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Notes -
People have been complaining that normies are dumb for at least 2,400 years:
I love socratic dialogues written by people who clearly don't understand the point of a socratic dialogue.
I've never perceived the Socratic dialogue to have much of a point at all. It's mostly one of the following (or a combination), depending on how kind we are being to the writer:
1: Attempting to get away with strawmanning an opponent by presenting someone who starts disagreeing with you but then immediately caves and agrees with all of your counterarguments as soon as you present them.
2: Attempting to leverage pathos to trick the audience into agreeing with you more than your logical arguments alone would by building them a character who starts in their position (opposition or ignorance) and build empathy with them before the character switches to agreeing with you (causing the audience who identifies with them to subconsciously follow suit).
3: Trying to explain something in a way that's less boring than a monologue, by simulating characters and counterpoints and a skeleton of a narrative to the explanation so the explanation is presented in a more engaging way.
Theoretically if your characters are intelligent and aren't just strawmen meant to prop up the MC in the most shallow way this can work, but basically the only example I've ever seen of something like this is in some of Scott Alexander's works. The vast majority, including and especially the classics like this one, are shallow and pointless.
If we're confining ourselves specifically to the works of Plato, then the point is to explore a particular philosophical problem, and typically, to outline a solution to it. The dialogue I quoted from, The Sophist, attempts to explore and solve a series of paradoxes related to the concept of non-existence. See here for a gloss on the dialogue's central arguments.
As for why Plato chose to present his works in dialogue form rather than a more traditional "scholarly" form, the reasons are multifaceted. I would point out, for example, that we would have never seen the beautiful drama of Callicles's accusations against Socrates (that he was wasting his life on philosophy) if Plato had not chosen the dialogue form.
You're going to look me in the eyes and tell me that this is shallow and pointless?
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They still usually at least attempt to build a strawman to take down. I'm not sure I've ever seen one before that didnt even pretend to go through the motions.
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