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Culture War Roundup for the week of September 12, 2022

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I realise I'm a little late to the party, but I want to talk about Tolkien and RoP.

One of the themes of Lord of the Rings is the idea that the smallest, the humblest person can change the destiny of the world, and become a hero. The Hobbits represent small, humble, ordinary people. They don’t lust for power or fame, or aspire to do great deeds. Thus the Ring can’t corrupt them in the way that it would corrupt Boromir or Galadriel, although it can make them covet it as a possession. We see this when Sam willingly gives it back to Frodo, even though we have seen others kill for it having been exposed to it for far shorter periods. Bilbo manages to give it up, after having owned it and been subjected to its influence for 60 years, and Frodo manages to bear it right into the heart of Mt Doom, with the Ring fighting him all the way.

The Ring works by tempting its owners, offering them ways to get what they desire most. The Wizards want to make the world a better place. The Elves want to stop the decay of the world. Men desire power and the ability to defeat their enemies. Dwarves desire treasure. All of them want something they don’t already have, therefore the Ring has something to work with, something to offer them. While Hobbits are content creatures: “But where our hearts truly lie is in peace and quiet and good tilled earth. For all Hobbits share a love of all things that grow. And yes, no doubt to others, our ways seem quaint. But today of all days, it is brought home to me it is no bad thing to celebrate a simple life.”

Galadriel was never some paladin of light. She is the ultimate redemption arc. Someone who had many of the same flaws as Sauron, but who came back. Sauron had a chance for redemption, but couldn't follow through due to his pride. Like Galadriel he was told to come back to Valinor. He didn't want to leave his powerbase or his pride behind however. The character who some consider to be the ultimate hero of the tale, who gets the last scene is not Aragorn the King or an immortal elf. It's the family man with scars, who lost his friend, and who comes home to his family and does the best he can.

It seems Amazon Studios never bothered to understand when they decided they'll make Galadriel a sort of "girlboss" claiming to save the world but with the writers' focus being on her path to glory like most woke cape blockbusters these days. Given how literarily significant Tolkien is world over, its so bizarre that they'd try to pick apart his legacy and crap all over him. Within my reading circle in India, LOTR is a favourite. The supposed racism doesn't even register. The last RoP trailer in regional languages here also got ratio'd on YouTube. I don't know what Amazon was thinking. They said this is the most expensive show ever and that the future of the studio itself relies on its success, and yet they decide to check the woke quotas instead of giving Tolkien fans what they want. Did they really just not expect this level of blowback? Its so unfathomable to me that the answer is that simple, could it be something else?

I don't think it is any more complex than Amazon simply throwing money at a franchise which is universally known so that it is very likely to draw a large viewership and then producing some generic uninspired series which postures as part of the universally known franchise while pandering to whatever Amazon thinks is the current zeitgeist. On the level of the people who actually produce and write the series there may be some conscious ideological commitment, but on the corporate level where the decision to make this series was actually made, I doubt it is more than just pure indifference to franchise itself and a simple desire to make money.

Also, it is pretty ironic that a multinational tech giant is working with Tolkien material, when Tolkien himself was a bit of a Luddite and a localist.

I don't think it as any more complex than Amazon simply throwing money at a franchise which is universally known so that it is very likely to draw a large viewership and then producing some generic uninspired series which postures as part of the universally known franchise while pandering to whatever Amazon thinks is the current zeitgeist.

Yeah, there's functionally no difference with the Wheel of Time scenario. Or what happened to Percy Jackson. Or what happened to Dark Tower. Or Dragonball: Evolution...

It's simply a matter of magnitude: Tolkien is the most well-known fantasy author (except maybe JKR) and so doing it to his works correspondingly draws more attention