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Notes -
Last year, a new film adaptation of The Three Musketeers came out. (French, Part 1, Part 2)
I watched Part 1 first; the fight scenes are amazing. The scene of the arranged duel between D'Artagnan and the three musketeers that turns into a brawl with the Cardinal's men is particularly fantastic. The style has a flavor of Cinéma vérité in that it's a continuous and somewhat shaky take from a point of view of an unseen witness who keeps turning to catch the action while ducking away from danger, but it deviates from Cinéma vérité in that everyone fighting is super-competent. In this seemingly-continuous shot, one catches glimpse of feats of martial arts moves, all geared towards dispatching the enemy, none are for show. It's very cool and impressive, and worth watching for that scene alone.
Every film adaptation makes decisions about how much of the original material to use, and how closely to stick to the plot. When it does, that's a deliberate choice on the part of those who made the film. Sometimes it's a little change: Porthos is bi; Constance is not married and yet runs a hostel while working in the queen's chambers. It's annoying to have such present-day sensibilities undermine the portrayal of a society very different from mine, but I figured that at least these changes didn't utterly contradict an essential part of the story.
And then I watched Part 2.
Milady from the book is one of my favorite villains. She is smart, adaptable, ruthless, resourceful, flawed, vicious, and above all feminine. She wields femininity as a weapon far more effective then mere swords and muskets. Why dirty your hands, when you can manipulate men to do it for you?
In this adaptation, Milady is a sword-wielding girl-boss.
When an otherwise-good adaptation takes an awesome feminine villain and replaces her with someone who might as well be a man, that's a deliberate choice. That choice dismisses the idea that femininity can be dangerous to one's enemies or efficacious for achieving one's goals. It's therefore ironic that the people who made this choice consider it a feminist move.
Fiction is not associative: strong (female character) != (strong female) character.
From my understanding, currently feminist deny there is anything female-coded women are better at. Not that femininity can be used for good or bad, rather they demand be erased. I think this is why cultural products from the more feminists countries, such as the US, feature mannish-looking women, acting in a masculine manner.
If they were to admit that women posses certain strengths which men lack, it would naturally to the question of existence of male strengths which women lack.
This argument suffers from linking a thread about Aloy having a bodily feature that women are known to have, rather than any examples of her looking mannish or behaving in a masculine manner.
I mean, you can clearly also see she has Ron Perlman's jaw. Which as it turns out is actually a disorder?!
I just think the picture is at a bad angle. In this picture, Aloy looks fine. She's not a supermodel or anything, but she looks like a woman.
That screenshot is from Horizon Zero Dawn in 2017, the one people complained about/mocked was her changed model from Horizon Forbidden West in 2022. Here is her 2017 model compared to her face-model Hannah Hoekstra, while here is a comparison with her 2022 model. Also here is her early Zero Dawn concept art and here is the famous comparison with mukbang Youtuber Nikocado Avocado.
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