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Notes -
Woke Trappings versus Woke Story
I thought Stranger Things wrapped up nicely and the finale was great. The pre-final episode received the lowest ratings and reception in the entire series, with a lot of commentators claiming the entire series was ruined, but the finale was great television. It's true the pre-final episode was not great due to the fact it was dedicated to setting up the 2 hour finale, but the overreaction to that episode is mostly driven by one of the characters named Will coming out as gay, and making that central to his personal story and character growth needed to win the entire conflict. The surface-level criticisms are true, the scene was terrible, it was LGBT propaganda, sure. And my woke radar is as fine-tuned as anyone, but I find anti-woke observers become too hung up on woke trappings rather than critically analyzing the story itself.
The Stranger Things story itself is not necessarily woke, it's 1980s nostalgia blended with fish-out-of-water, heroes journey, coming-of-age, revenge, fantasy, and all the elements that audiences tend to like and that is carried through the end. I would contrast that with IT: Welcome to Derry in which the story itself is Woke and it ruins the series.
But I think those complaining about Woke elements in Stranger Things - this never would have happened in the 1980s!, the multiple LGBT characters and their acceptance by everyone in the story, the feminism, etc. They miss the point that 1980s culture did lead to these things. Sure, the transition was slower than is symbolically represented in the show; in the show the transition happens rapidly, without resistance, and faster among the characters in the story than it did in American culture. But the fact is American culture did follow the cultural trajectory depicted in Stranger Things which warps up 1989. So the show depicts an accelerated cultural trajectory going out of the 80s into the 90s and 2000s, which are cultural changes that actually happened.
Although I do like a lot of parts of 1980s American culture, the vapidness in that culture which triggers our nostalgia reaction did lead to these things the anti-woke commentators are complaining about being featured in the show. 1980s culture led to 90s culture, and so on until we are right here. The lesson isn't "Great Hollywood will just wokify everything" the lesson is that 1980s nostalgia is not a good source of inspiration for those who oppose the cultural forces that came out of the 80s and further developed since then. Of course that insight can be backpropagated, is a 1960s muscle car a symbol of a pre-woke culture we must retvrn to, or is it a symbol of cultural decay representing vapid status games, siphoning masculine energy into meaningless pursuits, and materialistic national identity that led exactly where we are?
Stranger Things was disappointing.
The first season was great, and it was all about the settings and vibes. After that, they didn't know what to do with it: sequels demanded they simultaneously up the stakes and explain the universe. S2 went with a kind of eldritch Lovecraftian approach, which was exciting to me because it's a genre that's nearly impossible to do well (explanations are self-undermining), and that season gave a reasonable go at it. But the task of following through proved too much for the writers, so we got creature features and supernatural slashers instead.
The weak story thus forced the focus onto interpersonal relationships that turned into soap opera, with an ever-expanding cast (with outrageous plot armor) to pander to more market segments with fan service. By season 5, it was impossibly unwieldy.
Will's coming out was entirely unnecessary, but it's important not to treat it as some departure from an otherwise good season. Every scene involved some long-winded heart-to-heart with unearned development. Somehow there's no tension at all: the world is ending, but you wouldn't know it by how the characters acted. The final journey to Vecna's layer (which is supposedly on a timer, as it's literally actively traversing a wormhole to destroy our own world) becomes a calm stroll (through a brightly lit, demogorgon-less set) where two guys just talk about their shared like of a girl and find out actually we're not too different after all!
So, does it matter that Vecna and the Mindflayer are weaker than the L1 demogorgon in season 1? Nope, because they're entirely secondary to the real goal: shoveling slop and 80s nostalgia to a bunch of Millennial Netflix watchers who want soap opera but want the imprimatur of prestige television.
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