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Your semi-trolly comment is based on the shared cultural assumptions that housework = drudgery and art = purpose. We can automate processes, but not purpose, so on the path to eliminating the drudgery of housework, we eliminate the drudgery of soulless art. But people want to do art - not corporate memphis prints of mixed families at a picnic, they want to express themselves. So even while corporations all converge on an art style specifically designed to be 'inoffensive' and mass produced, even as ai makes it trivial to 'bring your imagination to life' and ghiblify your photos, people wistfully dream of the day they can stop working and make art. IGOR beat Father of Asahd in every conceivable metric. We might not notice authenticity, but our brains do.
On a similar note, if you pick a career as an artist to make money, you should get the paint in your house tested for lead. You pick a career as an artist because you want to express yourself more than you want to make money - stupid maybe, but it's true. Sometimes you have to make money anyway though. Does that make your expression inauthentic? No, because it's still driven by purpose. And necessity is the mother of invention. Simply by choosing a life of squalor so you don't have to work 9 to 5 (what a way to make a livin! (fuck that's what I'm singing for the rest of the day now)) positions you to make authentic art. Does that mean you will make authentic art? No, you can still make slop for a paycheck, and that slop might even be popular if you put your soul into it. I don't think anyone would disagree that The Boondock Saints was slop, an attempt to cash in on the Tarantino bubble of 90s movies about hitmen. It is also earnest as fuck and people love it for that.
Artistry is at all times a battle between those who wish to express themselves and those who wish to turn that expression into money. Sometimes and in some places it leans one way, while in other times and places it leans the other. Hair metal and bands like Poison look soulless in comparison to Nirvana and Hair Metal dies, then grunge gets coopted by corporate and refined and streamlined until we get Creed, who look soulless in comparison to The Strokes, and so on, same as it ever was (in case you don't like Dolly).
What a weird description of Creed, of all the bands you could have picked. Their lyrics are very sincere (if not especially subtle) expressions of Scott Stapp’s Christian faith. They’re far more “soulful”, in terms of heartfelt expression of their true beliefs and emotions, than nearly any other band within their same broad genre. There are plenty of reasons not to like Creed (although I’m certainly a Creed fan), but lack of soulfulness is an inapt one.
Poison, believe it or not, also projected authenticity - they really were into that glam rock party lifestyle - which is why Bret Michaels remained a celebrity despite gradually turning into Janice from the Muppets. But when you get sucked up into the music machine you look soulless in comparison to 'authentic' acts like Nirvana and The Strokes (which in a way is just the same machine in the bust part of the cycle.)
All of them are artists. Blackpink are artists. The Monkees were artists. They will look soulless anyway when coopted by the machine. And while I'll admit I don't know a lot about Creed, I'm pretty sure they were thoroughly coopted by the machine, just based on the radio play they got back then and how much everyone complained about it.
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