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Anyone remembers (or even heard of) the Insidious? The supernatural series that hasn't made one good movie since the original, like most horror/slasher flicks since the 80s? Well, they just released another movie, one that I didn't even know existed until I went to watch Across the Spiderverse with a friend last night. And guess what, despite the teetering reputation and C+ reviews on Cinema Score, it managed to become a commercial success and knocked the Indy Jones finale with a much bigger domestic box office opening.
This fad has been going on for years but (to me, at least) it never stops being remarkable how big tentpole entries that raked hundreds of millions in the past just manage to fall flat. These franchises tend to be somewhat bulletproof, there's more room for failure and these brands usually wouldn't take a hit due to a few bad entries. Yet, here we are. It seems like Indiana Jones Dial of Destiny might not make back its PRODUCTION budget, let alone break even, that's just out the window. How do you get handed the keys to the most beloved IP's there are, with passionate fandoms falling over themselves to rain cash on you for merch, something that's effectively been a cultural icon for decades, and turn it into a hot pile of steaming crap that no one wants to get 10 yards within? They could make the Crystal Skull (which still raked good money btw) and get away with it. Now, all of a sudden, DoD is the final nail in the coffin.
Every time we pointed out the warning signals, the /r/IndianaJones circlejerk simply kept dismissing us as bigots still continue to defend it like it's some misunderstood masterpiece and the only ones who hate it are incels that can't handle strong women. It's the same theme every single time. We knew Disney was BS'ing nostalgia when it brought back Palpatine, not coming up with something "daring and creative". It hasn't been a full year since RoP, the excuses went from "they've only revealed the casting, we haven't even gotten a first look yet" --> "it's not even out yet, you've just seen the trailer" --> "you've seen one episode, how can you gauge anything from it" --> "most shows don't get good until the 2nd or 3rd season, give it a chance!" You just can't win here. It turns out exactly as terrible or even worse than what we'd expected, to the point where the brand name gets reduced to the same tier as any other obscure brand like Insidious. Yet, we always have the very same passionate circlejerk defending these movies on every fandom on social media. Nor will we ever see Kathleen Kennedy lose her job. I used to think it was plausible it was a grand conspiracy to fuck over the middle class by subverting our culture and values, then I thought it was just Hanlon's Razor, now I'm not even sure.
It’s the Matrix 3 effect, in my opinion. Matrix 1 was a modernist film about postmodernism, which is why it won big. Matrix 2 was a deconstruction of Matrix 1, and upped the ante on ideas, spectacle, and CGI, but focused on deglamorizing the lives of revolutionaries. Matrix 3 went full postmodern, with a “who do we root for?” ending which was barely explained despite its double big sacrifice.
Matrix 1 and Last Crusade are both practically perfect movies, Matrix 2 and Crystal Skull are both CG heavy cash-ins, and I believe I’ll feel the same way after watching Dial of Destiny the way I felt after Matrix 3.
I watched The Matrix Reloaded last year, having not seen it probably since the year of its release. Hot take but I actually think it's massively underrated. Sure, a lot of the CG hasn't aged too well, some of the Zion scenes are a bit silly, and it doesn't have as clean and straightforward a narrative structure as the original, but I still came away from it thinking I'd gotten everything I wanted. The ending's reputation as a mind-screwy impenetrable Metal Gear Solid 2-style headfuck is well-earned, but - well, I love Metal Gear Solid 2, so I don't see that as a demerit at all. What, you wanted your sci-fi franchise which delves into Gnosticism and Baudrillard to be easy to grasp? What's next, hardcore porn without any fucking in it?
Whatever else you want to say about it, it never felt like fanservice, or an insult to the audience's intelligence, or a nakedly commercial endeavour. Haven't gotten around to rewatching Revolutions yet, curious to see how it holds up.
My beef with revolutions in particular is that the war stuff is fucking BORING. The mechs the humans use are stupid designs with exposed cockpits, and there's only the one mech unit, and the machine forces consist of squids and a giant drill.
My take will always be that the Watchiwski's ideas were smarter than they themselves were. the Matrix 1 was riding on a lot of heady concepts and stylistic anime stuff (cinematically it owes a lot to Ghost in the Shell), that they couldn't actually execute any further because it was beyond them intellectually.
Yeah, my take on it is that they threw everything including the kitchen sink into the first one as a mix of "what if we use this cool SF concept?" and that the huge success meant that people were trying to read deeper meanings into it than were there, so they had to pile on the bullshit about the next instalments (because it did so well of course the studio wanted sequels) having all this deep Gnostic whatever meaning, but it didn't.
It was just about "wouldn't it be cool if we did kung-fu with guns? in slo-mo?"
Another post-post-modern(?) reading I've seen that is popular with the trans lot is that the movies are about being trans (see the Wachowski Brothers becoming Sisters) but I dunno about that, either.
I think anyone who feels alienated from the modern world will read their own personal struggle into The Matrix. https://youtube.com/watch?v=N2LkM-tBT4o
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