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Culture War Roundup for the week of September 12, 2022

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A few followups to last week's post on the shifting political alignment of artists:

HN: Online art communities begin banning AI-generated images

The AI Unbundling

Vox: What AI Art means for human artists

FurAffinity was, predictably, not the only site to ban AI content. Digital artists online are in crisis mode, and you can hardly blame them -- their primary income source is about to disappear. A few names for anyone here still paying for commissions: PornPen, Waifu Diffusion, Unstable Diffusion.

But what I really want to focus on is the Vox video. I watched it (and it's accompanying layman explanation of diffusion models) with the expectation it'd be some polemic against the dangers of amoral tech nerds bringing grevious harm to marginalised communities. Instead, what I got was this:

There's hundreds of millions of years of evolution that go into making the human body move through three-dimensional space gracefully and respond to rapidly changing situations. Language -- not hundreds of millions of years of evolution behind that, actually. It's pretty recent. And the same thing is true for creating images. So our idea that like, creative symbolic work will be really hard to automate and that physical labor will be really easy to automate, is based on social distinctions that we draw between different kinds of people. Not based on a really good understanding of actually what's hard.

So, although artists are organising a reactionary/protectionist front against AI art, the media seems to be siding with the techbros for the moment. And I kind of hate this. I'm mostly an AI maximalist, and I'm fully expecting whoever sides with Team AI to gain power in the coming years. To that end, I was hoping the media would make a mistake...

Art and artists went through a similar crisis with the advent of photography -- what does it mean for technical skill when you can replicate a master's work with the click of a button. Art evolved, new categories developed and so on. The role of the artisan in art has been a bit contingent for ages, accordingly. It's not like Ai Weiwei welded all those bikes together himself, or that the interesting bit about Comedian was the subtle technique in its execution. Artists will come out the other side of this as they came out from photography -- much changed, and with new debates and reflexivity. (One interesting example is to compare paintings of water, ripples on streams etc, before and after photography revealed exactly how light played on and through the ever-changing surfaces).

I, for one am keenly anticipating the advent of the AI equivalent of photorealism -- replicating AI-generated aesthetic tells in the manual medium.

Whenever someone brings up the photography analogy, I always think they're completely missing the point. It's almost like you're Seeing as a State -- artists exist now, revolution happens, artists exist after.

What you're neglecting to mention is that the artists that exist in the present will not be the artists of the future. We had photorealistic painters, and later we had photographers. The latter were not made of the former. People will suffer, perish, anguish, and all of this stuff is important for understanding how things play out in the near future.

We had photographers, and then later we had photorealistic painters. Photorealism is an artistic reaction to photography.

I feel we are talking past each other. "In terms of the historical narrative, some artists were inspired by photography and made a cool synthesis of traditional art && the new technology" -- okay. But were there more artists (adjusting for base rate) creating realistic looking hand-drawn art pieces before or after the proliferation of the camera? Do you agree that the answer is before? Do you grasp the standard concerns shared amongst artists that believe before is the obvious answer?