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Culture War Roundup for the week of March 18, 2024

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Inspired by a few Reddit threads: why is there less sex and nudity in movies and television today than in the past?

I don’t have any raw data to back up the claim that there is less sex and nudity these days, but that’s my sentiment and it’s shared by many others. The best concrete example I can think of is Game of Thrones. The early seasons were (in)famous for the amount of gratuitous nudity; Saturday Night Live did a sketch mocking the “guy has sex while another guy getting a blow job watches him through a peephole while another guy watches him through a peephole” scene. Yet, the final two seasons, when it became this massive international phenomenon that everyone on earth watched, had (IIRC) no nudity at all and very little sex.

The second best concrete example I can think of is Marvel movies. There have been 30ish of them and (IIRC) there are no sex scenes at all, and maybe even no make out scenes (I think there’s one in the first Captain America). Sure, they’re PG-13, but so is 007, and they still have sex scenes.

Compare this to the 80s and 90s when every action-oriented movie ever had sex scenes, if not also completely gratuitous nudity. For instance, in Commando, Arnold Schwarzenegger throws a bad guy through a motel wall, and just happens to reveal a naked lady with giant boobs having sex. Or if there was any romance, it would inevitably result in a sex scene, even a clothes-on PG-13 sex scene. These seem to be nearly dead in the modern day.

So why do modern movies have so little sex and nudity? My guesses:

  1. Internet porn has lowered the value of movie sex and nudity. In the 1980s, getting porn was expensive and annoying, so getting to see boobs in an action movie was a legitimate draw. These days, everyone has infinite internet porn, so who cares? (Counterpoint – celebrity nudity still has a special appeal over porn nudity, ie. the Fappening, or people going to see No Hard Feelings to see Jennifer Lawrence naked)

  2. MeToo, combined with the backdrop of Jonathan Haidt’s thesis in Coddling of the American Mind, have made (young) people very squeamish about sex. We are in a new low-tier puritan age where men are terrified of being accused of sexual assault and women are terrified of being sexually assaulted, so sex is now a much heavier subject and gratuitous nudity has lost its appeal

  3. here seems to be a new stratification in culture where everything is either hardcore sexual or has no sex at all. Everything is porn or innocent. People are either kinky a f or extremely shy around sex. Tv shows either show no nudity or they’re Euphoria with tons of sex and nudity. Movies are either porn or puritan.

  4. lockbusters are now designed to appeal to overseas audiences more than ever, particularly to China. Non-Western audiences (particularly China) are more sexually conservative than Western audiences, so film studios are reducing sex and nudity. In some cases (like China), literal censors might intervene against a movie if there is too much sexuality. Any other ideas?

I agree with your points, and also with @2rafa about the course of the sexual revolution. But also:

-- If you're interested in the topic, I recommend the podcast You Must Remember This which did a long series on erotic films of the 80s and 90s, placing them in context and talking about the social movements around them. Karina Longworth always does a good job with the material, trigger warning for occasional performative woke acknowledgement if that kind of thing bothers you overly much. One of the things she highlights is the way that rating systems, censorship, the rise of home video, and pornography interacted to place different meanings on ratings. There was a time when X and NC-17 were legitimate ratings that indicated a real film intended for adults, both slowly succumbed to being viewed as porn. It used to be that a film (often a sexual thriller from overseas) marketed as NC17 would be a hit, all the adults would go see it. Now that is hard to imagine.

-- I theorize the rise of internet pornography has made viewing sexually arousing material outside of privately hunched over a laptop seem perverted, even homosexual, to a modern audience. Even as barely-pubescent teen I caught the tail end of the "finding a foreign movie my parent's didn't know had tits on video" cultural moment. I remember watching stuff like Y Tu Mama Tambien with my buddies because there were naked girls in it, I don't think we understood anything about the movie. Once internet porn became practical with DSL, I don't think anyone did that, watching something became a purely private endeavor. Decades earlier, porn theatres existed, where men would congregate to watch porn. The idea of going to a theater to see a movie with a heavily arousing tilt strikes me as strange, if I went to the movies without my wife it might even feel kind of gay to be in a theater full of other dudes also getting aroused. Everyone is a goon-er now, but everyone hides it, that's for your home, not for the big screen, or even for watching with family.

-- Don't underestimate the degree to which one work can ruin an entire genre convention. Don Quixote killed the chivalrous romance. The Daniel Craig Bond Films were so dark and serious because Austin Powers was absolutely huge right before they were made, and everyone on set was conscious of the fact that they couldn't do a sex scene without the entire audience giggling and someone shouting "Do I make you horny baby? Yeah! Shag now or shag later?" at the screen. Today Austin Powers is almost forgotten, but in 2006 it was totally unavoidable if you were making a spy film. An effective parody can kill a genre. So can self-parody. Game of Thrones did the whole obligatory sex-scene thing to death, and then completely self-immolated in the final season. The final season was so bad that, like the Three Eyed Raven traveling back to make things seem retarded, it actually retrospectively killed the rest of the series, people talked about GoT constantly up until the finale, and after it aired the show disappeared from popular discourse. Some of the pullback from obligatory breasts and "here's a scene of sexual perversion explaining what's wrong with [character]" likely stems from a desire to avoid being seen as derivative of GoT or a revulsion at GoT's aesthetic after the fiasco that was the finale. RE: Dune upthread; GRRM ripped Herbert off pretty directly in using scenes like "bring me a child prostitute to torture" as establishing bad guy credentials, but GRRM abused it and HBO beat it to death on camera, so while in the novel having Vlad torture-fuck-murder child slaves seemed edgy, in the film it would seem derivative (of the thing that was itself Derivative from the book). As with how the Bond films are still working in the shadow of Austin Powers long after we've forgotten Austin Powers, GoT has now been lame for five years, we forget just how bad the Finale was, and just how much prestige and power was lent to the show leading into the finale, how excited everyone was for what the Extended Universe would produce next, and what a complete fucking letdown the whole thing was. But in 2020 when the first Dune film came out, they had to avoid all association with GoT it was overplayed and toxic. That kind of influence can really carry, and can make a scene unshootable for decades at a time.

The final season was so bad that, like the Three Eyed Raven traveling back to make things seem retarded, it actually retrospectively killed the rest of the series, people talked about GoT constantly up until the finale, and after it aired the show disappeared from popular discourse. Some of the pullback from obligatory breasts and "here's a scene of sexual perversion explaining what's wrong with [character]" likely stems from a desire to avoid being seen as derivative of GoT or a revulsion at GoT's aesthetic after the fiasco that was the finale.

Hm, how does this square with the works like The Witcher (2019), Rings of Power (2022), or Willow (2022) seemingly (I'm speculating due to only having watched the 1st 2 seasons of The Witcher out of these - I don't recommend even S1 due to S2 retroactively making it a waste of time) trying to ape GoT's aesthetic and stylings in an apparent effort to replicate its success? The Witcher was in production before GoT's self-immolation (though GoT was pretty clearly in the process of pouring gasoline all over itself and looking for matches for multiple years already), but the other two were being produced after GoT was well established as just a pile of ashes. Also, the sexual content in GoT is more associated with when it used to be good, and so it doesn't seem likely to me that the sexual content was specifically the part of GoT that show runners would avoid while trying to ape other parts of it.

Rings of Power copied Game of Thrones because Bezos wanted his very own GoT hit show for the Amazon streaming service. I will lave with my kisses Melkor's scarred lame foot if I believe that Jeffy just wuvs Tolkien's writings so much his life-long dream as a superfan was to produce a show from them.

Nah, he wanted an epic success property based on fantasy novel series, and LOTR was the closest he could get. Since they couldn't literally remake the movies, they did the next best thing, and produced that mess. I'm waiting to hate-watch the second season if it ever gets delivered, because I want to see just how low they can go.

RoP doesn't have any sex scenes (just some coy hinted-at through the transparent clothing demi-nudity), thank all the Valar. Except for the Sauron/Galadriel romance, which eff you, eff the Nazgul-beast you rode in on, and eff those two idiot showrunners for that. If they'd even tried a sex scene out of that, I think my soul would have left my body like the wrathful form of Arien.

Sauron/Galadriel romance

What monstrosity is this? Can't the Tolkien estate sue? Given what Christopher Tolkien is like in protecting their world I can't believe he'd be OK with this.

Sadly, Christopher Tolkien died on Jan. 16th, 2020. The silver lining is that he never had to see Amazon's desecration of Middle Earth. RIP to JRRT's first and best editor.

The generation after Chris has been...less protective of their grandfather's literary estate.

Alas. RIP to a real one.