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Culture War Roundup for the week of July 31, 2023

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I was not planning on seeing it; this review has mostly changed my mind. Thanks!

I was particularly afraid that the movie would be a hagiography of the poor maligned Oppie, with an overlay of "trust the science" messaging. A fear amplified by reading some op-ed by Kai Bird (who has some second-degree connection to the movie I think?), about Oppenheimer, ending with a comparison to Fauci. (Would Fauci be flattered to know that he's being compared to "the nuke guy"? I wonder...). Gratifying to hear that it's a more normal movie.

On the other hand, I did not like Interstellar...

This is a good example of why bagging the whole film industry together is so lossy -- yes, there are directors who like to insert overt political messaging in their films, but Nolan (or James Cameron, Wes Anderson, etc.) do not.

As a kid I assumed that since it wasn't obvious the director of Jurassic Park and Raiders of the Lost Ark were directed by the same person, then directors must not matter very much. As I get older I've begun to appreciate that this attitude was naive.

but Nolan (or James Cameron, Wes Anderson, etc.) do not.

I beg to differ. I'm baffled as to how anyone can interpret The Dark Knight as anything other than an unapologetic defense of the USA PATRIOT Act.

Well, the most sympathetic/moral character in the movie (Lucius Fox) demands that the surveillance apparatus be dismantled. So my interpretation of this was literally the opposite of yours.

Given that The Dark Knight was released at the peak of Democrats pretending to be anti-war classical liberals and definitely not just opposed to whatever Bush wanted, I think my read more likely to be true.

But I do think that the fact this thread has multiple opinions about this movie and the director's intentions for multiple films is precisely why Nolan is great and why I'll watch everything he puts out, even if it all ranges from a bit of a mess (Tenet) to an absolute masterpiece (Inception)

Well, the most sympathetic/moral character in the movie (Lucius Fox) demands that the surveillance apparatus be dismantled.

He demands that it be dismantled - after successfully using it for its intended purpose. In other words, "desperate times call for desperate measures", which is exactly how the USA PATRIOT Act was justified at the time of its implementation.

I don't believe Nolan is great, and Inception sucks.

Inception sucks

Puts up fists

Fight me, idgaf

Granted that I haven't seen it since it came out, but I remember it being better than Oppenheimer. Still not a movie I'd call "good" without reservation though.

Makes sense. I was more concerned about the other influences (I didn't know how involved Kai Bird was for instance), but yeah I've seen Nolan films before and while I've never really liked them, they're at least not political.

Must've blown your mind to watch Schindler's List then :)

I may be bringing my own personal baggage but I think the movie has a very cynical take on scientists, Oppenheimer, and the US government. Literally half the movie is about some deep state worm “manipulating procedural outcomes” to fuck over Oppenheimer due to a disagreement on policy/personality. If there is a villain, it’s the USG. My takeaway is that the rot we see today was fully functioning as early as the 60s. Likely well before that. It’s a bitter pill to swallow for the “IFL SCIENCE” crowd and I think it explains a lot of the mid reviews.

I think it explains a lot of the mid reviews

Do you mean audience reviews? Among critics, Metacritic only lists 2 mixed reviews (out of 68) and no negative ones.

I mean the youtube critics I follow. RedLetterMedia, Critical Drinker, etc. I generally have contempt for anyone who gets listed as a critic on RottenTomatos. Audience reviews are a mixed bag but increasingly manipulated such that i dont put much weight on them. The YT shows are generally entertaining for me, however their take on Oppenheimer reveals that they have been so habituated to superhero movies that they are unable to really judge a movie that outside of a particular genre.