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Friday Fun Thread for September 26, 2025

Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.

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Loved "Moonshot Rider". "Fight" isn't bad, either. You are correct; Suno 5 smashes the Turing Test.

But I was a fan of AI music even before this release. AI music didn't have to be as good as human music to be competitive; it just needed to be good enough to allow someone with creativity to create things that could have never existed otherwise. For example, demonflyingfox's parodies of Family Guy and Game of Thrones, or corridos like "Luigi Magione" and "Nariz Grande".

Just two months ago I played through a visual novel called Stains of Blue. It's still in development, but when you reach the end of the prologue, you get hit with the theme song and a montage of images from the game's various cutscenes. And even though the music is clearly AI generated, the way it was presented and tied up perfectly with the game's themes and story was so beautiful that I almost cried.

From Quarantine by Greg Egan:

I flop onto my bed, and switch on the room’s audio system. The controlling ROM I’ve been playing lately, “Paradise” by Angela Renfield, is one of hundreds of thousands of identical copies, but each piece it creates is guaranteed unique. Renfield has set certain parameters for the music, but others are provided by pseudorandom functions, seeded with the date, the time, and the audio system’s serial number.

Tonight, I seem to have chanced upon an excessive weighting for minimalist influence. After several minutes of nothing but the same (admittedly, impressively resonant) chord, repeated at five-second intervals, I hit the RECOMPOSE button. The music stops, there’s a brief pause, then a new variation begins, a distinct improvement.

I’ve run “Paradise” about a hundred times. At first, I could hardly believe that the separate performances had anything in common, but over the months I’ve begun to apprehend the underlying structure. I see it as resembling a family tree, or a phylogenetic classification of species. The metaphor is imprecise, though; one piece can be judged to be a near or a distant cousin of another, but the concept of ancestry doesn’t really translate. I think of the simplest pieces as being primordial, as “giving rise to” more complex variations, but beyond a certain point it’s an arbitrary decision as to who begat, or evolved into, whom.

I’ve heard some reviewers assert that, after a dozen playings, anyone who is musically literate should fully understand the rules that Renfield has chosen, making further actual performances unbearably redundant. If that’s the case, I’m glad of my ignorance. Tonight’s second piece is like a brilliant scalpel blade, prising away layer after layer of dead skin. I close my eyes as a trumpet line builds, rising in pitch, then mutates, impossibly, effortlessly, into the liquid sound of metaharps. Flutes join in, with an ornate, mannered theme – but already I think I can discern in it, hidden beneath the fussiness and decoration, hints of a perfect silver needle which will recur in a hundred guises; which will be honed, muted, then honed again; which will be held up for my admiration, one last time, then plunged into my heart.

Suddenly, four lines of glowing text appear at the bottom of my visual field:

[Backroom Worker:

Natural memory association.

Casey, Joseph Patrick.

Head of Security as of 12th June, 2066.]

I’d forgotten that I’d asked for staff records, too – or I would have excluded them. I think about waiting for the music to finish, but there’s no point; I know full well that I’d be unable to enjoy it. I hit the STOP button, and one more unique incarnation of “Paradise” disappears forever.

Yeah.

To add to the shock, OpenAI just put out Sora 2, which is also gobsmacking me with how good it is.

https://sora.chatgpt.com/p/s_68dc49d67ce0819194ea5d9f24bdb28e

This video is completely 'convincing' to me, between the reflections, the dog, and the traffic in the background and road noises. I can still reason out that it's AI, but my natural intuition is not picking it up automatically anymore.

It is also pretty damn good at quality-looking animation and voice-acting. albeit in very short bursts.

Basically, as these tools improve, the amount of actual creative skill and free time needed to create 'passably decent' media drops by like 50% every 6 months.

Someone's going to figure out how to hook Suno, Veo and/or Sora, together with a 'director' LLM and make full on music videos or contiguous scenes with soundtracks and everything.