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Culture War Roundup for the week of February 19, 2024

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Women are not actually strong, hypercompetent, ruthless badasses.

Neither are most men, even most action movie protagonists. Most of them are heroes, and being a hero means having a flaw you are blind to, having a cathartic moment and fixing yourself. Steven Seagal and JCVD are famous for portraying hypercompetent protagonists and their movies aren't really taken seriously by anyone.

Among the newer action movie protagonists I can only name John Wick as the strong, hypercompetent, ruthless badass. And his character arc in the first movie (and the sequels are trash) is not heroic at all. He's neither stronger nor wiser in the end.

I can only name John Wick as the strong, hypercompetent, ruthless badass. And his character arc in the first movie (and the sequels are trash) is not heroic at all. He's neither stronger nor wiser in the end.

I simply cannot agree with this. Revenge is heroic, very heroic.

What he gets at the end is not strength nor wisdom, it's satisfaction. He accomplished what he set his mind to do, he finished the task he undertook, a task he set for himself not because he wanted to, but because he had to, because he was forced.

Revenge is one of the most heroic motivations, and Wick is a hero. It's also one of the few motivations that can be equally shared by men and women, as some of the most famous revenge movies star women as the ones taking revenge (Kill Bill, Carrie, Gone Girl).

What he gets at the end is not strength nor wisdom, it's satisfaction. He accomplished what he set his mind to do, he finished the task he undertook, a task he set for himself not because he wanted to, but because he had to, because he was forced.

Does he? His victory over Viggo is hollow. Both men who have slighted him are dead, but this won't bring his friend or his only living memento of his wife back. Wick's revenge is just a repressed death wish driven by grief. In the end, he's not satisfied at all, he's empty, bereft of emotions or the will to go on, saved only by the belated realization that there's more to his existence than grief and revenge, that despite the fact that he's lost three companions he might still save another life and form a new bond.

The mafia boss himself, Viggo, has a better character arc. He thinks of himself as the papa bear, his paternal obligations force him to protect his wayward son even from Keanu Reeves. But when push comes to shove, when he's staring at the barrel of a gun, he crumbles and trades his son's life for his own. Emasculated by his weakness, he seeks his own death in a way that mirrors John's, except he's driven by shame.

Most of them are heroes, and being a hero means having a flaw you are blind to, having a cathartic moment and fixing yourself. Steven Seagal and JCVD are famous for portraying hypercompetent protagonists and their movies aren't really taken seriously by anyone.

I'm surprised this never occurred to me, but it definitely seems like the last decade or so of Strong Female Action Heroes in films has been as if major Hollywood studios handed Seagal billions of dollars to make his god-fantasy wish-fulfillment vehicles just with more expensive CGI. And then blamed the audience for being bigoted against fat people (or whatever other category you could stick Seagal into) when they complained about boring, unlikable, unrelatable protagonists with no growth.

JCVD is also a funny choice of example in the previous post, since AFAICT, JCVD isn't held in all that high regard today outside of the campy nostalgia. What do people remember him for today, maybe Street Fighter, famous mainly for the franchise and for being a filmmaking disaster, and Bloodsport, the one that was a breakout film for him. There are far better examples of similar action stars from his era who were far more successful, such as (obviously) Arnold Schwarzenegger and Sylvester Stallone. And the films these guys were known for - e.g. The Terminator, Rambo, Rocky, Predator, Total Recall - were generally praised for having good scripts. Not fancy or deep or thought-provoking - though maybe on occasion - but having fun plots with charismatic, likeable characters that were easy to root for in stakes that made sense and seemed important and often even went through some journey of growth themselves.

To add on re Jcvd, the most prominent film of his I recall is JVCD, that meta film where he plays a loser version of himself directing his thousand yard stare at his own miserable life as essentially an international joke because of his old action films.

I think Van Damme is also remembered for his leg splits, incidentally. His ability in that regard is almost a meme unto itself.