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Notes -
Happy Solstice! Enjoy some mead-fueled rambling!
Earlier this week I was gazing into one of the endless amusing abysses of the internet when I stumbled across a post that spoke to me, all out of place. It was a brief meditation on aging and monogamy that echoed some of my own thoughts on the topic (tl;dr: a psychologically healthy man should still find beauty in the grandmother of his grandchildren), phrased and pic-related with a vibe I appreciated.
So I looked at the pseudonymous poster. They seemed to be some sort of TTRPG designer, or at least that's what their recent posts were about. A very brief perusal showed hints of extremely grognard-y concern about weapon minutia and a post talking about having bards be the representation of the gods, which were based on historical pantheons. Gave some extremely low (or even no) magic, gritty vibes, but that was a cool thought, using Bards telling stories of the Gods in the place of the more "mundane" divine power of healing and light spells. Felt like something William H. Stoddard would have put into a GURPS: Hyperborea book.
And, oh, cool, this person has an Amazon author page, let's check that and see what else they've written and-
It's Varg Vikerness.
Holy shit, I laughed my ass off. I really should have seen something like that coming. But it gave me a great excuse to remember one of my favorite memes.
And it gave me a good excuse to look up what happened in the Norwegian Black Metal scene in the early 90's, to at least Wikipedia standards of quasi-reliability, instead of just Shit My Punk Friend Told Me Over A Blunt Twenty Years Ago. There's a bunch of overlapping articles, but start here or here.
The overall picture I see, reading between the lines a bit, looks like a classic purity spiral. Euronymous installs himself as the Prince of Norwegian Black Metal because he owns the record shop and label and talks a very extreme game about how obsessed he is with death and nihilism and being maximally evil and hating everything bright and fair. But he develops a reputation as a poseur, a guy using the aesthetic for personal gain or self-aggrandizement. Meanwhile, newcomers are taking his rhetoric to logical conclusions and start taking actual actions, like burning churches and murdering strangers.
Feeling his position is threatened, Euronymous escalates his rhetoric, confiding specific, private death threats at other members of the scene. But he does this so much, to and about so many people, that rumors get out and one of those newcomers responds and kills him first.
It's an interesting look into the psychology of a subculture. And while I do appreciate some of the music and other elements, it just reaffirms how thoroughly I find that kind to evil-maxing to just be utterly gauche. For fuck's sake, kids, even The Crow is a fundamentally hopeful film!
It can't rain all the time!
But it's also interesting to square that nihilism with how Varg presents himself now, as a committed family man espousing a more positive vision of simple living and racialism (for which he was subjected to a Vampetaço).
And as an added bonus to this whole rabbithole, I got confirmation that Kulak is aware of his theme song, which I admit had been bothering me for a bit. You know I don't usually hold with the Abominable Intelligence, but this Imperium Hymn stuff - it's not bad.
Hell, let's be honest. Black Templar's Prayer is a fucking banger, and it's been dominating my gym-time listening for months. I'd shed blood to have Sabaton or Powerwolf fix the soulless bits and cover it.
Finally, hi Chris! Hope you're doing well.
Hm, did not expect to end up sympathetic about the murder part. Can you link the essay?
This. And I don't really find the murder sympathetic. Just more of a "Leopards Eating Faces" situation than I had known or would have expected.
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