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Notes -
So what are you reading?
Working on my annual re-read of Battle Cry of Freedom and staring the Stormlight Archive.
About a hundred pages into my second read of Unsong. I previously read a print-on-demand edition of the web serial version, but when Scott announced an official print edition with some significant edits, I bought a copy. So far, the edits seem fairly mild: everything I liked and disliked about the version I previously read seems to have survived intact. The Kabbalah stuff is great, the alternate history stuff is great, the intensely literal-minded apophenia-laden interpretations of passages from the Torah and Talmud are great - but the glurgey interactions between the protagonist and his MPDG "t3h penguin of doooom!!" love interest positively make my skin crawl.
Just finished my first read.
I enjoyed it a lot, and a lot more than I was expecting. I went in pretty much blind other than having read Scott's blog, so I wasn't expecting so much humour, and the rationalist/utilitarian references that I assumed would be present were thankfully reasonably scarce and understated. I think my favourite part was Dylan Alvarez's entrance and the idea of placebomancy.
I'm not much of a fantasy reader but this one pulled in a lot of the parts I can enjoy (a bit of Ted Chiang, a bit of Douglas Adams, a bit of Terry Pratchett) and left out almost all the parts that totally put me off fantasy writing (excessive and self-indulgent world building and lore). The last fantasy book I read was the Northern Lights trilogy which was trope heavy YA shite.
My only grumble was that after such a good book the ending was only "good enough", but good enough is good enough.
Yeah, the ending feels a lot like Alan Moore's Promethea (or, tbf, a lot of Douglas Adam's works, like the Dirk Gently books). There's an absolute ton of pins that were lined up, and then the bowling ball never really came, so they fell over anyway. Which is praising with faint damns when it all still comes together! But feels like something that could have been improved in the editing pass since initial release.
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I wish Anna was a Manic Pixie Dream Girl. A Manic Pixie Dream Girl fucks you. Anna is just a bitch.
But the biggest problem with Unsong is that Aaron is a pussy. He is not brave or manly. He has very little agency; things happen to him. By the end of the story, he has become an observer to the Cometspawn, who are the ones actually moving the plot forward. He's got yandere Buffy throwing herself at him and he still holds out for Ms. Lets-just-be-friends. This is someone else's story; Aaron is just along for the ride.
The second biggest problem with Unsong is that Scott has disease of MCU writer; he cannot stop making jokes, even during serious moments, which completely ruins the dramatic tension.
Other problems: Schizophrenic narrative structure that constantly jumps between past and present story threads involving completely different characters and locations, Kabbalism is a lackluster magic system.
Still, I think Unsong has a lot of really cool ideas (the Comet King is fucking awesome). There is the core of a good story there, even if the execution is badly flawed. I think if you gave it to a more talented rational fiction author to rewrite, like Eliezer Yudkowsky or Alexander Wales, you would get something truly wonderful.
Yes, thank you, you put it into words. No accident that the protagonist names his laptop after the Buffy the Vampire Slayer desktop that adorns it, so much of the dialogue has that "quippy" Whedon quality I find so grating. "Wouldn't it be funny if Christian archangels communicated like annoying teenagers on Tumblr?" Not especially, Scott, no.
I actually don't mind this too much, I think it contributes to the sense of the fictional universe being huge and epic in scope. Although perhaps it might have been a bit less disorienting if there had been two chapters in the present-day A-story, then jumping back in time to provide backstory, then jumping back to the A-story for two more chapters etc.
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