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Treehouse is a great call
Warrior Apprentice does start slow, but it gets a lot better when Miles get into Dendarii mode. If you got turned off in the first couple chapters, try skipping to chapter five and start from there. On the other hand, if you were still getting bored by the pathos in chapter ten, you're probably better off skipping the book. The main character's a bit bipolar, so Warrior's Apprentice isn't the last time he'll go into a pointed funk, but it's usually paced a lot better. If that's issue, some options:
Cetaganda works without having much knowledge of the setting. I think it leans a little to heavily on the 'throw a grenade in when stuck' approach to plot pacing, but it's got a reasonably good grabber and at worst that pacing errs toward the rushed, so it's a good middle-of-the-pack read. Murder-and-politics mystery in a scifi setting that pushes real heavy on what transhumanism might actually look like rather than Star Trek-style goofiness, though the expectations are a bit dated today.
The Vor Game is much stronger work and a lot faster to the point -- which is good, because it sets up a lot more small plot points for the rest of the series, often in pretty subtle ways -- but it is still very much The Sequel To Warrior's Apprentice. It'll tell you most of what you need to know about big plot, but there are especially some character bits that won't hit as hard without having seen the characters in action before. Great villains, witty heroes, and Miles at his most second-most saving-the-day-by-the-seat-of-the-pants, and necessary reading for the great Memory and Komarr (and, indirectly A Civil Campaign). There's a particular quote about unsolvable problems that'll stick with you.
Barrayar is probably easier as a starting point, and a much faster-paced work with clearer stakes (and a more specific timeline) for the protagonists, along with being set chronologically earlier. It gives a lot more complete an understanding of how fucked up the titular planet is, rather than leaving you wondering if it's Just These Assholes, and the motivation for all the characters is generally resonant even where a reader might know what the actual conclusion to the character's arc is going to be. Downside is that Miles is literally prenatal, and while Cordelia is a good main character, she's drastically different in tone. Also, like Pratchett's Night Watch there's a lot of subtle references to chronologically later works that you don't need to know, but will still miss out on. (Shards of Honor is chronologically even earlier and is readable, but it's the most Star Trek-fan-story of them all, so I wouldn't recommend it as a first read in the series.)
Borders of Infinity is a short story, and does show up enough in the rest of the stories to be worth reading in timeline order, but also they're representative of the highs and lows of the series. Would read before Komarr regardless, but it's a good intro to the pre-Memory Miles character and works with fairly little knowledge of the setting. There's a few stories in the series that are better, but if you don't like this one you're probably going to find getting to the best ones not worth it.
The strength of the Star Trek female fan base has always been slightly surprising to me: it’s military science fiction! That said, I can see it: it’s military sci-fi, but the military solves problems through the power of empathy and diplomacy, Kirk and Riker (my phone literally autocorrected his name to “Romeo,” which is hilarious) are… present, and most stories in Trek are soft science fiction, using alien societies or time travel to explore social structures and personal relationships. TNG always stood out to me as having a remarkable number of episodes about character romance, particularly for the female characters.
Trek also stands out to me for how it’s very formalized and society (in Starfleet — who knows what people do on Earth) is regimented, and I think that’s a factor in geek culture more broadly. Geeks seem to really like dreaming of societies with clearly-defined rules and chains of commands and even uniforms. I have a theory that geeks, often autistic or hypo-social, find the improvisational and non-explicit social rules of society hard to navigate or understand, and wish things were more explicit and systematic. I think this is what psychologically unites ren faire people who dream of m’ladying their way into a woman’s affections (or a woman who would like to be treated like a courtesan), and Trek fans who dream of color-coded uniforms.
Star Trek has ranks and command structures (but is highly non-rigid in social organization for a quasi-military organization — it’s how a progressive imagines a military should operate), Harry Potter has Hogwarts houses with found families based on character traits ordained by a magical hat. Both are about social institutions that provide the security of structure without the rigidity of oppression, with many stories revolving around how morality and justice override authority. There’s a fundamental liberalism at the heart of nerd interests, but one that absolutely finds the improvised social structures that actually characterize liberal society hard to fathom.
But also after a long period of miss after miss, even my geeky friends aren’t into Star Trek. I know more fans of The Phantom Menace than The Next Generation. I remember when I took IT classes and the instructor was appalled when I was the only one in the class who copped to liking Trek. Nerd culture has changed.
I don’t think it was Scott Bakula’s show that killed it — I’ll come out as actually liking Enterprise, but also I liked Voyager so I have terrible taste in Trek. Was it Abrams? I always used to joke that Abrams ruined Star Trek as a job interview for ruining Star Wars. No one should have let this man near a franchise. (While I hated The Last Jedi, I also generally like Rian Johnson, just not for a main episode in a long-running franchise focused on nostalgia.)
The only person in my cohort I’ve ever known as a Star Trek fan was an autistic, asexual girl who seemed to have picked it as her special interest, reading the novels, playing STO, and of course writing fan fiction. I would have liked to have known her better but she was a hard person to get to know.
He's being forced to insure the value of his own car even though (presumably) he is prepared to replace it out of pocket in the event of an accident. If the car is paid off this is an entirely plausible problem.
We had the Witches of Dathomir and they were fine.
Much like The Rise of Skywalker was an incompetent and facial adaptation of Dark Empire, this is once again just Disney remaking the EU but worse.
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