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Notes -
I am reading the first book of 1632, the Isekai/historical novel by Eric Flint.
Basically, a West Virginia fictional town is teleported in the year 1632, during the Thirty Years War, and the usual scenario happen, technology triumph on the less advanced, the future breeds social and economical innovation, a cast of character is attracted to the colonists from the future etc
What is very odd is the sentiment that lives in the novel, published in 2000.
Resuming it in bullet points;
The protagonist is a WASP, no-nonsense ex-coal miner, who has the dream of rebuilding a new USA in Germany, with a Constitution, a Bill of Rights etc. He marries a Sephardic Jew girl.
His political enemy is another WASP, but this time from the East Coast, rich guy with a pretty wife, xenophobic and anti-immigration, but that is constantly criticised for being a de-facto "globalist". ("He is not from this town, he is a rich dude who lived in London and Canada and everywhere else without stopping!")
The heroes of the story are the local members of the UMWA union, a mix of WASP and Italian and Irish coal miners, who defend the town first and are the major supporters of the protagonist's agenda.
There is a character in the protagonist ruling council, who is a 50s WASP feminist woman famous for being an ex-radical Ivy-League student who tossed Molotovs around and turned high-school teacher. She is one of the main supporters of the protagonist, always bickering with him or the UMWA, but in the end she is always supported by them.
There are a bunch of female characters who during the story demonstrate intelligence, combat attitudes etc, and the protagonist, despite having some small moral problems at the beginning, supports them in their actions and dreams.
The oddness is reading a novel, written by a Liberal with in mind the liberalism of the late 90s. The white coal miners are all union supporters and pro-immigration, the feminists like them, and the very-white West Virginian town is lauded as an impoverished but proud and tight community hostile to the rich bastards from the big cities. Diversity is not nominated apart from two or three times. The greatest oddity, by the way, is the lingering anti-Catholic sentiment, where the majority of the Catholics are closed-minded, and anti-freedom of religion, while the Protestants are essentially the good guy.
What an odd time machine.
As someone who was planning to get into 1632 but never got the time, does anybody know the future of the series after Flint's death? Will they just finish the books that were already being made and end it early or will it continue?
Apparently, "any projects not already under contract by Baen Books will need to be approved by [Flint's widow and heir] Lucille Robbins, who will be working with Baen publisher Toni Weisskopf and several of Eric’s collaborators to make sure Eric’s intentions for the series are kept". So the series presumably will continue.
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