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Culture War Roundup for the week of February 2, 2026

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Is Dinergoth a real thing? (soft-paywalled; use reader mode to get the whole article)

Before we get carried away with narrative, let's do a reality check. Is "Dinergoth" pointing to a real cultural phenomenon? Can anyone provide anecdotal evidence?

I can probably think of one or two people I know who meet this description, but that's not enough to validate the claim, which is that:

  • Dinergoth is not a subculture like the goths/otakus/furries of old; it is the mainstream culture of today's youth.
  • When Dinergoths identify as queer or trans, this is entirely apolitical for them. Far from being woke left-wing gender activists, they are completely checked-out and apathetic about politics, including LGBTQ+ issues.
  • Dinergoths live in flyover country and have bleak economic prospects. They are not urban elites or "PMC" types.

The problem is, this archetypal Dinergoth is, by construction, invisible to anyone who's not one of them. They can't afford to live in big cities, so you'll never encounter them there. Even in a small town, the Dinergoths are shut-ins who never leave their (parents') homes and never venture out into the community to meet people. Instead they (supposedly) spend all their time chatting with each other on Discord (hence, so the article claims, the flattening of regional accents among the youth - although I think that trend is older than gaming chats).

And now that I've read this article, the next time I run across one of those obese 20-something piercing-having pink-hairs I occasionally spy at CVS or Walmart, I'll update my stereotype of them from "Antifa" to "Dinergoth"; but really I'll have no evidence either way unless I talk to them and get to know them, which I won't.

Perhaps some of you reading this are Dinergoths yourselves, although I rather doubt it.

In the olden days, subcultures had real functions, a chief one of which was that they allowed one to explore genres of music efficiently. If you were dissatisfied with mainstream pop and happened to hear, say, gothic rock and liked it, it's not like you had hundreds of curated Spotify playlists (or, earlier, music blogs) to find more stuff quickly; you'd get handmade zines, sections in obscure record shops, small clubs (or club nights) and, especially in non-Anglo countries, the necessity for mail-ordering stuff. To find all that you'd need to get into the local goth scene, and of course there would be other benefits like other media, interesting conversations, drugs, strange ideas and belief systems you wouldn't get elsewhere and so on that would keep you there.

Since all that is not particularly necessary now - due to the said Spotify playlists and music blogs and such - all the subcultures have since started to bleed together to create some sort of a general lowest-common-denominator simulcra of a subcultural look which, for some odd reason, is now being called "goth" despite not particularly resembling the goths of old, expect perhaps for the derided "Hot Topic goths". Earlier the same look was often called "emo" with only marginally more of a connection to the claimed musical genre.

a chief one of which was that they allowed one to explore genres of music efficiently

I think the bigger one was the sense of community itself. Maybe you were a loner in your class, but you could put on your "uniform" and mingle with people like you. You could even identify each other from a distance, just one glance to see that the person across the street was one of yours.

The sense of community probably dominated once you were in the community, but the exploration of niche interests, chiefly music, was what got people in the first place and the communities formed.