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Friday Fun Thread for April 17, 2026

Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.

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I watched Dark this Lent and it made me wonder what series don't have a final season that doesn't struggle with the pacing.

Spoilers ahead

Everyone knows about AGoT season 8, no need to even mention it.

Breaking Bad is one of the highest-rated shows ever, but I really hated the pacing of the final season. The show has just spent two seasons dealing with Gustavo Fring, Walter White has evolved greatly as a character, but as a crime lord, he's back at square one again. But it's the final season already, so the plot shifts down two gears and accelerates greatly. By the season's midpoint and with the help of several montages, Walter White has found new associates, rebuilt his drug empire, eliminated everyone who stood in his way, earned a literal bed-sized pile of money and retired, just so we have enough episodes left for his inevitable downfall. I still have whiplash from it.

It's the same with Dark. The first season introduces time travel and scatters the cast between 2019 and 1986 and 1953. The second season introduces even more characters, adds 1920 and 2052 to the mix, along with a whole new parallel timeline in the cliffhanger without even starting to open the lineup of mystery boxes that would've made J.J. Abrams proud. Then, in the breadth of a single season, it adds one more jump into the past, shows the parallel timeline along with its parallel cast, its distaff counterpart to the main antagonist and her own goal, adds some quantum mechanics to save the protagonist, twice, and them hurriedly starts to open every remaining mystery box in a row without even explaining the logic behind them because it's running out of screen time and it still has to tell us, out of the blue, that both worlds are just the result of an experiment gone wrong and the protagonist has to go back in time in the real world to prevent them from being created altogether. The end. Don't think very hard why all these children from season 1 actually had to die.

So, is there a series that has the final season that doesn't feel either rushed or drawn out, that finishes exactly how and when it should?

The problem with TV is that unless you have an extremely hard headed creative at the head of the show saying "this is going to run precisely this number of seasons and at the end of that we're done" and they have full backing from the money men and full buy in from the cast, you don't know in advance when the last season is. The show might lose funding, or commitment from stars or writers who want to move on to other projects, or be riven by internal conflicts that make it unworkable. And then you have to wrap it up.

And at the same time different audiences have different appetites for more seasons, at different quality levels.

I went to see a high school play recently, a production of How to Succeed in Business without really trying and on a talent level it was SPECTACULAR. I kid you not when I say that (other than casting, particularly kids in old man parts) if I had paid $100 for a ticket to see a touring company do the show, I wouldn't have expected more. But it was entirely too long. It ran over three hours. They crammed in extra dance sequences and songs, and dragged them out. And I was tired of it by the two hour mark, but at three hours most of the crowd was still screaming and whooping with joy at the spectacle. Because they were there to watch their kids or their friends or their old program, not to see a tightly paced performance. They would have cheered for another hour!

TV is the same. A casual fan, and at some level we're all casual fans compared to someone, wants a show to wrap it up; a hardcore fan wants it to keep going, they love the characters and want more of them. I want to watch another season of Mad Men only if it's .9x as good as the others, but there exists an audience that would watch ten more mediocre seasons taking us to the Reagan years if it were only .5x as good because they'd prefer half of Mad Men to all of something else.

So typically a show gets dragged out until the latter audience is too small to keep it going. So to members of the former audience it looks like it dragged on too long. That's probably as it should be from a utilitarian perspective, the existence of more bad seasons hurts me less than it helps someone who enjoys them.

AI is going to make this a nightmare. We're going to have to completely rejigger our conception of what is Canon, and what is a head-Canon, to make sense of it all.