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Notes -
It seems like lots of artists and creatives are going right wing lately. I suspect it's due to their (or our, speaking as one of them) predisposition to stand against mainstream culture, as it's impossible to miss the mainstream/capitalist adoption of left wing ideology lately. There's just no excitement or energy in trying to champion leftwing causes when every leftwing cause has been coopted by mass media and tech giants (which are also criminally censorious to creatives currently) and wall street corporations. The artists and creatives who continue to work within the spaces of leftism are increasingly boring and uninteresting and creating work that parrots the capital line more than any genuine transgressive feelings within the artists' vision.
Anyway, my point in making this post is to ask if there has ever been a situation like this in the past? I am interested in history but it's not my strongest subject. It feels like perhaps there are parallels with the French Revolution: wherein the masses were increasingly disgusted with the nobles and quickly defected. I remember reading that even Louis XVI was criticized as being out of touch by vaccinating his family against smallpox, as an aside.
Looking at figures like the Red Scare girls and their whole scene, (which has spiraled out to include Kanye and tons of other millennial thinkers from MIA to David Rudnick) it looks like the disillusionment with leftism is huge. I wonder how much of this is actually an interesting signal that 20th century leftism is dead, or if millennials are simply getting too old for the naivety of that ideology and we're seeing a generation go more conservative which happens with every generation.
I fully empathize with people who are sick of the leftist chokehold on discourse and culture over the past few decades (culminating in the Trump presidency) but I wonder what it leads to. Optimistically, it seems like a "back to basics" situation where people are seeing the contradictions of the recent past and trying to correct them for a new, more coherent ideology, but I also feel like it's a bit of a bizarre situation when a class of people who basically banked their entire social capital for decades on progressive ideology and LGBT/racial inclusivity are starting to tear it down. I applaud it but when has this happened before? In a way it reminds me of the shift in European art from being purely religious in nature, funded by the church, to suddenly having wealthy private clients in the Dutch merchants of the late 1500s.
Sorry for the rambling tone of my post, I just like to read the things posted here and I wanted to kind of post this as a prompt to have some discussion to expand on some thoughts I've been having lately. As an aside, no one in the artist or creative scenes I frequent seem to be able to articulate this shift, as most are still afraid of cancelation or being put out of work or shunned by social media or deplatformed or the many other situations one can get into when defecting from mainstream opinion. Or alternatively creative people are not as invested in the specifics of politics as much as people here are and would rather not engage with the situation from a political lens but rather from their personal/creative artistic angle.
One possible understated trigger for such developments: COVID lockdowns, and their effects on artists. At least in Finland, whenever there were COVID measures (while other measures were usually pretty light touch, the government often resorted to closing bars, or limiting the bar opening hours heavily, during COVID waves), the artists were one of the biggest constituencies to protest this, organizing several demonstrations against the bar closing hours. Of course the reasons are obvious, bars are where presenting artists perform, and the novelty of "online gigs" and such wore off at warp speed.
While this issue was not as heavily tribalized as in United States, there was still a lot of anger from the artists specifically channeled at left-wing parties for "their parties" betraying them, and I'd imagine that in more tribalized countries there might be even more similar reactions? OTOH many artists were quite happy when the COVID passports were introduced, hoping that they'd at least allow the bars to function, even if they'd lose some part of the clientele (often stereotyped as the most rowdy and problematic part anyway).
I do think the political shitshow behind COVID had a radicalizing effect on creatives but I don't know that it was the lockdowns specifically. I'm sure it screwed over a lot of performers and musicians and people who rely on art shows and in person events but lots of people also simply took a few months off or switched to their side gigs or sold online or got unemployment or did something else to make ends meet, at least in the US. Everyone is going to have a different take on this but from where I was, the thing that irritated me the most about the pandemic wasn't the governments restrictions, which were somewhat minimal where I was, but instead the peer pressure/social politicization and having to navigate the newly emerging social realities of the pandemic. Most creatives tend to be socially awkward or isolated to begin with so I can see how dealing with that would have a triggering effect on many of us. On the other hand I do have more resources than most people in the creative class so I could be isolated from the material concerns that many of my peers faced but I think the ideological implications are more galling and degrading than having to find new ways to make money imo
I did not see much of this but I also have most of this type of person unfollowed or muted at this point, so perhaps I missed it- though anger from the left toward the left is nothing new
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