site banner

Friday Fun Thread for April 12, 2024

Be advised: this thread is not for serious in-depth discussion of weighty topics (we have a link for that), this thread is not for anything Culture War related. This thread is for Fun. You got jokes? Share 'em. You got silly questions? Ask 'em.

2
Jump in the discussion.

No email address required.

I just finished watching Dune 2 and took some notes while doing so. Notes, not an essay, so what you get is a jumble of thoughts.

  • The Director turned a fanciful book that made little sense into a visually impressive film that makes even less. All visual spectacle.
  • Present-day politics clearly present and accounted for. White people bad, the whiter the worse. Paul and Jessica are presented as outright villains, and Chani is the moral center of the story.
  • Soundtrack with people suddenly screaming in fantasy-arabic, ouch, my ears.
  • Emperor: A fucking joke.
  • Chani, if it weren't rude I'd say she's an ugly bitch.
  • Irulan - the acting suited the character, the speech did not, the looks did not at all.
  • Margot Fenring, Lady Jessica, Alia, pretty actresses, decent acting.
  • Fight scenes: Absolute trash. Ridiculous acrobatics VS completely passive victim-badguys. Harkonnens, Sardaukar, no matter, they just stand around dumbfounded and do some slow-motion waving once per scene, while the Fremen breakdance all over the place. And of course the Fremen have regular guns and use them...from off-screen at impossible angles, but not when it would actually make sense. None of the fighting makes sense!
  • Lasers and metal-storm like helicopter door guns looked nice though.
  • Sardaukar standing around in the desert sun in triumph-of-the-will formation.
  • Worst of all: The boots. Floppily open-topped boots in a sandy desert. Ouch. Luckily it wasn't all of the characters who wore them, but I still pitied the ones who did.
  • The Fremen hideouts are...giant highly visible architecture. How stupid exactly were the Harkonnens? Do the people of the future just not believe in reconnaissance? Same for the Fremen having a massive but completely unnoticed troop buildup just around the corner from the Emperor's army. Everything is so damn visible! But then the Fedaykin just dig themselves out of the sand at the feet of the army, so I guess nothing needs to make sense anyways.
  • Javier Bardem, I don't know if he's a good actor at all. I don't know. Feels like he's phoning it in, or was never much good to begin with and I overrated him so far because I'm a Cormac McCarthy fanboy. Or maybe he is good, but the movie is such overrated tripe that he falls flat.
  • The final duel between Paul and Feyd-Rautha is...meh. Not as bad as the one-sided fights preceding it, but it looks like stage fighting 101, with nothing but flashy, highly-visible moves meant to be easy to counter. Makes sense for a movie, of course, but still looks something in between silly and boring.
  • Now, to be fair, Dune is difficult material to work with, because it made little sense even as a book. But this is just...all shape, no substance.

A thousand apologies for a worthless post, worthlessly posted, but I needed to put it somewhere.

Present-day politics clearly present and accounted for. White people bad, the whiter the worse. Paul and Jessica are presented as outright villains, and Chani is the moral center of the story.

Every major character apart from Chani was white (as in, portrayed by a white actor), though.

Yes, but you can clearly see a gradient of morality that's pretty much the gradient of skin darkness. From the very dark Liet-Kynes, practically a saint, to the darkish Chani, morally flawless except for her doing violence, to the lighter Stilgar, a fanatic blinded by propaganda, but at least on the right side, to the much lighter Atreides, greedy egoistical colonialists who exploit the natives for their political games and are nominal heroes only because they fight even worse people, to the almost-albino cartoon villain Harkonnens.

This frankly seems like a bit of an overthink. The Fremen (canonically originating from Egypt or the general Nilotic area) are black or brown. The Great Houses, again canonically distantly from Greece and Russia (though it would be amiss from me to not to mention that the surname Harkonnen originates from Finnish), are white. Most of the nonwhite characters died in the previous film.