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Culture War Roundup for the week of September 9, 2024

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I'm committing a major faux-pas by posting a second consecutive top-level comment, but it's been 12 hours and people need to post more. (Seriously, post a top level comment. Do it now.)

What's something that you were wrong about?

I'll start. I was wrong about marijuana legalization. It was a bad idea and we never should have done it. Marijuana is, contra urban legend, actually pretty addictive. And it makes productive people into unproductive people. The benefits, such as they are, are best enjoyed in moderation. But legalization has resulted in a whole new class of junkies that wouldn't have existed otherwise. Also, weed culture is gross.

Scott, as always, says it best:

My views evolved in something like the way Steve implicitly points at here: decriminalizing marijuana seemed to go okay, it seemed hypocritical and dumb for the law to be “marijuana is illegal but we won’t punish you for it in any way wink wink”, so (I thought) why not go all the way and legalize it? And the answer turns out to be: if it’s illegal but tolerated, then it’s supplied by random criminals; if it’s legal, it’s supplied by big corporations. And big corporations are good at advertising and tend to get what they want.

In any case, what were you wrong about?

  • I once believed that political solutions to problems are viable, and now I believe that they are not, and that you need cultural solutions first in order to meaningfully affect the political

  • I once believed literature mattered, but upon inspecting the type of people who are into literature versus who are not, I no longer believe it is valuable. “Literature” is surprisingly new to civilization anyway.

  • I love dogs, but dog culture should be ended, and anthropomorphism should be banned from kids entertainment. Kids should be learning to understand humans and their variegated expressions, so that they can understand themselves and adapt to the social world in front of them. They should not be bonding with animals to a significant degree.

  • I once thought IQ was the be-all-end-all but now I think there are other qualities which are as important but less easy to measure.

I love dogs, but dog culture should be ended, and anthropomorphism should be banned from kids entertainment. Kids should be learning to understand humans and their variegated expressions, so that they can understand themselves and adapt to the social world in front of them. They should not be bonding with animals to a significant degree.

As one of those "people who are into literature":

'I'll explain to you, then,' said the gentleman, after another and a dismal pause, 'why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality—in fact? Do you?'

Yes, sir!' from one half. 'No, sir!' from the other.

'Of course no,' said the gentleman, with an indignant look at the wrong half. 'Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact.' Thomas Gradgrind nodded his approbation.

'This is a new principle, a discovery, a great discovery,' said the gentleman. 'Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?'

There being a general conviction by this time that 'No, sir!' was always the right answer to this gentleman, the chorus of No was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.

'Girl number twenty,' said the gentleman, smiling in the calm strength of knowledge.

Sissy blushed, and stood up.

'So you would carpet your room—or your husband's room, if you were a grown woman, and had a husband—with representations of flowers, would you?' said the gentleman. 'Why would you?'

'If you please, sir, I am very fond of flowers,' returned the girl.

'And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?'

'It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy—'

'Ay, ay, ay! But you mustn't fancy,' cried the gentleman, quite elated by coming so happily to his point. 'That's it! You are never to fancy.'

'You are not, Cecilia Jupe,' Thomas Gradgrind solemnly repeated, 'to do anything of that kind.'

'Fact, fact, fact!' said the gentleman. And 'Fact, fact, fact!' repeated Thomas Gradgrind.

When I was younger, both I and my elder brother wanted to be writers, but we disagreed strongly on what made good writing. Probably the simplest way to describe it was that he liked art and I liked entertainment. We've never really resolved the disagreement, but I've spent a long time contemplating why I enjoy what I enjoy, and most of it seems to come down to one of two things; either the piece encapsulates a feeling, or it encapsulates an idea. Either way, these encapsulations are valuable in that they give one significant control over one's own mental state, and that is both pleasurable and useful in many ways.

I think a lot of my own bogglement with the general category of "literature" is that so much of the time, there doesn't seem to be anything useful being encapsulated. I can imagine that the encapsulations are in some incompatible format, but the general impression left is still...

Imagine that you encounter a signal. It is structured, and dense with information. It meets all the criteria of an intelligent transmission. Evolution and experience offer a variety of paths to follow, branch-points in the flowcharts that handle such input. Sometimes these signals come from conspecifics who have useful information to share, whose lives you'll defend according to the rules of kin selection. Sometimes they come from competitors or predators or other inimical entities that must be avoided or destroyed; in those cases, the information may prove of significant tactical value. Some signals may even arise from entities which, while not kin, can still serve as allies or symbionts in mutually beneficial pursuits. You can derive appropriate responses for any of these eventualities, and many others.

You decode the signals, and stumble:

I had a great time. I really enjoyed him. Even if he cost twice as much as any other hooker in the dome—

To fully appreciate Kesey's Quartet—

They hate us for our freedom—

Pay attention, now—

Understand.

There are no meaningful translations for these terms. They are needlessly recursive. They contain no usable intelligence, yet they are structured intelligently; there is no chance they could have arisen by chance.

The only explanation is that something has coded nonsense in a way that poses as a useful message; only after wasting time and effort does the deception becomes apparent. The signal functions to consume the resources of a recipient for zero payoff and reduced fitness. The signal is a virus.

Viruses do not arise from kin, symbionts, or other allies.

The signal is an attack.

And it's coming from right about there.

I think a lot of my own bogglement with the general category of "literature" is that so much of the time, there doesn't seem to be anything useful being encapsulated.

What are some specific examples of literary works which you consider to contain nothing but “useless” content? And do you believe that such content is not useful to anyone? Or merely not to you?

What are some specific examples of literary works which you consider to contain nothing but “useless” content?

Douglas Coupland. I love his prose, it goes down your throat like a perfect dessert, he would be a perfect dinner guest, but there's no message, just /r/til/top.