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Right now a lot of leftists are hectoring people for buying or playing Hogwarts Legacy. Do you think they have a legitimate argument, just the wrong target, or do you think they are being silly for demanding ideological and ethical purity in their media consumption?
Realistically, if you are not on the left, most of your media is going to be produced by people who probably hold views you dislike. (Also, realistically, this true for everyone, just moreso for people who aren't leftists.) The only difference here is this guy has been more open and in-your-face about it than most. There are probably lots of people with credits and revenue-sharing on Into the Spider-Verse who are just as left as him or more so.
How much energy do you want to invest in trying not to give money to your political enemies?
Money is investment; attention is energy. Framing avoidance of an entirely opt-in loss of resources (and indeed, their transfer to your enemies) as an expenditure unto itself is nonsensical and confused.
So that's a yes to trans activists being tactically correct if directionally wrong?
I mean, I am not one for saying "No ethical consumption under capitalism" because I am not anti-capitalist, but it's basically true that you cannot completely avoid giving money to people and institutions and causes you oppose. Where each person is going to set their line is different, but personally "I won't consume any media made by people I hate" isn't a compelling proposition to me.
I honestly don't understand your argument.
Yes, trans activists are correct, I'd say strategically more than tactically; cancellations and boycotts work. They haven't succeeded with Rowling yet, but she's a uniquely hard target. In what sense are they directionally wrong? I do not care to lecture my enemies on morals and goals, it's a given that we disagree. In any case, the premise of voting with your wallet and denying the other party your capital is of course sound – and morally legitimate.
Strawman (or what's the term). Only God is perfect and complete; you totally can make sure of preferentially supporting people you want to support or at least not giving advantage to the opposite group. The point is not purity spiralling in the manner of religious hardliners with absolute dietary taboos, but changing the battleground in ways you deem preferable. Paying Ramsay is not the same as paying Mel Gibson, although the latter is presumably still a node in the same Hollywood economy. Additionally, boycott sends the message that certain attitudes can be financially detrimental; even if parties which are directly at war are fanatical and don't care much about profits, they depend on many mercantile agents.
Or not. I remember a few years ago some in CWR felt that movie industry might «go woke go broke». Well, this never happened, people keep consuming this trash. Wokes are more principled than conservatives – who, ultimately, would rather pay for their own demonization than be deprived of the experience of watching Marvel kung-fu on a big screen.
My argument is that boycotting things is stupid except in rare cases where your boycott actually has the leverage to pressure the people you are trying to influence. Otherwise, it's just performative. It might make you feel better to say you're not giving money to people you hate, but it has no other impact.
From whence do the rare effective boycotts emerge? Do the ineffective boycotts help build support for the effective ones, for example by "raising awareness"? Progressives have long believed so, proceeded from that belief, and have achieved overwhelming success. What is your evidence to argue that they are wrong?
Class consciousness is useful in an environment of class conflict. Remove the class conflict, and it can be safely left on the shelf. Fail to remove the class consciousness, and it will inevitably proliferate.
The canonical example, the civil rights bus boycotts, worked because the boycotters, being a substantial portion of the bus company's customers, had enough leverage to cause them financial harm.
How many examples do you know of successful boycotts arising from moral outrage?
Arguably the end of apartheid was in part brought about by social pressure on South Africa, but I don't know the history well enough to say that's definitely the case.
Most boycotts, it seems to me, especially the modern form which consists of digital culture warriors screaming about things you shouldn't buy, attract some media attention depending on the issues, but rarely actually have much impact. Conservatives love to say "Go woke, go broke," but where is there any evidence of this? I think this is as much copium as the trans activists I've seen insisting that Hogwarts Legacy is a terrible, low-rated, buggy game, even as it breaks sales records.
Sure, but why did they choose to do so? Was it an idea they developed entirely independently, or was it the end-point of a long influence campaign?
Are we counting only boycotts that actually have to be carried out and materially impact the target's finances? I can't think of a single one offhand. On the other hand, examples abound of shows, games, books, films, shows, websites, podcasts, etc cancelled or censored on threat of bad publicity, either directly or by threatening their partners or providers. These seem to me to be successful boycotts, no?
What evidence there was came from before the 2014-2015 inflection point. Since then, no, I think "get woke go broke" is entirely cope. It's rather the opposite these days, it seems to me. And of course, Hogwarts Legacy is making a mint, it's true! And I have tasks stacking up about art I need to rework for my company's game, because my boss worried that it's too close to the criticisms being leveled at Hogwarts.
The Woke don't always get their way, but they get their way much, much more often than anybody else does. One misses 100% of the shots one does not take; they certainly miss a lot, but given the sheer volume of the shots they fire, they can afford to. They are, observably, winning. That win doesn't look like them tanking a flagpole triple-A harry potter vidya release. It looks like them decisively shaping the entire ecosystem that actually creates such games, the artists, the coders, the designers, the press, and the public as well, such that things that get made conform more and more to their preferences, while things that don't conform tend, on average, to perform less well or to not get made at all regardless of how well they'd perform. And no matter the result of any individual struggle, their faction gains strength and influence for the next fight, always and without fail.
What I was getting at with
Thanks for saying it like I couldn't.
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