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There's something nice about having one canon, like how it can be more fun to play Minecraft in Survival Mode than Creative Mode.
But not everyone feels this way (like how some people only play Creative Mode), mainstream canons (especially today) are generally mediocre at best (even according to the mainstream audience), and IP has so many other downsides. People who want this can resort to subscribing to some curation group who picks one canon for every popular media.
I agree one canon is better. I’ve got no idea if JarJar should be reworked but I do think it would be nice if Disney realized some of the stuff they created was stupid with Star Wars and just remake some of the episodes. Episodes 7,8,9 need to be completely redone. The IP for Star Wars has lost a lot of value because they were so bad. They should just remake those films maybe borrowing from fanfiction. Perhaps even admit you messed up and run some crazy promotion like the new episode 7 is free in theatres. How much would it really costs to remake them like 1.5-2.5 b which is significantly less than the initially paid for the IP.
GOT probably needs a reboot either just the last seasons or the final 2. Paramount paid $110 B for GOT. A reboot is tops 3% to do it again but correctly and GOT is likely still WBD highest value IP. Probably more like 1% of purchase price. Some of the issues with GOT was just being a rushed finish, but the WhiteWalkers and John as the Prince who was promised was just poor storytelling. It was the dumb hivemind trope that Independence Day used to beat a super powerful enemy. The real WhiteWalker story has never been told. Not even sure of Martin figured out that story.
The thing with great IP and the stories people really love is it’s not about fantastic graphics and special effects. It’s the storytelling where you need very real talent figuring it out.
I think the real cost, the real problem, is the reputational hit from admitting they fucked up, alongside the shame, blame, and perhaps even legal responsability, it puts on the creators (producers, directors and writers, mostly) of the publically disgraced movies and the chilling effect it would have on future works.
Imagine how it would go! It's hardly a new phenomenon, bad movies get made all the time at all budget levels, but admitting it means throwing people under the bus. It means telling, quite directly, to the dozens of fans of episodes 7-9 as they are that they have objectively bad taste, talk about spitting on someone's soul. For any producer, director or writer who is about to work on a Disney movie, they'll have seen how Disney failed to stand behind their works. Are they going to imply the movie I worked years on is shit if it doesn't make them enough money? For the public, they'll have seen how Disney swore, for years, to the tune of billions of dollars that episode 7, 8 and 9 were the sequels we always wanted to the Star Wars saga.
No, I don't think we're gonna get a redo. If that bad all women Ghostbusters movie was never officially disgraced by Sony, Disney's not going to do it with Star Wars. At least that Ghostbusters movie could be pushed into a corner never to be talked about again, while SW killed off or bastardized beloved characters. It's best for them to maintain the fiction that they were perfectly good movies that simply for whatever reason, didn't resonate enough with audiences. The best they could do to correct it is a split timeline, JJ Abrams' Star Trek-style, that they then splice over the bad one, and I have a hard time imagining them pulling it off in a way that doesn't feel like a massive ass pull; at least Star Trek had a history of time travel and diverging timelines.
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Agreed, but then we end up having to watch said canon crash and burn when someone without any love for the IP grabs hold of it and inserts their own vision, and then mocks the people who are suddenly alienated because har har I peed all over your stuff now I own it. A fandom should, in such cases, be able to organize and just pay some other person to continue from where things left off and go on their merry way. This could happen in the current era, but in practice, coordination problems mean you can't outbid Corporations for the rights.
I think books in particular are amenable to a 'flexible' canon. Most long-running series have entries that fans would rather forget/ignore. Oh, and many where the endings rather suck. So if another author wants to come in and rewrite, say book 6 of a series, or just change a single character arc or 'fix' an ending, well, let them publish it, stick it on the shelf next to the originals, and let people choose.
I ALSO support the idea of authors going back over their own works and adjusting things based on their increased experience and feedback... so long as they're very transparent about doing so and keep the previous versions available.
This doesn't always play out well (Kirkman is making some changes from the Invincible comic to the TV show that I find baffling) but I think it is healthy.
This also opens them up to being bullied into making changes that are genuinely horrible, but hey.
Yes there's absolutely an 'artistic integrity' argument to be made.
I think the apotheosis of this would be a wikipedia-like site that tracks all versions of a given canon and charts the different paths readers/viewers can take and lets people provide feedback on individual tracks so future readers/viewers can pick the one they expect to like.
Hey, at least fans can fight over whether Sony's version of the canon is better than Microsoft's. We lost something when the console wars died down.
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