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The right wing should do patronage of good culture and right wing culture and abandon an ethos of disengagement and libertarian ethos.
Why?
Because if you know artists, they care first and foremost about doing their things and getting money and recognition. The reason the left has been so successful its because it is willing to provide support, and to deprive them for not aligning with them.
Secondly, people who are actually on your side will also act based on incentives.
And thirdly, because the end result is desirable. A culture of just whining, about leftist cultural output is impotent. There is nothing wrong with complaining about what is bad, but you should also promote what is good. We need a society that promotes good art and and good culture. There is more to life than line going up. And if you don't try to fill that vacuum, someone else will.
What this means effectively? A right wing goverment should defund leftist artists and promote rightist artists and allow people to join the side. Soon you will discover that many artists are actually rightists who were afraid to express themselves.
It also means promoting art programs.
Also some kind of art tends to be of a more negative and leftist form like rap and modern art. Not all but more commonly.
Beyond the goverment, right wingers and not leftists should care more about networking to promote art that isn't left wing. It doesn't have to be explicitly political. Lord of the Rings for example qualifies. Just accurate adaptation of great classics of western literature without left wing ideological blinders would also qualify.
Putting regulations in place to make them illegal or underpromote far left racebending art and make them less financially viable, and giving incentives for art that respects the source material for example.
Of course, someone could object to a certain particularly aggressive moves in terms of what you promote and not promote, and in being excessively far to the right and excessively intolerant. And I could even agree with them in some cases.
However, in the current status quo, things are so lopsized in the direction of the left that it is pushing the culture landscape in a more pluralistic phase to have less race bending far left culture being promoted and more right wing.
This means that more right wing patronage of art is good even from a more neutral, pluralistic standpoint. Which is a general pattern of the culture war, even outside art. If someone is fine with leftist domination and escalation then a position in favor of an impotent disengaged right makes sense. We don't have a sufficiently neutral and moderate status quo though for defence of the status quo to be the neutral position.
The entire art world, root and branch, all the institutions and nearly all the artists, is left wing. There's nothing on the right to subsidize.
That is an exaggeration. Actually my post was partly inspired by some similar complaints by George Alexopoulos (GPrime850) who is on the right although of more libertarianish bent.
Also, there is enough money in right wing circles to create institutions. And you can change current institutions.
Well, someone could complain that they weren't right wing enough, but the daily wire got some films made. If they aren't good enough to qualify point is that there is enough money among right wingers to fund this.
This attitude of hopelessness stinks and ensures that nothing will change. It is a dishonorable way to engage with the world for any political or cultural movement.
Also, it makes the act of complaining a waste of time. What is the point if you got no positive vision?
They will be laughingstocks. Not just because they're right wing, but because, having to start from zero, they will suck. If you manage to keep one around long enough, it will be suborned.
If you do (e.g. the way DeSantis is trying with New College) , they will be cut out of the art world as a whole. You will not be able to get prestigious or even competent staff or faculty, any students or clients will be shunned until the institution returns to the fold.
That nothing will change is what engenders the attitude of hopelessness.
Fine arts only survive because of subsidy. A lot of it is private subsidy from what I call "Left, Inc.", but a lot is government subsidy. I favor zeroing that out whenever possible; trying to subsidize right-wing art is doomed to fail and will most likely just hand money to the left.
I might be missing something here, but wouldn't that be the point? To create a completely separate status hierarchy?
I mean, yeah, the existing artistic elite isn't going to jump ship. Do you want them to? That sounds like you're asking for your new institution to be marched through all over again. Plus, these aren't the natural members you're looking for in your new institution. This is a high risk/high reward venture and you don't want a bunch of established people with baggage from the old institution. But do you know who totally goes for high risk/high reward strategies with a very high chance of death (social in this case) in exchange for a chance at status?
Young men with no prospects. In every age, in every nation, there are young, low status men looking for a way to take big risks to jump up the status hierarchy. Whether it be a colonial expedition, the rap scene in the Bronx, or a Somalian pirate joint-stock venture, there's always takers. As a bonus, this is a decent chunk of the art world's demographic, this lets you sap your opponent of the natural energy that comes with an influx of youth.
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