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Culture War Roundup for the week of March 4, 2024

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'Cause life is a game that no one wins

But you deserve a head start the way your life's goin'

So throw in the towel, 'cause your life ain't shit

No take that towel and hang yourself with it

Life's short and hard like a body-building elf

So save the planet and kill yourself

If you're feeling down-and-out with what your life's all about

Lift your head up high and blow your brains out

(Lift your head up high and blow your brains out)

Lift your head up high and blow your brains out

(Lift your head up high and blow your brains out)

Lift your head up high and blow your brains out


Suicide rates and murder among teens and the power of memes.

For those old enough to remember, these will be familiar times. Let me ask the '90s teenagers in the room, what was the dominant feeling of the age?

I would say that it was mostly a decade in which the youth aesthetic was of depression, sullen expressions, heroin chic, and underpinning it all, suicide. Suicide was in the air from the minute Cobain suck-started a shotgun. The music had song titles like “Hey man, nice shot” and “Lift your head up high and blow your brains out”. Subtle stuff. On the black side of the culture, gangsta rap was big. Drugs, murder, drugs, murder, booty. Still lighter than the white side.

Would it surprise anyone if I told you that the '90s were the only improvement in the teen suicide rate since the Depression? Murder rates peaked in '92 and dropped for twenty years.

Let's consider more recent history. The teen culture from 2010 to 2020. I'm not sure how those in it would classify that era, but to me it seemed like a decade of social media, politicization and gender. The Z discovered a giant pool of suicides (the lowest rate in decades) that they could save with hormones and surgery. They were the first generation to tackle racism and really make black lives matter. The aesthetic of the age is chipper, smug, vague, androgynous. Black culture has moved from the ghetto to the antiracism seminar. The result?

Suicide rates rose swiftly throughout the decade among teens, bringing them back into line with the already high rate before the '90s reversed course for twenty years. Murder rates started rising in 2013 and shot up in 2020. Mostly among young black men.

Death has a way of clarifying things, as it's tough to fake.

One cannot go back to the past, but we would do well to consider what sociopolitical norms and policies might have contributed to that massive achievement, and we absolutely must be extremely clear about which ones lead to the reversal. And no, I'm not talking about Lupus and Jimmy Pop.

The 90s were an interesting transitional period and personally I feel like a lot of what we see there was both reactionary and sort of shallow. Falling crime and the end of the Cold War, the End of History, created a world without struggle or conflict (at least for someone living in a western democracy). At the same times the last vestiges of religion in education were being defeated, and there was a clear, but also very boring future lining up before us. We just use science to improve everything and make everything better for forever and all the major problems have been solved or are solvable and we are on the path to solve them.

A brief aside, my best friend in high school would go out in the middle of the night, sneak around in the employees only sections of buildings, try to get onto roofs and such, smoked, did harder drugs, and stole stuff. While he was lower-class SES, he had a 'stable' home life and didn't steal out of 'necessity'. He did it because he was afflicted with a profound sense of ennui. He could see the future laid out before him, and he could not see any purpose or meaning in any of it. The supreme banality of a modern existence.

We were the kids who got asked in 3rd grade what we would do when we were president. We were the kids told to be astronauts and scientists and change the world, and we had finally gotten old enough to realize what a great lie all that was. Of course grunge was popular, and gansta rap spread like wildfire through suburbia. It was the wild desperate thrashing of an animal slowly suffocating under the crushing weight of distributed nihilism. Office Space, to use the modern parlance, was a mood.

Eventually you get to generation Z, enough time on the experiential treadmill and their solution was to just reinterpret what it means to be in danger, what it means to hurt, so they could struggle again, so they could fight against something 'real'.

Another film from 1999 expressed the sentiment well,

But I believe that, as a species, human beings define their reality through suffering and misery. The perfect world was a dream that your primitive cerebrum kept trying to wake up from