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Notes -
I tried Worth the Candle from all the recommendations here but couldn't finish it. The highs it hit were amazing, but it frequently went so low that it became a miserable slog to read. It had amazing worldbuilding, an awesome magic system, and each arc by itself had more interesting ideas in it than entire books I've read. But the author seems to hate his own story, and hates you for reading it and getting enjoyment out of the conflicts and adventures. For every awesome arc there was an equally long time spent on navel gazing, group talk therapy, masturbatory meta commentary, and criticizing the elements of the genre that make it enjoyable to read in the first place. I don't know, I find it very distasteful to trade on genre elements as an author, gaining attention and money from them, then turn around and spend so much time criticizing the nature of things like power fantasies, harems, adventure stories — you name it, whatever part of this genre you like, the author seems to think you're a terrible person for liking it, and will spend page after page making that clear.
I quit during the time compression chamber arc, when Joon learned about Fenn's child and was nothing but enthused at the opportunity to be the dad who stepped up. Fenn was my least-preferred pairing for our hero, and this was the nail in the coffin for me. I wound up reading the last few chapters to see how it ended and had to put it down in disgust by the end.
I apologize for the venom; I did not intend on it when I started writing this comment, but once I started writing I had to let it out. If the story were just bad, that would be fine, almost preferable. It's the fact that it can be so good when it wants to be that makes it more frustrating.
Okay, fair.I knew Fenn was a used good, but after reading the extent how much of a used good she was, I stopped shipping them together. If don't like this kind of thing, it's probably better that you quit when you did; Joon ignores Valencia so much that she ends up getting deflowered by Jorge.
I read that plot point on the wiki and had to stop and marvel at the level of loathing the author shows for himself and his audience. Knowing this, the entire purpose of Valencia’s character was to soft cuck Joon so he would internalize a lesson about women’s agency. I read Wales’ postmortem on the story a few months back (page seems to be dead now or I would link it here) where he talks about how a certain type of reader probably wanted Valencia to, if not get with Joon, at least eternally pine chastly for him. I guess he got to show them.
Here's a copy. (The Wayback Machine is failing to respond at the moment, so I can't tell whether the page has been archived there. It's on archive.today here.)
Thanks, I had been wanting to give this another read. Nice backup, I’m bookmarking that.
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*vomits a little in da nad mouth*
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I never even made it that far. The whole thing just didn't resonate with me at all.
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