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Notes -
Now that there is a separate elections thread, thought I'd post something different here:
Did the 2021 Bond film No Time to Die do an unintentional disservice to Black women in the context of sexual culture and politics?
NTTD has a number of actresses filling different roles. In order of billing:
Lea Seydoux as Bond's primary love interest
Lashana Lynch as Bond's in-story replacement 007 agent
Naomie Harris as Bond's ally, former agent, and former possible love interest
Ana de Armas as Bond's American colleague
Despite being billed near the bottom, Armas stole the scene in her 10 minute segment. Here's an incomplete clip; the full movie is on Amazon Prime. She's beautiful and her on-screen chemistry with Bond was fantastic; many reviewers have expressed that they wish she were in more of the movie.
I don't have much to say about Seydoux and Harris--both are conventionally attractive actresses that one would expect from major movie stars and Bond girls.
It seemed that Lynch was written and cast rather differently, however. She seemed like a talented actress like the others, but was written and dressed to be hyper masculine. That perhaps makes sense in-story, given she was the replacement 007, and 007s are supposed to be lethal agents, and killing is masculine. When Bond first met Lynch's character Nomi, there was a hint of chemistry between the two, but that was quickly dispelled by the dialogue:
Besides the clips linked here, I don't remember the full movie very well as it's been a year, but my memory was that Lynch's Nomi was portrayed in a martial manner throughout--unlike Armas, for example, she was dressed in tactical gear instead of a revealing evening gown (yes, Armas's character was undercover attending a ball, but there was clearly fan service involved). When Bond returned to service, the bosses gave him back the 007 designation, and Lynch's Nomi was pouty about it in a way that did not endear her to the viewer (or at least me, if I recall this sequence correctly). All this likely explains why few reviewers are loudly clamoring that they wished to have seen more of her character--indeed, a search on YouTube will quickly show that clips involving Armas or her character Paloma have a ton more clips with many more views than ones with Lynch or her character Nomi.
What does all this have to do with race and sexual culture and politics?
Seydoux and Armas are European white and Cuban/Spanish respectively. Harris and Lynch are Black, with Harris having lighter skin tone and Lynch darker. In the US and probably the UK, Black women tend to be disadvantaged in dating markets. I don't want to go dig up the surveys and whatnot, but whites, Latinas, and Asian women tend to be viewed as more feminine, however that's defined. One particularly ugly meme compares Michelle Obama to a man. Along similar lines, Asian men are disadvantaged, perhaps in part because white and Black men tend to be viewed as more masculine.
Hollywood tends to write and cast roles against stereotypes, especially ones to do with race and sex. But here, it seemed to have stumbled and made a darker-skin Black woman unfeminine and hyper masculine. Now, I think Lynch's character and casting can be explained by the draw of portraying strong women, and separately a Black woman in a powerful/high-status role like 007. Still, it seems like on net, this was ultimately a net loss for representation for Black women.
As a thought experiment, imagine a movie with four male characters cast opposite of a female lead. Three of the four men are portrayed in traditionally masculine and sexually attractive ways. The fourth is made to be hyper feminine, with minimal chemistry with the female lead. Moreover, the three men are white, white/Hispanic, and half-Asian, while the fourth, hyper feminine actor is full-Asian (sorry, I'm struggling to analogize the Black colorism for Asians). How would the public receive this? Would no one find the feminization of the Asian man offensive and racist? The Chinese government officially promotes traditional gender roles, including literally banning "sissy men" from TV. I feel confident therefore that a hypothetical movie with a "sissy" Asian man among masculine white/Black men would not be allowed to be shown in Chinese theaters. Would a prominent male Asian actor even accept such a role without pointing out the obvious cultural problems with it? Would they truly go along with costumes and dialogue that made them look feminine, especially in sharp contrast to the rest of the male cast?
Now, I have a great deal of respect for Lynch--I imagine she had to work harder to achieve her success than Seydoux or Armas, who are born into the traditional feminine mold. Still, I wonder if she should have pushed back against her particular characterization in the movie, assuming she was interested in optimizing Black female representation in film.
There are a lot of interesting racial subtexts in NTTD (SPOILERS BELOW FOR NO TIME TO DIE):
Counter-Currents has an excellent review which interprets the film as the ultimate and final affirmation of Bond's whiteness. In part because of the reasons you describe: the "black 007" was not actually a replacement Bond in the film and never will be. Most notable is that Bond's ultimate redemption/peace comes from his daughter, who it's emphasized has inherited his blue eyes. There are also some other low-key lines in the film that acknowledge an underlying race reality, like when the Russian scientist quips that he could exterminate the West African race with his super-weapon.
Bond is, in essence, an avatar of the Anlgo spirit, and NTTD symbolically set that in stone.
Off topic, but I am perplexed why the CC author insists on using "Negro" over "black". Is it a costly signal to show a narrow niche of hardcore readers that he's authentic and unafraid to "speak the truth", perhaps because polarizing content yields more donations? Is it an attempt to shift the Overton Window back toward his preferred location? Is it intentionally meant to hurt his disfavored race as a big FU?
Yes, "Negro" was once used neutrally, on census forms, and used by many Black Americans themselves, but language evolves, and this post from 2021 was clearly making a conscious choice to stick to archaic language. This seems stupid. Whatever merit his post might otherwise have had, it becomes completely overshadowed by the problematic delivery. If I may be allowed an analogy, it's as if a GOP candidate runs ads decrying inflation by focusing on how much more expensive Champagne and caviar have gotten--even if it's factual, it's a stupid delivery that will on net set back the cause.
It's probably an attempt to shift the Overton window, not unlike your insistence on using "Black" over "black."
Now now, the relative positioning of "Black" over "black" is far closer to the center of that window than "Negro" over "black". Plus, the previous polite society favorite was "African American", which is quite clunkier, so if the intelligentsia insists on capitalizing one letter to move to the simpler nomenclature of Black, that seems like a very acceptable compromise.
Some culture wars are worth fighting over; the capitalization of B is not in my book.
The previous impolite society favorite was the N-word, which is quite a bit nastier, so if they now insist on using the Spanish word for "black" instead, that seems like a very acceptable compromise.
Which is to say there is no reason to "compromise" here.
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I agree, it's needlessly provocative and comes across as bitter. It's trying to racialize the problems with Lynch's Nomi character. There is some content there- you say:
You say "Harris and Lynch are Black"... Well, it's not exactly that simple. CC readers acknowledge racial differences between the two, and would attribute Harris's perceived beauty to be derived in significant part from features influenced by her European ancestry. Lynch's Nomi is Jamaican. When you say Harris is beautiful and Nomi is not, you are unconsciously saying something that CC is saying directly and crudely.
The word "Negro" here (although archaic and needlessly provocative) is referring specifically to a racial group and set of racial features that are blurred by just classifying Harris and Lynch as "both Black." They should have said African though (which has its own set of technical problems).
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