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Oh boy, literature sniping, my favorite kind of geek-out.
So, what is art? You're right to observe that "If I like it it's good" is a shallow way to judge artistic quality. Clearly the purpose of art is not merely to entertain and enthrall.
On the other hand, "To increase collective well-being?" Shades of Fredric Wertham–all that is not wholesome, morally fortifying, and artistically meritorious should be thrown out! Art can be just a thing to entertain.
Art, in my opinion, is all the things people look to it for: entertainment, escapism, a display of talent and craft, a few moments of amusement, but also meaning, reflection, new lenses through which to see the world, education, enlightenment.
No book or other work of art, of course, is going to be all of those things. Some will be none of those things.
I am one of those people who thinks there is such a thing as "good" and "bad" writing and that there are, if not completely objective, then at least generally agreed-upon rubrics by which you can judge it. It's more than style (19th century classics would be considered "badly written" by modern stylistic standards) but it's also more than theme or symbolism or capturing some essential essentialness of the human experience or your place in the world or the current zeitgeist or whatever.
I'm going to take the very unchallenging centrist view that you can like high literature and comic books at the same time. You can enjoy both experimental postmodernism and Extruded Fantasy Product like Brandon Sanderson.
If you are incapable of critically examining what you consume (at least to the degree that you recognize, "Yeah, this is kind of crap, but it's fun") then you probably aren't getting much out of anything you consume but whatever time it takes you to consume it. But that doesn't mean reading things just to be entertained is bad in and of itself.
Of the works you mention, I have yet to tackle Infinite Jest (I read DFW's debut novel, The Broom of the System, and was so thoroughly unimpressed I've been putting off tackling IJ). I have read Thomas Pynchon, and while I still love The Crying of Lot 49, it's not a coincidence that that's one of his shortest novels. Gravity's Rainbow was an ordeal to get through, and I only finished it out of sheer determination. Like several other commenters, I would not categorize either Slaughterhouse-Five or Catch-22 as post-modern. Satirical and cynical, certainly, but post-modernism is not just irony and counter-culturalism.
I think, therefore, that you are completely wrong about post-modern not being "real" or there not being anything "there" (at least two of your books aren't post-modern at all, and they definitely do have clear themes and plots). Post-modernism is also not just a "stylistic" exercise. Post-modernist books are generally characterized by being "experimental" and defying the conventions of traditional novels–hence, non-linear storytelling, unreliable narrators, metatextual references, disregard for conventional plot and characterization, etc. But there are always ideas there, and I would argue most of those books do have a cohesive (if meandering and self-indulgent) narrative.
I'm bemused that you praise Blood Meridian (which is also one of my favorite books), as many people consider Cormac McCarthy very much a post-modernist writer, and if anyone can be accused of writing in an abstruse way as a "stylistic exercise," it's him. (He demonstrates both how you can break punctuation and sentence structure rules, and why they exist.)
The fact that what you love, someone else will hate, and what you find deep and meaningful, someone else will find cheap trash, is why it's very hard to arrive at any real consensus on artistic "quality." I've dunked on Brandon Sanderson plenty, but I have read a lot of his books, and I have seen people say that they got a lot of value out of his handling of various kinds of mental illness, etc. (To which I want to say, "read something better," but there I go again.) I both love and hate Cormac McCarthy and Thomas Pynchon (I'm 50/50 for any given book), and there are people who are fierce devotees and people who think they're both just orthographical prestidigitators.
The vast majority of writing is crap. This has always been the case, we just didn't have so much writing produced at such scale. People will argue that the likes of Charles Dickens and Herman Melville and Leo Tolstoy and Jane Austen and Victor Hugo and Miguel de Cervantes are only well-regarded today because they had comparatively less competition; this is true, but they also had a comparatively much smaller audience. They are admired today because in one way or another they captured something about their time and place and wrote about human lives we still find interesting and relatable today even if we are far removed from those eras.
But! All of them (except maybe Tolstoy, who was rich and also batshit crazy) were also writing for money! They were very much writing to their markets (Cervantes wrote the sequel to book one of Don Quixote because a rival was plagiarizing him!) And a lot of people dunk on all of them for being pedestrian or prosaic or culture-bound or just boring and consider them to have been the Brandon Sandersons of their day. (They had plenty of critics in their own time.)
I remember reading an interview once with Piers Anthony, the original Dirty Old Man of SF&F, who was once an enormously prolific bestseller before kind of falling out of favor with the fandom. He genuinely considers himself to be a Great Author who will someday be recognized alongside the likes of Charles Dickens and Leo Tolstoy. While it's hard to imagine the author of The Color of Her Panties being so remembered, who can say? It may well be that Brandon Sanderson is remembered as the great American fantasy writer of the 21st century. I think there is something to be said for telling literature snobs to get their heads out of their asses. At the same time, there is something to be said for telling Millenials whose literary horizons never expanded beyond Harry Potter and Twilight to Read Another Fucking Book. (But you could say the same thing to a lot of hippies and neckbeards who never read anything but Tolkien and Heinlein.)
I didn't ask this question.
I didn't make that assertion. I asked the question is it "real"?
Amadan, I think you're a great mod. Sincerely. You've banned me a couple times for being a dickbag. I find most of your bannings and non-bannings to be as fair as is reasonable for an unpaid mod. Even though I was (just barely) on the other side of the Hylnka affair, I think the decision was a valid one.
I have no idea what point you made, if any, in your response. There's equivocation after equivocation. In your closing you state "there's something to be said" twice ... what is it, then? Say it!
This is a quality paragraph (with a final, concrete point)
Well, I wasn't posting as a mod, so I appreciate the sentiment but you're allowed to dislike my posts.
I thought my thesis was clear enough, but evidently not.
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The Broom of the System is... bad. In many ways DFW's later writing is reacting to a feeling that stuff like TBotS is the only kind of thing that you can write in the exhausted conditions of late postmodernism, and that just writing more novels like that but with minor improvements would be a complete waste of time.
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