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[Disclaimer: I think that this post maybe too low-effort for Culture war thread but other ones don't look appropriate to me]
Can you do too much noticing?
Fallout series released not too long ago and as a fan of games I was reasonably interested, especially after mostly good reviews came in. But while it has quite many political themes I will not talk about them, instead I will focus on some much less important and meaningful thing - casting and specifically race of the actors. Generally I don't want to spoil myself too much, so I ignore teasers, trailers and, of course full-blown reviews, even if they promise to contain no spoilers at all. So at the time right before series release I knew two facts about it, which were gathered from two old stills: protagonist is a woman vault dweller and there was also ghoul sheriff character. Yesterday when I finally had enough free time to comfortably marathon watch it(my preferred way), I saw a third one with a black character that was a member of BoS and my first thought was: "Oh, so it's mc's love interest". And I was right, like I was with similar predictions many times before.
I can easily see how the white woman/black man pairing become so wide-spread in recent years. You don't any conspiracies from 4chan white nationalists imagination, just brutal logic of the modern social justice thought. If you're making action movie, you need an action hero, obviously it should be a woman to combat harmful stereotypes. You can add some other traits: disability, PoC status, mental illness; but most often being a woman is enough for mc so we just return to default, white and pretty. Then you need to add some diversity in main cast, who is the most diverse and minoritiest of them all? - Black people, specifically African Americans. And we already have a woman, why not this one be a man. And if the cast is small or filled with mentors, monsters, villains and characters too young for romance, why not pair up the first two that we designed?
In many ways this is continuation of my previous post because anytime I notice one of the signs of this ideology dominant among American media creators and therefore their creations I feel robbed of enjoying perfectly adequate television because I for some reason decided to read about American politics. While being blissfully ignorant I thought that African Americans constituted at least a quarter if not the third of US population and movie demographics seemed absolutely normal in this light. I, like majority of Eastern Europeans don't have anything to dislike about people of African descent, those few who do live here are students or children of students, are not part of some diaspora and assimilate quite well(though obviously people will look differently at the black Ivan, or Stefan, but it's curious look, without animosity). I compared this feeling to watching soviet-made movies as an American businessman at the time of the Cold War(which of course vanishingly small number of them actually did). You notice propaganda against small bourgeoise like you, but why would it matter if USSR is very far away and communists that you know about are all educated intellectuals obviously against any kind of violence?
One thing that I don't understand is why nobody "inside the kitchen" don't notice how weird their attempts at propaganda seem. I think there wouldn't be so many far rightists in hypothetical America where there is much less to notice. IMHO, Hollywood elites aren't black supremacists and majority of them don't consider themselves in someway being against white race, they are true believers, who try to promote DiversityTM in their media because they think that it will make its viewers better people. My guess is that they do notice, but because of the implication of noticing being bad in itself, there is no one to say: "maybe better make him Asian this time".
You know, I can acknowledge that the pattern you're seeing exists, but I've never taken that much umbrage at it, probably because I mostly limit my content to older, or really highly reviewed stuff. Similar, to the question of whether the demographics of the cast need to match the source material. But I did come across an instance of it recently that bothered me a little, and felt notable.
I really enjoyed Masters of the Air: it was really excellent on most of the axes I care about -- screenwriting, visuals, acting, and such. But at one point, during an ensemble shot of the American air crews, I thought to myself "those guys all look British," so I looked into it on IMDB -- most of the main cast are British or Irish. Even the Tuskegee Airmen weren't played by African-American actors. Some of that might have been due to pandemic restrictions, or using local actors for logistical reasons, but it felt off. Not that there aren't lots of Americans of such descent, but a group of (white, 1940s) Americans should look more diverse than that: I had a [redacted] whose family had recently immigrated from [Europe, not Britain] that served and died in a B-24 over Germany.
Maybe it's that it's intended as a historical account, but it feels like it cheapens the narrative ("heroic American airmen bring the fight to Nazi Germany"), and it's not as if the British weren't there and similarly heroic at the time. A similar series portraying RAF Bomber Command would probably be pretty interesting!
That said, I would recommend the series overall as a worthy followup to Band of Brothers and The Pacific.
I think the vast majority of Americans of all stripes don't care about Brits playing Americans. If they care they care only very slightly and it's mixed with acceptance that Brits are just really good at acting.
To be clear, it didn't really upset me much: I still liked the show quite a bit overall. But now that I think about it, I'm not sure if I've seen a WWII movie written from a British perspective. The war has a very prominent place in American (and Russian) culture, but I'm not sure if I've seen a purely British take on it.
I highly recommend Christopher Nolan's "Dunkirk" if you want to see a british ww2 movie.
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To Americans, WWI is definitely seen as a second-rate prequel to the war that actually matters, but I get the impression that for Brits, the Great War still looms large, with WWII seen as a devastating but still far less psychologically damaging sequel. If I’m right about that, it probably explains why there aren’t (m)any British WWII movies.
There are many British WWII movies. I assure you. Many many.
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