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Culture War Roundup for the week of November 3, 2025

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Actually, it's about ethics in literary journalism

Do you remember a short story called "Cat Person," which was published in 2017? It went viral and caused quite a stir at the time. It's a story that involves dating, sex, questionable consent, and an awkward age gap, so it's practically the perfect storm for inciting controversy at that time. But it's also just a well written and engaging story- I'd recommend reading it and forming your own thoughts if you haven't already.

The story is written in close third person, which gives the impression that we have a perfectly reliable narrative of what the main person is thinking and feeling, while the other characters don't matter so much. It invites us to feel sympathy and understanding for the main character as something adjacent to a rape victim. The male character starts off seeming normal but behaves worse and worse as the story goes on, leading to the ending where he sends her a string of angry text messages that end in the single word: "whore."

It's an intensely personal story, and told in a realistic style, so one can't help but wonder if it's about the author's own life. If so, is that really what happened, or is she perhaps twisting some details to make herself look better and her ex-boyfriend look worse?

The author, Kristen Roupenian, strongly denies this. They published this interview just a couple days after the story (did they already know it would blow up?) where she said among other things:

The story was inspired by a small but nasty encounter I had with a person I met online. I was shocked by the way this person treated me, and then immediately surprised by my own shock. How had I decided that this was someone I could trust? The incident got me thinking about the strange and flimsy evidence we use to judge the contextless people we meet outside our existing social networks, whether online or off.

So no, it's not a true story, or at least not anyone she met in real life. It's mostly her venting at some online troll. She goes on to say that she actually felt more comfortable writing Robert's texts in the story because she's his age- she doesn't really know what it's like to be a 20 yr old college girl these days and has trouble imitating their texting style. But it's clearly meant to be a feminist story where we mostly have sympathy for the woman and very little for the man, evaporating to nothing at the end as he turns into a monster.

A year later, she published this follow-up: What It Felt Like When “Cat Person” Went Viral

This essay is auto-biographical. She explains that just getting her story published in the New Yorker was a huge break for her as a writer, and she was thoroughly unprepared for the amount of publicity it got. There was a huge response to the story, initially from feminists praising it, and then from (mostly) men criticizing it or defending the man in the story. It was taken as sort of a microcosm for all bad relationships between men and women in the modern era, particularly for short term sexual relationships. Everyone wanted to know more details about her own life and the "real" story, so that they could know more about how to judge it.

Except that, as she said... it's not real. She made it up. She's actually a 36-year-old lesbian woman with very little hetero dating experience. She spent her twenties doing the Peace Corp in Kenya, followed by a long graduate program studying African literature. Her own life is pretty much the polar opposite of the main character in the story.

I'm sympathetic to this perspective. As a writer, I would want my story to just stand on its own, without people trying to investigate and psychoanalyze every detail of my life. I strongly believe in 'Death of the Author," so it really shouldn't matter what the author did or thought when they were writing the story. It's a short story with many details missing, so you're free to imagine into it whatever you want. If you want to imagine it as a banner for why women need feminism to assert themselves more strongly, and why enthusiastic consent (not just nominal consent) is important, you can read it that way. Or you can read it the exact opposite way, for how a guy did absolutely nothing wrong except being slightly awkward and insufficiently attractive, so he then gets his feelings hurt and his reputation destroyed by the whims of a young woman who can't even say what he did wrong. All she has to do is cry, and she's got her entire friend group leaping to her defense, plus a huge outpouring of #metoo from everyone reading this story online.

So what I'd like to say is that it's just a good work of fiction, and you can leave the author out of it unless you want to buy her book.

Except... apparently it isn't a work of fiction after all

This came piece came out in 2021, 2 years after the follow-up reaction piece and almost 4 years after the original story. In this essay, a woman named Alexis Nowicki claims that "Cat Person" was actually inspired by something that happened to her. And not just "inspired" by, but with enough specific details matching that she had dozens of acquaintances contacting her to ask if she had written the story herself under a pen name.

Apparently she had been an 18-year-old in a relationship with a 33 year-old-man, living in the same town as the story and having their first date at the same movie theater, with a very similar communication style. Other than the age gap, it seems like they had a pretty typical relationship- awkward at first, dragging out over several months, then happy for a few months, then gradually breaking up. She was perfectly happy with their sex life, she was just happier living in a different city. They still kept in touch occasionally, and were amicable but not close.

She contacted him about the story, and he agreed it was very odd, an uncanny match to some of their own experiences. It also him a lot of angst and self-doubt, to see himself as the bad guy in the story. But they took it to be just some weird coincidence.

Three years later, she found out that he had suddenly died. It does not say how, just that it was "sudden." It doesn't exactly say suicide, but it also doesn't say it wasn't suicide, so I have strong suspicions.

After his death, this woman Alexis did some more investigation. She contacted a mutual acquaintenance (though apparently he wasn't close enough to know that this man had died). She asked him about the story, and he said that yes, it was true- this story was about her. Her ex-boyfriend and talked to the author of the story, and she based it on their relationship.

Some time later, this woman contacts the author of the story, and gets a response. The email says:

When I was living in Ann Arbor, I had an encounter with a man. I later learned, from social media, that this man previously had a much younger girlfriend. I also learned a handful of facts about her: that she worked in a movie theater, that she was from a town adjacent to Ann Arbor, and that she was an undergrad at the same school I attended as a grad student. Using those facts as a jumping-off point, I then wrote a story that was primarily a work of the imagination, but which also drew on my own personal experiences, both past and present. In retrospect, I was wrong not to go back and remove those biographical details, especially the name of the town. Not doing so was careless.

I can absolutely see why the inclusion of those details in the story would cause you significant pain and confusion, and I can’t tell you how sorry I am about that. I hope it goes without saying that was never my intention, and I will do what I can to rectify any harm it caused. I was not prepared for the amount of attention the story received, and I have not always known how to handle the consequences of it, both for myself and other people. … It has always been important for my own well-being to draw a bright line, in public, between my personal life and my fiction. This is a matter not only of privacy but of personal safety. When “Cat Person” came out, I was the target of an immense amount of anger on the part of male readers who felt that the character of Robert had been treated unfairly. I have always felt that my insistence that the story was entirely fiction, and that I was not accusing any real-life individual of behaving badly, was all that stood between me and an outpouring of not only rage but potentially violence.

(apparently they also later had a phone conversation which she kept private)

When I read that, I felt outraged. I'm trying hard to be fair to the original story and author, to not give into angry-internet-male feelings of the eternal online gender war. But now by the author's own admission she:

  • knowingly based her story off of one specific person's life
  • did not bother to ask that person for permission, or even to tell her that she was going to publish it in a very popular magazine and even license it for a movie
  • repeatedly lied in print, saying it was purely fictional, when it wasn't
  • twisted essential details to make the man seem like a creepy asshole, when the actual man was a kind and gentle person who thoroughly respected his girlfriend's boundaries
  • caused enough angst to this guy to put him in a bad mental state, which may have contributed to his sudden death

The piece ends with some hand-wringing by the author about how "we are all unreliable narrators." So uh... maybe her own memories are all wrong, and the guy was actually was as bad as the fictional version of him? Maybe she was just too young and naive to notice that this guy she thought she liked was actually bad? Maybe some distant lesbian woman twice her age knows more about her own lived experience than she does? Despite all of her own memories, and evidence, and the testimonies of other people who all said what a genuinely good guy this man was... maybe the fictional version was more true because that's what resonated with other feminist readers' reactions?

No, screw that. I'm going back to my original gut reaction from when I first read it- this story is biased as hell, it's a feminist hit piece to smear all men, and it's just pure culture-war fodder. She started off with a true story for inspiration, but then deliberately changed all important details for maximum outrage. Sometimes things are just that simple.

Presuming that she's being honest in the quoted email, I'm not sure why you find yourself so outraged? Her lying about it in print is bad, but the lie was that it was purely fictional, which is a way of making the real guy appear more distant from the creepy asshole that is depicted in the fiction. Given that, I don't think she deserves any blame for whatever poor mental state that real guy might have gotten into. If this story made him do so, it was due to his choice to interpret the text in a way that was clearly against the stated and ostensible intention. Unfortunate for the guy, but if this author had used an RNG that, through sheer luck, happened to generate that exact same story, resulting in that guy falsely believing that he was being represented as a creepy asshole, the same thing would have happened.

No, screw that. I'm going back to my original gut reaction from when I first read it- this story is biased as hell, it's a feminist hit piece to smear all men, and it's just pure culture-war fodder. She started off with a true story for inspiration, but then deliberately changed all important details for maximum outrage. Sometimes things are just that simple.

Which, yeah. That's all it was, and, as someone who also subscribes to the Death of the Author, I believe that's pretty much all it could ever be. Whether or not the story is an accurate account of true things that actually happened or the fever dream of a feminist with a fetish for being oppressed (perhaps I repeat myself?) doesn't matter, it's the text that is presented that matters, because the text is what gets read and interpreted, not the thoughts or intentions of the author.

Her lying about it in print is bad, but the lie was that it was purely fictional, which is a way of making the real guy appear more distant from the creepy asshole that is depicted in the fiction

No, the lie is that she made him out to be something damn close to a rapist and stalker when he really wasn't at all. There are plenty of real life cases that might have been fit that kind of legally-nebulous situation, but this one seems to be completely innocent. If it was purely a fictional story it would be fine, but she left in enough real details that all of his real-life friends and family isntantly recognized him and started asking him if the story was about him. She essentially libeled him by calling him a rapist, and got away with "it's just fiction bro" as a legal fig leaf. This probably resultd in a lot of his friends and family turning against him.

No, the lie is that she made him out to be something damn close to a rapist and stalker when he really wasn't at all.

I have no idea how you can draw that conclusion from reading the essay. Robert is depicted as awkward, occasionally boorish and inconsiderate, bad in bed and other miscellaneous unflattering features, but where on earth are you getting anything remotely rapist or stalker-adjacent? He brought a girl over of her own will, she got cold feet while he was stripping off his clothes, but she didn't say so. At no point did he pressure her, it was pure awkwardness on her part that kept her quiet. Barring the most partisan of gender warriors, nobody would consider that coercive.

He didn't even follow her around for Christ's sake, she ran into him by accident at a bar, where her friends overreacted and hustled her out like a Secret Service escort.

He brought a girl over of her own will, she got cold feet while he was stripping off his clothes, but she didn't say so.

Which means he transgressed by ignoring or not noticing her "cold feet," and thus failed to get affirmative consent. From Wikipedia:

This is the approach endorsed by colleges and universities in the U.S.,[62] who describe consent as an "affirmative, unambiguous, and conscious decision by each participant to engage in mutually agreed-upon sexual activity."

From the University of Sydney, in Australia (so this isn't just an American thing):

If it's not an enthusiastic yes, it's a no

If you’re engaging in romantic or sexual activity, you need consent every time. Consent must be informed, voluntary and active, meaning that, through an expression of clear physical and verbal actions, a person has indicated permission to engage in romantic or sexual activity. It is critical that you pay attention to and respect the other people’s verbal and physical signals of agreement, and you should expect others to do the same.

The Commonwealth Consent Policy Framework: Promoting Healthy Sexual Relationships and Consent Among Young People (669 KB) establishes a clear, consistent and evidence-based definition of consent, with five core concepts underpinning the messaging.

Affirmative and communicated

Consent is clearly communicated, and sexual partners are actively checking for consent verbally and non-verbally.

Consent is never implied or assumed. Silence, freezing, the absence of a ‘no’, appearing disengaged or a lack of any apparent discomfort, hesitation or resistance, does not imply consent.

[Bold emphasis added]

(And you can read more on the Australian Government's new national consent framework, introduced January 2024, here.)

And from the Rape, Abuse & Incest National Network (RAINN, the US's largest anti-sexual violence organization, operators of the National Sexual Assault Hotline.):

Consent isn’t just a one-time check-in. It’s an ongoing conversation. You need consent every time, for every type of activity. Just because someone said yes in the past doesn’t mean they’re saying yes now. Just because someone agreed to one thing doesn’t mean they’re okay with everything.

How to Practice Consent

  • Ask, “Is this okay?” before moving forward
  • Listen and respond to your partner’s words and body language
  • Respect a “no”—even if it’s said quietly, indirectly, or nonverbally
  • Check in as things progress; don’t assume it’s fine to keep going

You also have the right to change your mind. Consent can be withdrawn at any time, even in the middle of an activity. If something doesn’t feel right, you can speak up—or use nonverbal signals like freezing, pulling away, or going silent. Partners should watch for these signs and stop immediately if anything seems off.

Enthusiastic consent means seeking out a clear, positive “yes”—not just the absence of “no.” This model encourages partners to look for active participation, mutual excitement, and ongoing check-ins throughout an intimate experience.

What Consent Is Not

Understanding what doesn’t count as consent is just as important. These are red flags that show consent is not present:

  • Taking silence or lack of resistance as agreement

Consent should never be assumed. It must be given clearly, freely, and enthusiastically.

[Bold in original]

Note the "partners should watch for these signs and stop immediately if anything seems off" part. Our male character clearly didn't do that. She did not give unambiguous, enthusiastic, and ongoing consent.

Barring the most partisan of gender warriors, nobody would consider that coercive.

Only if you consider "the most partisan of gender warriors" to include (but not limited to) most universities in the Anglosphere, the Australian government, institutions like RAINN (which have non-trivial sway over the American legal system's approaches to these issues), nearly the entirety of Tumblr (IME), and a growing fraction of Western youth among at least the upper-middle-class, maybe.

Jesus, what is this, the sexual code for robots? I always saw sex as something raw, animalistic, spontaneous. Wrestling and overpowering with even some violence if that's what she's into.

the sexual code for robots?

It's just a blatant attempt (and a successful one) to criminalize any sex anyone would actually want.

If you view women purely as sex workers/providers, a point on which feminists/progressives and traditionalists already agree, this makes sense, since "only criminalize buying" is the ultimate veto over any action the buyer makes in the future. Get famous after 50 years and think they didn't pay enough? Believe it or not, straight to jail.

What, you thought the Junior Anti-Sex League was fiction?

It's literally the same law we use for AoC violations, just with a fig leaf over the whole "well, technically women can consent, so stop complaining, won't you Think of the Children?". Again, that's also by design.