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Culture War Roundup for the week of September 30, 2024

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Spoilers for Joker: Folie à Deux (2024) ahead

Time for some low-stakes culture war. The sequel to Joaquin Phoenix's Joker movie is out. The first movie was essentially a remake of Scorsese's Taxi Driver with a little bit of supervillain flavour that resulted in a moral panic about how its empathetic portrayal of a mentally ill loner might spark an incel shooting. In the end, no shooting happened and the movie made bank.

The sequel now takes a different approach and turned out to be a musical featuring gay icon Lady Gaga. A bold choice that critics describe as

Moviegoers, particularly the comic-book inclined, loved “Joker,” although I do wonder what they’ll make of the sequel, which seems to extend a middle finger to anyone who reveled in the title character’s anarchy the first time around.

The Critical Drinker, a, uh, heterodox critic went a step further and had the following to say

[The protagonist] reverted to the same weak, timid Arthur that he was at the start of the first movie. And I can't shake the feeling that there is something almost mean-spirited in that kind of deconstruction. As if they're taking a swipe at the audience themselves for liking someone they weren't supposed to.

Internet randos floated memes to the same effect. First, a plot summary:

joker kisses a dude, gets raped in the ass by the cops and then he gets stabbed and dies at the end of the movie. not even a joke.

And now for some red hot culture war schizophrenia:

JOKER 2 is a humiliation ritual. You reacted to the first movie WRONG, and they're punishing you for that. You weren't supposed to sympathize with him. He was supposed to be a WHITE INCEL LOSER. Hence this 2hr snuff film. They thought doing this to Joel Miller, Luke Skywalker, Indiana Jones, Willow, Picard, and John Connor was enough for you to GET THE MESSAGE.

And while I think the above conspiracy theory gets the motivations and machinations of the ominous they hilariously wrong, there is something to be said about a Zeitgeist that sees anything enjoyed by (white) men as something in dire need of female supervision.

A small kink in that explanation: The second movie was written and directed by the same people. So, what happened?

I can believe the writers thought the audience "didn't get the point" the first time and wanted to write a new movie with the "correct" message.

I think the more sinister conspiratorial nonsense - that the studios literally don't care about making a profit (!!) and deliberately did this as a "humiliation ritual" just to punish the audience, whom they hate - is ridiculous and a sign of how far down a rabbithole this sort of "THEY are out to get you" thinking can take you. Maybe there is a screenwriter somewhere chortling as xe/xir thinks "This will show those white incel losers!" but I am pretty sure there is no studio that will deliberately put out a money-loser because all the money-men are on board with a "punish incels" program.

I think the money-men are basically being held hostage at this point. There are too many damning and obvious failures that can only be interpreted as striving to alienate the core audience (but marketed as attempts to expand the audience). It's just all too much at this point. They doubledown every time. There are people behind the scenes decrying this, but they don't feel as though they can say anything publicly.

Capitalism creates its own complex ecosystem. Perhaps we should not be suprised that pathogens have evolved to exploit this niche. These entertainment companies have contracted a disease, and it is repurporsing its host's resources to support and spread the pathogen. The host may survive, but its immune system has never encountered this pathogen before.

Just as communists managed to infiltrate capitalist countries governments and corporations in the 1920s - 50s, so too the bioleninists have infiltrated basically every major corporation, especially those with influence like Hollywood. No surprise they would try to force their memetic viruses into everything they produce

I think there’s also some competency crisis factors at play here. Hollywood Communists of the 50s weren’t a bunch of nepo-baby hacks, they were actually good writers. So they could deftly weave subversive themes into an otherwise money-making crowd pleaser. Most modern writers rooms aren’t competent enough to do that, all they can manage is clunky obvious diatribes.

If you look at Disney getting into a pointless fight with DeSantis it's clear that many of the elites in this company just buy into this stuff themselves and so leaders have to tread carefully.

I wouldn't say it's just "capitalism". If you believe wokeness is government-enhanced or government-coerced, then this is just what happens when the market is distorted by people who know better. The push for "diversity" turns the company's personnel into the sorts of people who can't help but act this way.

No one would find tribalism or religious parochialism to be particularly odd in a Third World corporation, especially if you were getting slight "encouragements"' from the people in power.