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Culture War Roundup for the week of April 1, 2024

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A Furry Cancellation

Mary E. Lowd, aka Ryffnah, has been removed from the Furry Writer's Guild, dropped by her publishers, and bounced as a Guest of Honour from the Oregon convention Furlandia, one week before the convention started. Not one of the biggest furry writers, or as skilled as someone like Tempo Kun, Robert Baird, Rukis Croax, or Kyell Gold. She has had had some success in out-of-fandom pieces in Baen, and her Otters In Space series was more normie-friendly than even other SFW writers (and even some normie anthromorphic authors). That must take some effort: what did she do?

It comes down to their decision to use AI-generated art as a tool in the creation of things such as book covers, the professional backlash that has accompanied it, and the general attitude towards this topic in the fandom.

Lowd has been open and explicit about her use of AI image gen, likely driven both by her husband's work in the field of AI research, and more seriously by the economics of the matter. To be fair, the FWG policy was officially published in January of last year, and unofficialy well-established for some time before; FurPlanet doesn't really do policy, but their stance has been just as open and explicit for nearly as long. There's some smoke-filledfree backroom management that Happens for furcons, and I expect Lowd will find more than one or two doors has closed, here.

Businesses have policies reflecting their principles or interests or both, so it's not a huge surprise it came to this.

The interesting bit's that the next-to-last editions of her works had conventionally- or conventionally-digitally produced art, some by pretty well-known artists like BlackTeagan. Emphasis on had: as common in the book industry, the cover art belonged to her publisher; it may well fall off the planet outside of private collections. The current replacements aren't great, though it's not clear if that reflects the artistic limitations of Lowd's tools or her time crunch. She previous sold her newest books at convention tables with nice stickers marking the ones with AI art, and that's going to be a lot less common moving forward.

And she's not alone.

Of the exceptions I gave a year ago, e621 has officially shoved any AI-gen to the e6ai subsite, and while Weasyl hasn't yet updated its policies, it has updated its practices. Outside of AIgen-specific accounts on twitter or servers on Discord, it can be hard to find the stuff. If you're a furry, you can avoid seeing AI art without even trying!... er... labelled AI art. Forget the awkward questions about how increasingly wide varieties of games integrate it into their graphics pipeline, or the not-so-clear division from more advance 'brush' tech to some uses of AI-gen: the people coming up with the policies don't know how the tech works. They may never know anything other than Lowd's oh-god-I-gotta-get-a-new-publisher-whatever-works pieces, even to recognize it.

Which is one potential end to the story, and to many stories, and a quiet one. Yet at the same time, it's an utterly frustrating ending: all of the worst fears of economic impact on lower-tier artists or of unlabelled AI spam overwhelming sincere creation, all the lost opportunities for conventional artists to focus more of their time on the parts of art they love or dedicated AI-genners to explore types of media that just wouldn't be practical for conventional artwork, all come true... and no one cares.

Frequently I was met with incredulity here when I suggested that there were people (besides professional artists themselves) who cared about whether art was AI-generated or not. At least now we're starting to gather empirical evidence that yes, there are people who care.

all of the worst fears of economic impact on lower-tier artists or of unlabelled AI spam overwhelming sincere creation, all the lost opportunities for conventional artists to focus more of their time on the parts of art they love or dedicated AI-genners to explore types of media that just wouldn't be practical for conventional artwork, all come true... and no one cares.

Sorry I'm a bit confused here, are you saying that this has already come to pass or are you offering this as a hypothetical?

Because it hasn't really come to pass yet, at least not completely. People are still making money as professional artists and selling commissions online. AI has definitely impacted the market, but artists are still making money regardless. In fact the number of graphic design jobs on Upwork has increased since the release of DALL-E 2 and StableDiffusion.

We haven't really unlocked the full potential of current image gen models (in terms of market disruption) because there's still a decent amount of friction in the process. The average non-specialist isn't going to mess around with running a local model, training custom LoRAs, using ControlNet and inpainting... it's still involved enough that it's reasonable to outsource the process to someone else. There needs to be an absolute idiot proof freemagicartbutton.com website where you communicate in pure natural language (instead of prompt-ese) that anyone can use for requests of arbitrary complexity and get good results every time. Then we would truly know how many use cases AI art is really fit for. It might just be a "mere" engineering challenge to get us there using current models.

Edit: Uh, you might have been able to generate more discussion by waiting ~12 hours and posting this in the new week's thread?

Frequently I was met with incredulity here when I suggested that there were people (besides professional artists themselves) who cared about whether art was AI-generated or not.

There certainly are, though in my experience a significant part of that is because AI art has a consistent style, and is consistently of lower quality and inspiration. It's possible that this preference might change if AI art becomes as good or worthwhile as human art - but of course it's also possible that people continue to prefer human art in an 'artisanal' way, much as people prefer individual handicrafts to factory-produced goods, even if the latter are arguably higher-quality.

I think the applications matter as well. When is the last time you cared about the artist who designed a package you bought? Or ad art or copy? Even as far as book covers go, I generally don’t pay that much attention to the person behind that art. In business, I really don’t think anyone particularly cares about who wrote the reports they get, the papers they sign, or the emails. Sure they’d notice if it were bad, but unless it stands out either positively or negatively, hundreds of pieces of art and lines of writing you see everyday would be seen without you caring about who wrote it.