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Notes -
A couple of small revelations on what the poor story construction in blockbuster movies reveals about the zeitgeist.
It seems to me that major movies released in recent decades have bifurcated in scope. At one end, you have character-driven drama set in a household or small town where the budget mostly goes to A-list actors looking to win awards. At the other, you have epic visual spectacles with tons of international locations or even extraterrestrial or extra-dimensional. This could be me finding patterns where none exists, but it seem rational for producers to pick a side: if you want to sell on the intricacies of human relationships, you can do that on a smaller budget; if you want to sell on big explosions and special effects, then you might as well make the story scope expansive and perhaps ridiculous anyway. Ergo, don't worry about realism, just put it in the trailer that if the heroes don't win, then humanity is doomed!
But when story premises grow too big, they necessarily rope in politics and geopolitics, except most movie writers really suck at writing either. I'm going to pick a low hanging fruit to make my point--take Captain America: Civil War, with $1B+ in the box office and great reviews. In it, Earth's superheroes split into two teams, with one wanting to be supervised by the UN and the other refusing the leash. I think it's a fun watch, but its expansive scope rests on a ridiculous understanding and/or portrait of how the world actually works. Without going too deep into it:
Normally, we go into movies with a willing suspension of disbelief. But there is a difference between accepting that infinity stones exist and that half of the avengers are cast out as criminals by the UN. I think it's partly the uncanny valley--either you make the premise obviously fantasy, or you do a good job of making it seem realistic, and partly it's like Sanderson's laws of magic, which really is about having internal consistency--I can accept a fictional world where partisan politics and multipolarity do not exist, hence you get 98-1 Senate votes and 117 countries (presumably including every country that actually matters) coming to agreement, but then you can't also ask me to emotionally buy into the idea that in such a world, I should genuinely fear the secretive Nazi organizations and ultracorrupt politicians and amoral killer CEOs. I mean, is this a utopia or not?!
But evidently most people don't care about this. So maybe the writers simply are illiterate when it comes to politics and geopolitics, but more likely seems to be that they aren't incentivized to try very hard given the paying audience doesn't appear to mind. The third, slightly tin-foil-hat possibility is that it's a very intentional propaganda--to all the teenagers watching superhero movies, it's better if 117 countries vote for a UN panel to be in charge of real power.
Another thought: it's really rather lame that so many conflicts in movies come down to good and otherwise competent people acting excessively emotionally in pivotal moments. Once again in CA:CW, the climactic fight involves Cap fighting Iron Man because the latter learns that his parents were murdered by Cap's friend Bucky when he was under brainwash control. Set aside how ridiculous this convoluted plot was on the villain (how did he know Cap and Iron Man would both end up in the arctic facility together), if the good guys just paused for a min to talk it out, there would be no reason to fight, but then the writers would have to work harder to conjure up a reason for a civil war.
To me, a much more satisfying conflict among good guys would be for good people to fight over complex issues and/or ideological divides, and do so rationally rather than emotionally. But this is politically and culturally impossible, because you'd have to believe that there are good people on both sides (TM). Instead, we end up with good people fighting not over actual reason, but over stupid miscommunications or stupid emotions, because "obviously" good people must agree that there is fundamentally only one righteous ideology, with a consensus so strong that there is no reason to debate over it.
Not to burst your bubble, but the problem with Civil War actually originates with the source material. One might watch Civil War and ask why Tony Stark, aka Iron Man is on the side of the government despite being a tech entrepreneur who refused to share his suit tech with the government for years and Captain America, an FDR Democrat (aka the closest thing we have had to a dictator since George Washington) is on the side of the libertarians. The answer is the original writer wrote it that way for nonsensical reasons.
As a result, the whole story is nonsensical, and the movie reflects that because it is based on an idiotic comic book that shares its incoherence.
I don't think there was ever anything in the comics at the time, i.e. the 1940s, indicating how Captain America voted? He's always been a character deliberately open to interpretation - he stands for the best vision of what America can be, but he shifts over time and is often strategically vague so that readers can project their idea of what that means on to him.
That wasn't the only problem with the comic book version. The other problem with the comic book version is that the writers didn't agree on what was in the registration act. It could be anything from just registration to conscription, and it could or could not apply to borderline cases (like unpowered fighters). Needless to say, if you're going to have political stories, stuff like that will make a big difference, and that part was completely incoherent too.
Having so many different writers work on big projects is my least favorite parts of western comics, and that's stiff competition against all the other stuff they do wrong.
I read all the early Judge Dredd comics once, and important details got changed every single issue on the whim of some writer who couldn't even be bothered to coordinate with his coworkers.
Is the megacity super wealthy with interstellar colonies and is technological unemployment only a problem because people go crazy from idleness? Or is it a decaying hive full of poor starving people commiting crimes out of desperation? It's a coin flip every issue!
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