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Is this the beginning of a popular rebellion against woke Hollywood garbage?
Like (I imagine) a lot of you, I got fed up with mainstream Hollywood movies and TV a long time ago. For various reasons, but a big part of it was how they insisted on inserting heavy-handed woke propaganda into everything, even where it made no sense. I'm hardly the first to complain about that, but it seemed to be mostly anonymous online reactionaries complaining, while mainstream critics and everyone "respectable" still lapped it up. The Star Wars sequels, Nu-Trek, and all Marvel movies made $$$$$$$ while also gathering rave critical reviews, even though it became something of a joke when the "audience score" on rotten tomatoes was always so much lower than the "critic reviews" score.
And to be clear, I'm not (just) mad at those things because I disagree with their politics. I genuinely think those are terrible movies. They have bad plots, bad characters, bad dialogue, and often even bad at basic filmmaking stuff like editing, camera angles, and sound mixing. One theory I like is that, for quite a while, Hollywood was so focused on exporting big famous brands to foreign countries that they didn't care how it sounded in English. They'd all be watching it dubbed or with subtitles anyway, and then (hopefully) buying merch. But for a long time I felt like I couldn't say these things without getting labelled as a deranged culture warrior.
But now? I dunno. I'm seeing more and more open criticism of big hollywood brands, and some of it is coming from people who are not easily dismissed. Examples:
The last one was what inspired me to write this post. Lots have people have already criticized Star Trek over the years, most notably the RedLetterMedia guys who kinda got famous from it. But I associate most of them with the online right. This is a 4 hour review from someone who doesn't normally do movie reviews, and she felt compelled to keep saying how she normally loves seeing pro-diversity left wing messages in Star Trek. But it's such an amazingly bad series that even its target audience can't defend it. I'm not woke, but I used to love Star Trek as a kid. Picard season 1 was so terrible I refused to watching anything after that, and it made me completely hate the franchise as a whole. I know that "some people say" that it got better, or that some other new Star Trek shows are good, or whatever. I don't care, I hate that pile of garbage so much that I'm never giving them another dollar or view unless they publically apologize for it. It felt like someone (maybe Patrick Stewart? Maybe Alex Kurtzman? Maybe all the Star Trek actors who have been stuck doing silly conventions with crazy fans for decades?) genuily hated their fanbase and wanted to give them the finger.
I don't know. Maybe I'm being too optimistic here. But I feel like we've finally crossed the threshold where everyone is fed up with Hollywood's crap. They've taken pretty much every bit of pop culture we loved as children, and burned it all down to make a quick buck. They kept recycling the same crap in their little clique of Jewish Hollywood elites and refused to listen to any criticism. You can only keep doing that for so long before the audience gets sick of it.
And at long last, we can finally agree that the new Star Trek movies are bad, right?
I was onboard with this post, but this came a bit out of left field and seems largely unrelated to the main thrust of your argument.
Yes, Hollywood is disproportionately controlled by Jews, so it's strictly true that Jews are responsible for recent trends in Hollywood slop.
But Hollywood has been disproportionately controlled by Jews for as long as Hollywood has been a thing. From Goldwyn to Wilder to Spielberg, Jews were responsible for some of the most beloved films in the American canon.
Whatever the underlying cause of the downturn in quality in mainstream American cinema, you can't just point to the religion or ethnicity of the people in charge. They have the same religion and ethnicity as the people who were in charge when Hollywood was good.
I would actually be interested in whether the Hollywood decline coincided with a loss of Jewish control, like it did with the universities.
In both cases it always seemed like they kept a tight leash on the pet elements that could harm profits/donations: Hakeem Jeffries got the "woah there sambo" treatment in the 90s once he clarified that "soulless white ice people" included the jews.
Once the grievance-studies departments took over the admin staff, the Rudenstines and Bacows couldn't stop Harvard going Gay.
Perhaps Harvey Weinstein's casting couch was the one remaining meritocratic hiring process in Hollywood?
Hollywood is turning to garbage because it’s now run primarily on nepotism, connections, blackmail and propaganda. The Acolyte is a good example of this. The showrunner/writer was Harvey Weinstein’s personal assistant. She likely got this opportunity as a bribe to keep her quiet because she knows where some of the proverbial bodies are buried (blackmail). The lead actress Amandala Sternberg is then selected because her parents have industry connections and she’s from a racial demographic that Hollywood favors (connections, propaganda). The supporting actress is hired because she’s married to the show runner (nepotism). The male supporting lead Lee Jung-jae seems to have been selected mostly due to talent. Notice that we are now four rungs down into the selection process and this is the first time that vocational talent seems to have been considered at all. And from everything I’ve seen in reviews left and right, he’s the only bright spot in this whole shabby enterprise. Many many projects are like this now. In the early days of silent filmmaking up until the 2000s, who got to make movies was primarily dependent on talent and sales. Now it’s like a late feudal monarchy or the Soviet Union. The number of Jews has mostly remained constant and I don’t think it’s a factor in the early success or the later decline at all.
I don't know about blackmail, but wasn't Hollywood always run on nepotism, connections, and propaganda?
This was my question. If anything I'd assume it was worse in the past, given lack of regulation and transparency.
There has been an exponential increase in nepo-babies though, which is in a way only natural as time goes on and the industry grew but it also shows the lack of meritocratic guardrails in the industry.
Maybe there's a synthesis here: Hollywood did use to be pretty corrupt and nepotistic in a way that everyone knew about, but now it's corrupt and nepotistic in a different way we're not aware of.
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