don't read enough"... "a parent of one or more boys". I can also point you to literal writing subreddits-- where we should expect people to be far better readers than average-- full of people the kinds of mistakes even trashy pulp novels won't.
  3. Akin to the old quote about family dynamics ("All happy families are alike; each unhappy family is unhappy in its own way,") every bad book tends to be bad in its own unique and fascinating ways. That makes them each individually worthwhile as tutoring resources for what not to do, because even the least discerning reader is likely to pick up on specific things they don't like and end up wanting to avoid. Speaking of my own experience, I have read a truly absurd quantity of terrible fanfiction... and unfortunately, as a result, have managed to develop taste. I really wish I hadn't, but alas. I'd developed an allergic reaction to meandering plots, flat characters, and bland power fantasies that can really only be attributable to how many times I've encountered all of those things, and as result had my quota for "bad, but fun" books nearly saturated. That leaves me with the "good, but fun," and "less fun, but legitimately great" books, the kind I think you'd want me reading. I think other people can replicate that exact same path... if I just get them to start reading, first.

Okay, I will concede that this is at least weak evidence in favor of your assertion. I can, however, come up with other compelling explanations for the data pretty easily:

  1. Concurrently or in addition to the global/nationwide trends, the median spotify user is getting older. I mean this in both the obvious literal since (everyone is always getting older) but also in the sense that the age demographics of new users is also shifting to favor older demographics as the population pyramid skews older in general. This is very much in line with, "Contemporary music still accounts for a large absolute volume of streams" -- representing not a transition of liking specifically older music, but of liking the same music, which happens to age alongside the people who discovered and loved it when it was novel.
  2. Some combination of spotify itself and the structure of the music industry is making new music gradually less discoverable. This could be due to an oversaturation of online artists due to reduced barriers to entry in the recording business, or entrenched music and advertising interests getting more entrenched and working in an anticompetitive fashion. Rather than a growing preponderance of old music representing the true "preference" of consumers, it represents the true preference of consumers on spotify-- whereas discouraged novelty-seeking consumers are gradually slipping away to other platforms that make new music more discoverable. (Like souncloud, maybe? Or youtube music?)

(Also, to transpose this argument onto the publishing world would require an explanation for the disparity in behavior in men and women for books if the behavior for music is similar/identical. Though I recognize that you're not the original poster I was talking to and therefore that you may want to argue narrowly the age-preference thing rather than my original point about the publishing industry.)

What can be asserted without evidence can be dismissed without evidence.

Okay, so this is the crux of your disagreement? If I convince you that making a habit of reading anything, including slop, increases a person's ability to read generally-- you'll cede the argument?

There have been plenty of articles out over the last decade showing people are listening to older music

I would be very interested in seeing this if it's based on some kind of empirical data. However, with reference to the actor claim:

The movie star is dead. At least according to the group of disgruntled sales agents, production executives and Hollywood insiders

This sounds like a vibe check someone came up with for clicks, not a data-driven insight. Especially given that we arguably have a greater proportion of people occupying themselves with the output of young thespians ever-- they're just disproportionately engaged in reaction videos, prank videos, toy unboxing videos, etc. instead of relatively highbrow hollywood movies. I say "arguably" because I know that my opinion on this is equally driven by unsubstantiated vibe checks, but again, that's my exact point... that we can find endless amounts of anecdotes or just-so stories in either direction, but that numerically it's hard to find worthwhile information.

This entire thread is reinforcing my already strongly-held impression that if you scratch a mottizen, a brony bleeds. I suppose that's almost par for the course in any space disproportionately inhabited by literate young men, but it doesn't stop it from being hilarious.

I don't really think that reading is valuable in itself unless you are reading something worth reading

While this is tautologically true and I'm not trying to deny that, my argument is that even if you have a definition of "slop" that makes it instrumentally incapable of holding intrinsic value, many people will still find it instrumentally worth reading because any sort of reading is going to practice the reading comprehension skills that not only directly lead to more educational/professional attainment but also make reading genuinely good books more accessible and therefore more likely to influence them. There's a reason kids start with Dick and Jane before Pride and Prejudice, and in that same vein I think trying to fling The Brothers Karamazov directly at avowed nonreaders is going to work less well than easing them through Big Titty Slave Elf World War.

I also don't think that reading the classics has been tried and found wanting; mostly I think it hasn't been tried at all by "nonreaders"

Virtually every american schoolchild gets dragged through a school curriculum that involves exposing them to at least some of the classics. Far fewer get put through a curriculum that deliberately tries to pair them with non-edifying but highly entertaining nonsense. I think we should at least try things my way before declaring it impossible.

Whoah, that's sounding awfully like an argument for... representation?

It unironically and unabashedly is (though unfortunately I don't think your downvoters recognized that.) Being represented in works of media is an important factor in making groups of people interested in said media, especially when the people in those groups do have some deep identification with the group identity. Wokism misunderstands representation as meaning that every group (excluding straight white cis and/or males) should be represented in every work, and that's a critical error. Similarly, there's also a lot of ignorance about what's actually being represented, and how important different kinds of representation are to different groups, but the idea isn't totally wrong at its core.

Before we agree to disagree... can we actually agree on what we're disagreeing on? Do you deny any of the following statements:

  • Most books sell most of their copies closer to their debut than 6 months, 1, 5, 10, 20 years out
  • -> This rule applies even to megahits
  • Even books that remain durably popular tend to become less popular over time

?

These are the statements that I derive my assertions about popularity being at least linked to (though not wholly determined by) currency.

He has a much stronger factual basis than you realize. You see it a lot more in music where older things are more popular than current things. Also very true with movie stars where it feels like we haven’t had a new movie star in 20 years. There are areas in the arts where we basically decided to freeze in time.

I think our respective preferences for media and novelty are just going to make it impossible for us to see eye-to-eye here. I mostly watch new movies, and while I almost never delete new songs from my spotify consistently 90% of the stuff I add was released in the past 5-10 years. (It helps that I have an affinity for screechy electronica created by trans autist furries born post-2005.) I can't categorically deny that men have a preference for older media, and I can't categorically deny that that has zero impact on buying patterns and therefore the propensity of publishers to target men... but the fact that you are asserting this via personal anecdotes instead of providing me proof via data makes me suspect that this effect, if it exists, is small and hard to measure... and consequently strongly dominated by the effect I have proposed, which I can back with independently-replicated statistical results. (Someone else in this thread wrote a script to filter profiles and feed them to their ai for judgement and binning on gender.)

@hydroacetalene this is also a response to your comment here https://www.themotte.org/post/3884/culture-war-roundup-for-the-week/470522?context=8#context

Yet another banger sci-fi/horror idea from one of the GOATs, that we will unfortunately never see because she understands her target demographic.

lmaooo

thanks for the rec mate. It warms my heart to know a former ponyfic made probably on the order of ~$1000. I think it probably suffers from bird-people being insufficiently kawaii tho, the author should have gone for shortstack goblins or dogbolds or something.

Wanting the right things, and getting them.

I would see the difference-- if it was actually something visible in my own life that I could independently verify. Without denying your own experience, it seems to me that there's always some other anecdote either of us can pull out to make this argument moot.

but, if you compare mid-century books to what you're going to find on display in your local library, put there by the nice spherical woman with her degree in Library Science, I think I know which one will suit a young man better.

Yes, this is kind of my point. Meanwhile, young women have a endless quantity of "feminist retellings" that not only manage to give them a solid chunk of the timeless core of the old books, but also infuse them with all the new junk-candy ideologies.

An obsessive, devoted woman who's too neurodivergent to love another man isn't all that crazy of a love interest. Plus, "tall, hairy, curvy" are neither individually nor jointly particularly crazy as fetishes. Obviously there's an element of exaggeration in there too-- a book has to tell you "EIGHT FOOT WOMAN WITH BICEPS LIKE BOULDERS" to inspire a feeling that even approaches what you would experience in real life if a girl a little taller than you gave you a bear hug.

But books being old has never precluded interest in them before, even from kids.

This is factually wrong and you know it. You can defend the bailey that people will not lose literally all interest in a novel simply because it is old, but cannot defend the motte that a novel's age has literally no relationship to the amount of interest people have in it. Yes, kids aren't going to be totally disinterested in old books-- but in proportion to the age and irrelevance of the novels they find on shelves, they will less interested.

I am wondering if we are even having the same conversation. Are my messages getting through? Is there some corruption in the database?

There's definitely some sort of miscommunication going on because you remain convinced that I'm trying to prove that reading the classics is totally ineffective at getting people to read, when in point of fact I'm merely saying that while that may work for some people, the fact that it hasn't worked for everyone suggests that we should try and adapt a different tactic.

If you are already not a child, or not a kindergartner, there is no point in starting with children's literature to cultivate an

I literally never suggested that? I suggested people read slop. Meaning-- I suggested that people prioritize finding books that are enjoyable to read even though they lack serious literary quality. That doesn't mean specifically children's literature. There's slop for all ages of people.

Oh, I see-- you did things slightly differently from me, then. I was asking it to classify the relative proportions of each profile dedicated toward genres and concepts that were more likely to appeal to men or women, as a proxy for the relative preference of the agent/editor for each kind of book.

Why are you making a moral argument instead of addressing my mechanical one? I'm not saying that reading old books is bad or worthless, I'm saying it's going to be much harder to get kids and men to read good books without first instilling a love of reading, which is very likely to take bad-but-entertaining books. I absolutely loved Eragon as a kindergartener. Was it the absolute peak of literary achievement? Absolutely not. But it hadn't been for books like Eragon, I never would have been interested in reading books like the Dragonriders of Pern, or from there Foundation and I, Robot, or from there Anathem and Void*Star.

on an individual level there's plenty of avenues for men to read and write literature if they so desire,

For men who already have an established and voracious love of reading, maybe. For young boys, I think, not so much.

and on a societal level would we really be better off if the romantasy equivalent (Dungeon Crawler Carl?) was getting marketed aggressively to men?

When reading books is causative of reading proficiency is causative of educational and professional attainment, absolutely.

Me, my brothers, my brazilian cousins (who live in brazil) and my brazilian cousins (who live in abu dhabi) all independently discovered litrpg webtoons, fanfiction, and webfiction xianxia. The monoculture still absolutely exists, it just cuts along personality rather than geography.

That argument doesn't really make much sense to me, considering that Hugo and Shelley are considered classics of literature that many people (young or otherwise) enjoy to this day.

Given the ever-dropping number of young and old readers, I would say that this isn't the argument you think it is. "Everyone I know who saw the supergirl movie is woke!" "Everyone I know who likes books is fine with reading old ones?"

Well, who are you catering too?

This is basically baiting angry comments on Reddit. You realize that using the word "DEI" will essentially label you as a chud and render the rest of your post irrelevant even if it was interesting beforehand?

I'm pretty sure most everyone in the thread pegged me as a chud based on the title alone so I'm not hugely concerned. (And to be perfectly honest I was perfectly happy to stir the shit. I much prefer 0-upvotes-109-comments to 120-upvotes-10-comments.)

To be perfectly honest I am actually extremely averse to most wish-fulfillment narratives on a personal level-- this is a case of me very much not practicing what I preach.

Weeds are always the first plants to colonize barren ground, and in their wake less hardy plants flourish. Thus as it is with gooners and media.

But no seriously, very few authors are going to invest years of work to stake their mangum opus in an unproven genre-- and even fewer agents, editors, and publishes will support them. The modern flood of romantasy wouldn't exist if it wasn't for the endless twilight and harry potter smut fics. Monsterfucking is a necessary step on the tech tree.