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Notes -
Movie reviews and demonic modern media
I really like Robert Eggers, his movies are well made and are true to the time period that they are from, the actors are good, you get sucked into eh atmosphere, and there is no modern leftist drudgery. I made the mistake of not posting my unfinished draft and ended up losing 5 pages of progress, so I will try to be brief here. Eggers adapts euro folklore to his brand of extremely immersive cinema; his movie The Northman was the most aryan thing I have seen on a screen in a while; it celebrated values that my own people, a continent away, celebrate. I wrote a review of it here and recommend everything Eggers has made.
The lighthouse
The movie is about homosexuality, I liked it,t but it's my least favorite Eggers movie. It reminds me of david lynch a lot. Worth watching once. I like Eggers when he adapts more straightforward older material that, whilst being simple, conveys a lot of things; in this case, it felt a lot like watching David Lynch in some ways. Great movie, though not the best movie ever, kinda good.
Nosferatu
This movie is amazing; if you removed the cuckoldry from it, it would have been perfect. The dialogue and the setting are something from a weird time where it feels like a European adaptation from the early 1900s. Count Orlok strikes fear with zero jump scares. Bill Skarsgard's portrayal is very real and very scary. I would rewatch it simply because of the immersion. This is a super immersive movie, and it's very polished. It's one of the best movies I have ever seen and is a must-watch in my book.
F1
61-year-old Brad Pitt stars in a rare good summer blockbuster sports action by-the-numbers movie. The director of Top Gun Maverick made a movie that even my mom liked, who, for the record, rarely watches movies. It's a very lighthearted action-heavy flick that, due to not being leftist explicitly, makes for a great movie to watch in the theatres. Real equipment and CGI feel very different; CGI has made movies feel less consequential. Pro wrestling became worse partly because people started doing more extreme things like jumping off the cage, jumping into tacks, jumping off the cage on a table that's on fire with tacks around it. Ultimately, it only made it worse as people tuned in for the story, the usage of more extreme gimmicks worked as an occasional thing, doing it more made people desensitised, and it made everyone look superhuman. It is much more interesting to see Brad in a car than it is to see some 5'2 diverse female lead "save" the universe in CGI slop because one of them is not indestructible.
Watchmen Chapter 1 and 2
Watchmen is touted as peak comic book stuff, and this adaptation is the most faithful one we have seen since the HBO show was just cringeworthy pro-leftist drivel, and the Snyder one apparently took too many liberties. My favorite part is the comic inside the comic, where the dialogues in that comic end up matching what we see in the world of Watchmen through different POVs. Alan Moore, the creator, is a hardcore leftist in whose eyes the world is a nihilistic place; he is competent at his job and can subvert you in better ways than modern ones. The character people root for who have read the comic or seen the adaptation, is Rorschach, who Moore created to dunk on conservatives. He remains the only guy who stood for the right thing by the end.
Modern Media is Demonic
No, seriously, let's consider two superhero stories. On one hand, we have the boys, the current cucked tv show, where there is a literal line where Billy Butcher goes "He is my wife's son", which is supposed to make him look like the good guy. On the other we have All-Star Superman, a story about Superman coming to terms that he is dying and living out his last days on earth. The boys and watchmen have a nihilistic vision of the world where despite all the lawlessness, the word crime is still racism. There are no good guys, power corrupts and all endings are bad. In All-Star Superman, you instead see, also spoiler alert, skip the paragraph is you wanna not know the ending, although the ending makes no difference.
In the comic and its adaptation, Superman lives in eternally fixing the sun to save his foster homeland. There is a very touching scene where he visits his mother, who adopted him as a child, and she can sense he is ill despite no signs. It's a touching little nudge. The world needs people like him to live so that we can have order. Lex Luthor ends up with a death sentence after realising what he has done, the world is saved, and Luthor, before he dies, tries to find penance by helping Lois bear Clark's son by some sort of sci-fi IVF.
Superhero tales are for kids; they are simple. Jonathan Bowden has a good criticism of them, but we have moved to a point where even the ones he read seem like fucking biblical stories. Modern entries are that bad. These stories appeal to young boys. By making every guy in modern adaptations a bumbling incompetent idiot who is playing second fiddle to some girlboss, you go against the very nature of the story. In the case of Watchmen, consequentialist Moore wants to make these qualities look bad, though he still does an ok job with Rorschach. We on the other hand, saw Star Wars, Indiana Jones and fucking LOTR get turned into modern left-wing caricatures.
There are people who make videos on these topics, the best I have seen is this guy Despot of Antrim, there are others like nerdrotic etc, who are not as good. I never watched any of these videos about "Woke Hollywood is killing XYZ franchise". Why bother since I am too reactionary to ever get swayed? I opened one of these based on Jim from blog.reaction.la, and holy shit, modern movies are straight up unwatchable. When I was in my early teens, so the 2010s, these movies still tried being somewhat alright, but the ones today are castration via cinema.
No parent in good conscience can let kids watch modern Disney adaptations where Snow White wants a communist commune, or where Peter Pan gets slapped by a girl in his own movie. We joke about actors being whores, but current cinema is worse than whorehouses given its poisoning of little children. LOTR and Rings of Power could not be further apart. I wrote a glowing review of LOTR, after having spent 12 plus hours plopped on my bed watching all three movies, I felt something warm and glowing inside of me. Watership Down, the book I am reading and the countless folktales and mythical stories we grew up with have to do with the hero who overcomes some evil, and the end leaves him and the world better.
Men and Women are very different, the hero is a mostly male archetype, and I am sick of seeing tampons thrown at it. A concerned father here posted about his neighbour's son, how he felt bad for his mom was making him effeminate. Modern state now tries that with beloved children's cartoons too. This is a long, meandering post. I liked comic book heroes, I really did. Batman: The Animated Series was the only cartoon I ever watched. People making movies are showing me the finger, they defile some things I liked as a child, and their losing money is a good thing. I refuse to relate to a female protagonist. I would as a parent, would not want my kids to consoom product we see being shilled. These people are losing money, which gives me some hope for the world.
My impression was that girls slapped protagonists a lot in their own movies in the Old Movies. It's what girls do.
A girl challenging you and her showing you who's boss, and then doing that in the movie are different. Mark Renton in Trainspotting, when he meets Diane gets challenged by her despite his awful pickup, but ultimately she does not end up being the man in the movie. I like feisty women, modern portrayals, despite the nudity, are very sexless. You can sense that the creators have had weird lives; the woman running Star Wars, or whatever their latest flop TV show was, spent her high school as a pariah. No wonder her art is that bad.
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