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Notes -
Jason Aldean’s Try That In a Small Town has gotten substantial media discussion and has been covered here as well, with one of the themes I see being country, conservative, and small-town defenders noting that the song isn’t actually particularly violent compared to rap. While I think this is obviously true, there’s been something about it that has rubbed me wrong, and I finally put my finger on it while I was running with some country music in my ear from Spotify recommendations. The song that got me thinking for the first verse in Bryan Martin’s Wolves Cry:
Much like the Aldean kerfuffle, one distinguishing feature from rap violence is that there is implied instigation on the part of whoever’s going to be left to lie, but the verse above leaves much less ambiguity about what happens if you cross Martin on his land. Martin’s music has a decent bit of this sort of edge, with Everyone’s an Outlaw clarifying that this isn’t exactly a Back The Blue situation:
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This clearly articulates honor culture values, that you’re morally obligated to do what’s right, including stepping up and killing someone if necessary. These themes aren’t at all uncommon in country music, although they’re usually not as aggressive in the most popular music.
Returning to my point, what I’ve realized bothered me about resorting to comparisons to rap is how whiny, pussified, and self-pitying it sounds to me. While some people did just just reply that honor culture is good, that men should be willing to commit violence against outsiders that wrong them, there was this appeal to how the black people can get away with being tough and cool and they’re way tougher and cooler than country white people, which played into the hands of people that write things like this Rolling Stone article:
For me, this is another example of the woke are more correct than the mainstream. Don’t whine about black music! Respond to this criticism by saying that it’s much easier to appeal to PMC fears of chud expression, that liberals said they favored free speech, and that this is a serious art form that deals with all aspects of human life, including the negatives. Have they ever listened closely to country singers and thought about what it might mean for an artist to give voice to the people that they grew up alongside in the trailer park? It’s doubtful.
I grew up in a rural, heavily white area, and the men I knew from that area really do represent the sort of rugged individualism and willingness to engage in violence embodied in some country music. Some of this spills over into behavior that I’m not personally a fan of, maybe even “toxic masculinity”, but I think it’s a culture that’s worth articulating and defending, not one that can only be defended by way of saying that black culture is worse. Jason Aldean is the light, poppy version of this, but country music really does have a fair bit of violence, and it’s good, actually.
king von being a serial killer (no, seriously) makes his bragging about killing people 'a serious artform that deals with all aspects of human life, including the negative ones', while jason aldean being a poser who most certainly didn't come from a small town dealing out vigilante justice means his music isn't just crappy country music, it's advocating for white nationalism. he should try collabing with kyle rittenhouse for authenticity next time.
I have to admit that King Von and YNW Melly have a degree of authenticity when it comes to being actual vicious murderers that most people in music simply cannot lay claim to. I think this reflects an actual difference in the underlying reality of the communities they come from, where the black murder rate in bad neighborhoods really is shockingly high, but the rate of hillbillies killing each other simply isn't. What, exactly, is necessary for someone like Martin to be authentic? I don't think he needs to have actually killed someone, simply being armed and sincere in his conviction that he would defend his home if needed is sufficient.
In either case though, I don't have a problem with rappers that rap about things they haven't done or country singers appealing to their audience without personally being poor and backwoods. For all of the talk that Aldean isn't from a small town, I've been to Macon, and while it's not tiny, it is a pretty typical small Southern city - I don't really doubt that he has some sincere connection to redneck culture. I'm no more affronted by that than by the Dead South actually being Canadian.
In most of the United States, high concentrations of black people are found only in large Urban areas. In the South, the black population is more diffuse. Most medium-small towns in the South have a black neighborhood, and some are majority black outright.
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