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Has anyone noticed how much vitriol there is towards AI-generated art? Over the past year it's slowly grown into something quite ferocious, though not quite ubiquitous. I'm starting to feel (almost) as if it's outside the overton window to admit to using or liking AI art. Like I said, it's not ubiquitous, but maybe it's getting there. Pretty much any thread I ever see that features AI art (outside of specialty groups devoted to AI interest) has many vocal detractors accusing AI art of being trash and stealing from real artists.
While my mind is not fully made up on the issue of whether AI art is "good", if you ask me, I wouldn't say that it's bad that AI learns from "stealing" from artists. Honestly, ask absolutely anyone who's learned anything creative: learning art is all about learning how to steal from people. I know it's not completely analogous, but I don't personally believe that it should be bad for AI to learn by stealing while it's okay for human artists to learn by stealing.
More than anything, I'm kinda surprised there's this strong sentiment, and willingness to call out AI art and its proponents as being some sort of evil in the world. Maybe it's mostly because people get off on being judgy these days, and believing they have some sort of moral high ground, and less that they actually care about artists? I'm not sure, but I would have thought the Butlerian Jihad would have started for something more severe than art.
No. That's not it.
I'm not, typically, a moralist. I hate cancel culture; I hate people who act like they can judge others. I roll my eyes equally at leftists who work themselves into knots over sexism and racism, and trads who gnash their teeth at the withering away of the values of yesteryear. Whatever happened, I ask, to freedom? Isn't anyone going to stand up for freedom? Freedom, the most protean of all ideals, against the dreary weave of thou-shalts and thou-shalt-nots: the freedom to dare and dream, the freedom to be true to what is one's ownmost, no matter how idiosyncratic, no matter how questionable or uncanny.
But freedom has a limit; it is, after all, only one ideal among many, one concept among many, no matter how charming of a concept it may be. I can't actually bring myself to get upset if someone gets canceled over AI art. That's how high the stakes are for me - my other "principles" turn to dust in the face of this reality. This makes me a hypocrite; but so what? If I contradict myself, then very well, I contradict myself. Some instincts are too powerful to be ignored.
I think most people have a limit like this - the limit beyond which talk of "freedom" reveals itself to be a hollow game, a luxury to be reserved for more genteel times, a mirage that dissipates when it is confronted with something of genuine weight and seriousness. AI art is that limit for me; other people will have their own, and I will try not to judge them for it, even when I find their beliefs to be incomprehensible. For the individuals who truly have (or at least claim to have) no limit, no possible limit to freedom, we might rightly view them with suspicion. Attempting to subsist on a spiritual diet consisting of nothing but the NAP alone is the veganism of the soul; it is lacking a certain red-blooded vitality, there is something missing. There can be no great love without great hatred.
The fact that you are so perplexed by the response is, indeed, part of the frustration.
Why, though? What is it about AI art that prompts such outrage?
I'm an artist. The AI is pretty clearly doing what I do. Any argument I see for objecting to AI art applies equally well to artists generally. To the extent that AI art infringes on copyright, we all infringe in exactly the same way when we learn to draw by copying other peoples' work. AI is very likely going to put me out of a job. But why should this be objectionable? My job is a job. The AI won't take away my ability to draw or paint or model. To the extent that it reduces the value of my drawing and painting and modelling to zero in an economic sense, why is this a bad thing, when it wasn't a bad thing to invent lace machines or lathes or jackhammers or whatever other labor-saving machines we might care to name? It won't stop me from making the art I actually care to make, and while the idea of having to change careers is quite scary, I certainly won't be in this boat alone, and I imagine that we have a reasonable collective chance of muddling through.
...But then, why would you expect others to respect your own appeals to freedom, when you've concluded that no one actually cares about Freedom as such as a terminal value? You roll out the Shall Nots for something as trivial as AI generated art, but don't want people to roll them out for sexual ethics or homogeneity of values?
I take the "A" view on AI art, and you take the "B" view.
I may still fall back on appeals to freedom at times out of laziness or force of habit, but I've been gradually trying to work it out of my vocabulary for a while now. If the best argument you have in favor of something is "well, you could just not tell me to not do it", then that is a little lame. With regards to sexuality, for example, I believe that a libertine sexual ethos is part of a system of spiritual values that can be given its own positive defense on its own independent merits.
What is your limit, here, and how far does the rule go along that limit?
If it's the intellectual property side, does the crusade go after Pirate Bay and boorus next? If it's the potential to produce slop, do Blender Kids, refried meme generators, and gposers need be next on the list? If it's the economic threat or worker solidarity, do we roll back the sewing machine or the CNC mill? If it's the spirit of art as form of communication, do we beat down the Kinkaides and Rothkos? If it's the unearned reward that aigen produces, can we hunt down Duchamp and Basquiat and force them to actually put some effort into it? If it's about people pretending, badly, to think, can we start bludgeoning bureaucrats?
(please?)
Yes? Generally (there are always exceptions and nuances) I'm a pretty strong defender of intellectual property rights. I've never been very friendly to TPB.
Not as bad, but I do think it's really shitty when people take all the private pics from a small artist's patreon and repost them on boorus.
Nah, they're fine.
If I had lived 200 years ago I probably would have been a luddite.
What do you have against Rothko? He's at least inoffensive.
For Kinkaide, I think I would direct you to my reply to FC. What is there in Kinkaide that remains unread? I would prefer to ask that question, instead of just dismissing him.
Both were great artists. The effort exerted was sufficient.
He who is without sin...
(I'm not without sin, to be clear.)
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