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I've been thinking about culture war in media lately.
For those who don't know, I'm a game programmer, working to kinda move into the game-director role. Obviously at some point I am going to have games with humans in them [citation needed], and since they're humans I need to decide what they look like both in terms of dangly bits and skin color, which is of course now highly politicized, joining the ranks of literally everything else in existence.
But I'm not looking for an excuse to put characters in of one skin color or another. I want a universe that feels reasoanbly alive, with characters who are interesting and not just inserted for politics reasons. So a big part of this ends up being "how do I choose interesting characters that don't feel like a political statement, or at least, if they do feel like a political statement, it's a political statement I don't mind making, or a political statement I'm intentionally making as part of the game, and also, boy it would be nice to come up with a way to insert characters of literally any type without that also being a political statement, and I guess as a side note this involves talking about explicitly political media and what makes it work well or badly".
This has, in fact, been done well.
Let's talk about that.
One good technique is to put in characters that are politically sensitive and then just never call attention to it. Uhura was black, and everyone watching Original Star Trek knew it, because she was, you know, on screen, consistently reflecting fewer photons than Captain Kirk, as black people do. Kirk didn't seem to know it, though; Kirk just kind of ignored it. In fact, I'm not sure this ever came up during all of Star Trek. Uhura was black because Uhura was black, and the show carefully avoided ever making a thing out of it.
Another good example here is Miles Morales in Spider-Verse, who is also black, and again, I'm not sure the movie ever really mentions this. The movie is explicitly not about Miles Morales' skin color. Another example: a lot of characters from Borderlands 2, such as Ellie, who is a fat woman which is essentially never relevant to the plot, and Sir Hammerlock, who is gay.
Sir Hammerlock being gay is an interesting case, so let's talk about it more! With most characters, either you find out their skin color the instant you see them, or it turns into a serious Face Reveal thing (imagine the controversy if the Halo TV series had revealed that Master Chief was black!) But media in general tends not to show much about character's sexualities, and the game industry even less so. Even mentioning romantic choices feels like something that can't be done subtly - all characters could be seamlessly replaced by asexual beings that reproduce via mitosis unless your work is about the fact that sex happens.
(Tangent: Can we, like, do something about that? Have some main characters who start out married, and end married, and the story is never about their difficulties in marriage? Seriously, how many happily married main-character couples exist anywhere in fiction? Note to self, do this sometimes. End tangent.)
(Tangent addendum: I just played Guacamelee 2 and it does this. That's one! Anyway, moving on.)
But in the case of Hammerlock, he sends you on a quest to check out what happened to an old friend of his, and if you happen to dig into the quest details, which most people don't, you find out it's an old boyfriend, and honestly I really like how this is handled. Hammerlock is just a guy who likes guys, and he's worried about his old fling, and this is never turned into a Explicitly Political Thing, and that's cool. 10/10, very human.
Let's talk about another technique! Another technique is to, instead of making the plot not about something, make the plot extremely about something. I did a search for "movies about black people" and one site recommends Malcolm X and another hit provided by Google is a list of "11 movies that confront American racism". You can guess where that is going! Uhura could have been white, Ellie could have been a thin guy, Sir Hammerlock could have been asexual, that wouldn't really have changed any of those pieces of media, but you can't turn Malcolm X into an Asian without some pretty serious plot adjustment!
There's nothing wrong with this solution either. I am generally not interested in this kind of media, but if that's the movie someone wants to make, hey, have at it, all up to them. But because I'm thinking about this for the sake of my own games, I'm discarding this because, as mentioned, I'm just not all that interested.
But while we're on the subject . . .
. . . I can't help but wonder if this is counterproductive.
A painful thing about human beliefs is that we are very very very bad at changing our mind. And having arguments shoved in our face really doesn't help. Walk up to someone who hates skub and shout pro-skub catchphrases at them, if you like; this will not make them more positive about skub, they'll probably just become more certain that skub is bad because all skub-lovers are fuckin' jerks, man. But show them movies that just happen to include skub, in a way where it sorta just . . . doesn't matter? Maybe they'll stop caring so much about the horrors of skub. Desensitization is a hell of a drug.
Show them movies that claim to involve this, but have the movie constantly shouting pro-skub catchphrases?
Well, now we're back where we were before. Or even worse, frankly, because now they'll be expecting any movies with skub in them to be a thinly-veiled propaganda piece. So not only have we failed to convince them with subtlety and care, we've fucked up future attempts to do so. Good fuckin' job, man, way to go.
Skub is an allegory, but you've figured that out by now, so let's move on.
Specifically, let's talk about allegories.
There's an episode in Original Star Trek where the crew finds some guy in space. The guy's face is white on the right side and black on the left side. Wild, right? Aliens! Shortly thereafter, they find another guy whose face is white on the left side and black on the right side. These two people hate each other because they think the other person's face is wrong and their respective countries have destroyed their entire planet in the ensuing war. Also one of them was used as slaves by the other. What is this story really about? Who can say! It is a mystery! We shall never okay it's obviously about racism. Like. Transparently so.
(In one of the weirder and less socially-acceptable examples of nominative determinism I've seen, the script for this episode was written by a stereotypically white guy named Gene L. Coon.)
Star Trek never fucking blinks. At no point does Captain Kirk turn to the TV and say "by the way, black lives matter", or any less anachronistic catchphrase. This is doubly impressive because Uhuru is still in this episode obviously and she doesn't even mention it. There is a single mention that Earth was perhaps not entirely copacetic in the past - by Chekov, not even by Uhuru, and in response to a question that does not feel shoehorned in whatsoever - and then that's it! It just moves on.
This being Star Trek, Kirk of course has to draw a lesson at the end. And he does . . . but fascinatingly, it's a lesson about hate, not about racism. Racism does not exist for Kirk. He is not even considering the issue.
And Kirk's utter refusal to even consider racism frankly drives the point in both harder and more subtly.
It's a brilliant episode. I love this episode. It's a perfect example of how Star Trek writing, while hamfisted at the best of times, was elegant and refined in exactly the right ways. With so little effort they could have turned this into a cultural war! And they didn't!
I want more things like that. I want episodes that don't hammer in the point with a sledgehammer. I want allegories, not blatant propaganda; sure, it's still propaganda, I don't think anyone would claim that Star Trek wasn't. But it's careful propaganda. It's subtle propaganda. It's propaganda that doesn't come across like paid advertising, with the characters mugging at the camera while carefully holding soda cans so the label is visible, and the label says "vote for me in the next election, but not the other guy, he's a fascist, which is proven by this movie about comedic squirrels wearing silly hats".
And here is the point where I run out of clever inspiration.
I'm trying to figure out how I would make either characters that are never called attention to, or characters that are an allegory . . . for trans people.
And it's goddamn impossible.
The problem with trans people (if you are getting linked here in anger because I said there's "a problem with trans people", finish the damn sentence first, christ) is that the entire classic concept of being "trans" is linked, kind of intrinsically, to being invisible.
Not to the person themselves being invisible. But to the trans-ness being invisible. The platonic ideal of a trans man is someone who everyone looks at and says "yes, that is a man, I have no doubt in my mind", and then never thinks twice about. The "trans" part, ideally, vanishes. And this makes it really easy to put a trans man in a game or a movie: you just put a man in.
But that doesn't help. Uhura does not work if she looks exactly like a white guy. The point of Uhura is that she is obviously black and nobody cares. But you can't have someone who's "obviously successfully trans" - it's contradictory! You have to drop a Sir-Hammerlock-esque hint somewhere, and, one, it's really hard to do so when any mention of a trans person's birth gender is "deadnaming", while, two, Hammerlock is totally cool with casually mentioning that he used to pork a dude with a dong, but trans people themselves generally do not want to talk about their birth gender. It's similar to the whole reveal-a-character's-sexuality problem except massively boosted. Put a character in who keeps talking about all the people they're boning and they come across as oversexed and somewhat disturbing; put a character in who keeps talking about how trans they are and you get Hainly Abrams.
So, then what? An allegory? But what allegory can you possibly use?
How do you make a respectful allegory about something that you're trying to show is conceptually acceptable but whose ideal form is intentionally invisible?
Honestly? I don't know.
My best idea here is to do something with aliens; some species of alien with extremely flexible sexual characteristics, who don't mind talking about them but which are never relevant to the plot, just roll it into background worldbuilding. I guess it's ironic that I'm coming up with this idea while also playing around with the concept of an alien species with extreme inflexible sexual dimorphism, but so it goes. But this is inevitably going to result in people yelling "zomg are you saying that trans people are aliens" and so that frankly isn't even going to work.
I cannot come up with a solution here, and this makes me very sympathetic to people who are trying to do it the right way. There isn't a right way. There's never been a right way. There's just a lot of wrong ways.
Feels like a tool missing from my toolkit, to be honest.
I don't really have an ending to this post.
In fact, it does come up in one episode, the one with Space Lincoln; "The Savage Curtain":
There are a couple of fleeting references, as in "The Naked Time" where Sulu thinks he's d'Artagnan and refers to Uhura with "I'll protect you, fair maiden" and she replies "Sorry, neither".
Or the quoting from Byron's poem "She walks in beauty, like the night" in "Is There In Truth No Beauty?"
About women in general serving on spaceships of the future, from "Tomorrow Is Yesterday":
But yeah, the main lecture episode about this was the one with the black and white faces.
EDIT: And I think you're right about the wrong way to do it; the TNG episode with Riker and the alien who wants to be a woman, but on their planet everybody is non-binary or gender-neutral or androgynous or hermaphrodite or something, it's not made clear because this was back in the 90s and at that time it was An Obvious Allegory About Gayness but today it would be An Obvious Allegory About Transness. The episode is called The Outcast:
The actress playing the character is, well, an actress. A cis female. Which is a choice for several reasons, but I think one large reason would be that if they had cast an actor in the part of the alien having a romantic relationship with Riker it would have been Too Gay, ironically for the episode, and wouldn't have got past the network censors. (As an aside, Riker? Of all people? Nothing against Jonathan Frakes but I never found the character of Will Riker interesting or attractive in any sense right from the start - I did like when Picard slapped him down on the bridge in the first episode - and every time they tried to develop his character by giving him quirks or hobbies it made me want to shove that bloody trombone right up his - okay, what was I talking about, again?)
The second example of handling it badly is from DS9 and again, it's An Obvious Allegory About Gayness (Lesbian Version) in an episode called Rejoined, except all it did for me was convince me the Trill were right about the dangers of re-association and who cares about if it's two women or two men or one of each, the Trill don't as hosts are all genders and the Dax symbiote has been in male and female hosts. I think most people remember it for the lesbian kiss scene:
Hah, I like how Uhura doesn't even take offense there.
These all feel like really good examples of doing it right, honestly. Yes, if you're pulling a character in from ancient times, they're going to have some confusion about a black woman serving on board the bridge, of course they are! But that doesn't need to be the thing the episode is about, and in fact probably shouldn't be. Allegory, not sledgehammer.
. . . also that's a pretty funny line in response to Sulu.
It's a great line, it's almost like an ad-lib, and it isn't a big point but they did manage to sneak in that, uh, Uhura isn't married and is sexually active, which would have been a Big Deal in the 60s for family TV show viewing.
Also the inter-racial kiss from what is a not-great episode (good idea, execution is a bit ropey, honestly the fanfiction of it is a lot better, it's a season three episode which explains a lot as the show was pretty much being wound down) Plato's Stepchildren which really was a Big Deal.
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