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That might have been a good argument, if all those other franchises haven't gone woke themselves.
Was it? Or did she finally let people who love Star Wars, and are still employed in Lucasfilm do their jobs?
Is there any way to tell? Look at her IMDB page, and sure she's produced some dreck recently, but she's also been a producer on some of the most beloved movies in history, not just Andor. (The most damning pattern I can see is that she was a producer for Indy 2,4, and 5 but was just listed as "associate" and "production executive" on 1 and 3...) But if she ruined Obi-Wan (somehow trampling over the objections of the other 5 executive producers) whereas she just let people do their jobs on Back to the Future (thanks to the other 2 executive producers) and Andor, what's the evidence for that?
There are 16 total producer credits on The Last Jedi, 10 on The Rise of Skywalker, and yet somehow they managed to create a trilogy that was a damn tug-of-war between incompatible-to-the-point-of-incoherency visions from each movie to the next. I don't see how that can be easily blamed on just one person. Maybe George Lucas pulled off the "flying by the seat of his pants" style of writing well enough that his successors actually didn't realize they needed a plan? Maybe the fact that audiences keep watching J.J. Abrams' "mystery box" setups expecting a decent resolution, like Charlie Brown trying to kick the football, is the root failure? Oscar Isaac may be a great actor (his performance was such a pleasant surprise in Moon Knight...) but even he wasn't able to read the line "Somehow, Palpatine returned" without his face betraying that he was dying a little inside.
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