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Culture War Roundup for the week of September 12, 2022

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My facebook has been ablaze with the War of the Rings of Power, and by that I mean Amazon putting out tons of propaganda to indicate that everyone is racist for not liking the the Rings of Power, followed by half of the people saying no that doesn't make us racist, and the other half saying they just don't like it because it's a bad show. A similar thing is going on for the Little Mermaid, too. Alas, that these evil days should be mine.

The thing that strikes me is that no one is saying the obvious. To me, and I'll guess to many others, I really don't mind diversification of media. Or, that is to say, I wouldn't mind it, if it weren't for the fact that it's now the norm, it's practically mandatory for any show that doesn't want to be cancelled by internet SJWs, it's crammed down my throat everywhere, and it's turned into a major moral issue where half the audience browbeats the other. I feel like I'm being subjected to someone else's religion.

But that woke audience always comes back to "Why are you against black people playing roles? What are you, racist?" Well, no, I honestly don't think I'm racist. But in the position I'm put in, I get that I am taking actions that a racist would. The only difference is that a true racist would be against black people being cast no matter what, and I am only against it being mandatory and moralized. But since we live in this world, where it is mandatory and moralized, does that mean that there's nothing that would really satisfy me short of black people not being cast?

I don't quite think so. Another point that the woke audience comes to is "They clearly just thought that Halle Berry was the best person to play Ariel". And really, I think the answer to that is, no, they clearly prioritize diversity casting. She is black and they want to cast lots of black people because it scores them points with the woke crowd (and possibly also because it drums up controversy, which may be good for business). And then on top of that, they thought she'd be fine for the part. I don't know how I can prove that, but it just seems evident to me that diversity casting for its own sake is something that is being given high priority. In some limited cases, it's possible to prove it, such as with Ryan Condal, the showrunner for House of the Dragon who indicated that they cast black people to play Valerians explicitly for the purpose of diversity-washing. However, I'm guessing that Condal regrets saying that outright, because it's not a good look. It gives the other side ammo and also casts doubt as to whether the people hired really would have earned the spot on merit alone.

At this point. I don't really know what it would take to convince me that most castings of black people are not just to fill a quota. But this puts me in a tough spot, because I don't really want to be racist in action, even if I know I'm not in thought.

I don't quite think so. Another point that the woke audience comes to is "They clearly just thought that Halle Berry was the best person to play Ariel". And really, I think the answer to that is, no, they clearly prioritize diversity casting. She is black and they want to cast lots of black people because it scores them points with the woke crowd

So what's wrong with this anyways? If Amazon wants to cast more black / POC actors and actresses that's neutral if not good. I don't get the problem.

  • -24

I don't get the problem.

There are three problems:

  1. Thematic: The explicit purpose of casting non-white actors was to "better represent" the modern world; so that people will think or feel in different ways about others (or those like themselves). This is nonsensical because including constant reminders of "the world today" is inherently contrary to immersing the audience in a fantasy setting. Nobody watches Middle-Earth to think about New York. Whatever case you might have for such casting decisions on *other *grounds, this specific angle made it artistically destructive. It's especially bizarre where the elves and dwarves are concerned, because neither of them are supposed to be human, yet they both have exact analogues for human racial variation.

  2. Political: Tolkien was an English author who created Middle-Earth to substitute a lack of extant Anglo-Saxon mythology. Removing this for "inclusion reasons" not only denies the value of people developing specific histories or cultural works, but declares it an active problem, and posits that only universal stories are legitimate. It's especially tasteless because one of the strongest themes in Tolkien's writing is the tragedy of peoples' decline and disappearance -- the Ents are doomed to extinction, the Elves will leave the land, the Dwarves are a shadow of their former selves, and Numenor is entirely destroyed.

  3. In-universe: Even if we ignore 1 and 2, ROP does not involve races in a way that makes sense in its type of setting. Humans live in kingdoms or villages, and the modern mass transportation that creates diverse cities today isn't the norm. Why so many unlike people live in the same place could be explained within the story, but it would make significant demands of the setting and plot. In LOTR, for example, Easternlings appear in Middle-Earth because they were recruited for the War of the Ring -- ROP has no such situation. It's taken for granted that this can happen because such situations are normal in (parts of) the modern (largely urban, Western) world, -- they're not normal in a world dominated by the horse and cart, and ROP was clearly more invested in thinking about the former than the latter.