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Culture War Roundup for the week of June 5, 2023

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I'd posted a while back about how Wizards of the Coast was making Aragorn black in the soon-to-be released Lord of the Rings Magic set.

Since then most of the new cards have been released.

There were several more race swaps—see, for example Theóden, along with many other Rohirrim, was made black, but not Éomer. If they had made them all black, this would have been closer to my original suggestion—that they change races, if they really must, do so in ways that make sense in the world. But they did not do that for some reason, and keeping Éomer white makes no sense, if you're changing the rest of the Rohirrim.

Nevertheless, I was surprised at how good the set was, if you ignore the race changes in the art, for fans of Lord of the Rings. They referenced all sorts of relatively obscure things, had cards that had thematic abilities, (for an especially fun example, see how Merry+his blade or Eowyn can defeat the Witch King, who is ordinarily rather invulnerable), or just had fun flavor text quoting from the book, or nice art. And was faithful to the lore in another respect where Rings of Power was not, although I don't remember such a character actually existing…

Ignoring the race issue, I was very impressed overall. I think it's interesting that they were willing to put so much effort into it, while at the same time having unnecessary race changes. I suppose it's not entirely the same people making the various decisions. But I had read it as first as "we don't care that much about Lord of the Rings," which now seems to be false. They must have cared both about signaling leftist politics and about making a good product, and so this was the result.

I might be willing to overlook the problems, because Tolkien is dearer to my heart.

You know, this brings to mind Romeo + Juliet, a film that uses the exact same dialogue as Shakespeare's play, but changes the characters and setting to one that is familiar to Americans.

Would it be unreasonable for a British person to complain about this for the same reason? It's not inconceivable, the movie is partly a cultural and national swap in the same way Aragorn was race swapped - the original most certainly did not conceive of the character(s) this way. I say "partly" because they kept the same dialogue, and language is an important part of placing a culture.

And yet, I suspect most Americans don't mind this, perhaps because it was a swap in their favor, but probably because Shakespeare just isn't as big a culture war topic. Are the British upset about it? I doubt that as well, but maybe I'm wrong. I don't follow their media critics.

@problem_redditor says precisely what I suspect is the real belief of many here - that there is nothing illegitimate about X-swapping, only with the intentions behind it.

Part of the issue is that Shakespeare is public domain so anyone can do whatever they want with it.

Tolkien products are all licensed. These race swapped cards mean that fans will never get a card game with a book accurate Aragorn.

Additionally activists tend to see these swaps as permanent and will demand black Aragorn in all future adaptations.

Additionally activists tend to see these swaps as permanent and will demand black Aragorn in all future adaptations.

Sorry, where's the proof for that?

It's common in theatre for roles to be seen as belonging to a specific group due to modern adaptation trends. Mercutio must always be gay. Esmeralda was a white girl raised by gypsies in the book, but in modern productions she must always be a person of color. There were a bunch of angry articles written a while back after a college production of Hunchback cast a white girl as Esmeralda.

After Samuel L Jackson got cast as Nick Fury they made the comic book version black. But no one is actually upset about that one. Comic fans view it as an opportunity to create even more distance from the David Hasselhoff Nick Fury movie.

If Peter Jackson had gone with a black Aragorn then that would be seen as the default going forward. I'll admit it's not really the case here since MTG cards will never be seen as a definitive adaptation.

If the life action Little Mermaid had been a big success there would have been a lot of pressure to make the animated version black as well going forward.

I'd be shocked if a Magic the Gathering set became the baseline for determining the race of people, rather than the widely popular movies, or books written by Tolkien himself.

This is true of some sorts of adaptations, though.

After Samuel L Jackson got cast as Nick Fury they made the comic book version black.

the comics made him black first, in 2002. They used Samuel L Jackson's likeness without his permission.

Esmeralda was a white girl raised by gypsies in the book, but in modern productions she must always be a person of color. There were a bunch of angry articles written a while back after a college production of Hunchback cast a white girl as Esmeralda.

Sorry, which college production? When I search for this, I find a case of this happening in a high school. Moreover, how many people have even read Hunchback compared to seen the Disney film, in which Esmeralda was decidedly not white? In contrast, the Peter Jackson films are still the way most if not all people have engaged with LOTR at a first pass.