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Culture War Roundup for the week of October 10, 2022

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So, after all these weeks, Amazon's Rings of Power wraps up its first season. A section of mainstream media is still defending the show while others are somewhat calling it, we have a 2nd season coming, several retcons to the lore, and a very predictable Sauron reveal. Now we're supposed to expect a certain special someone from Galadriel's past that I'm shocked even exists in this canon. If there's one bit of character development in this whole debacle, it would be Erik Kain's diminishing confidence in the show.

I'm gonna nitpick a line from this piece:

As of this writing, House of the Dragon has an 86% rating on Rotten Tomatoes (with an 84% Audience Rating) and The Rings of Power has an 84% approval rating on the review aggregator (with a 38% Audience Rating, which should largely be discarded).

I don't know if Amazon Studios will face a crisis as was reported earlier, or if they intend to trot out a slightly less expensive season 2 before axing it altogether, or drag it all the way. But it seems, as several others had stated in last week's thread when I brought it up, this is really just a billion dollar gig for Bezos' ticket to the ultra-woke Hollywood clique to maximise his elite status after all. To that end, he likely has succeeded many times over.

As of this writing, House of the Dragon has an 86% rating on Rotten Tomatoes (with an 84% Audience Rating) and The Rings of Power has an 84% approval rating on the review aggregator (with a 38% Audience Rating, which should largely be discarded).

I know the article doesn't bother but: has the mainstream come up with a coherent theory for why HoD - which was coming off a controversial Game of Thrones finale and it's own "woke" PR problem - is doing vastly better than RoP in audience ratings?

Sexists are more motivated than racists?

Did you watch HoD? It's genuinely amazing. Not sure how to put it exactly but its treatment of power and tragedy makes GoT look one-dimensional. And there are some scenes that took my "#1 Tv/movie writing" spot. For example king Viserys' ruminating on the nature of his rule and what it means to be King to his Hand, if you've seen it.

This show deserves more cultural spotlight than GoT had, imo. And I love GoT.

The problem with HoD is honestly not the show itself, it's GoT. GoT had an amazing first season too! But after how abysmal the ending was, I'm not going to watch HoD until after it's over and we know if it wound up going to shit the way GoT did.

The GoT problem was that the show runners were counting on GRRM to finish the series and wrap up all of his plot lines. They would have only needed to adapt and simplify what GRRM wrote.

GRRM didn't publish enough adaptable material and D&D were left to come up with a conclusion on their own.

HotD is based on material GRRM has already published. It's adapted from about 120 pages from a book on Targaryen history.

So it won't have the depth and twists of the early seasons of GoT but there is a complete arc for the show runners to follow.

GRRM purportedly told the showrunners exactly where the show was going. But because he didn't flesh it out at GRRM levels of detail, the showrunners had to fill stuff in and didn't. Why did Daenarys turn evil? Clearly GRRM told the writers it's because all the people she loves get killed and she suffers a lot. But if he were to actually write it, he'd realize that Missandei getting killed isn't narratively sufficient.

It's the same reason that a lot of "software architect" type people are kind of disastrous - if they actually sat down and wrote code instead of making diagrams and saying "fill in the details", they'd realize where the actual hard parts live.

GRRM could probably have made it work, though maybe 2 books would have become 4. The TV writers couldn't.

GRRM purportedly told the showrunners exactly where the show was going. But because he didn't flesh it out at GRRM levels of detail, the showrunners had to fill stuff in and didn't. Why did Daenarys turn evil? Clearly GRRM told the writers it's because all the people she loves get killed and she suffers a lot.

The showrunners have shown they can fill in Martin's skeleton in the past: S1 had some great non-canon scenes, and there are well-received TV-only plots (like Arya meeting Tywin in S2)

The problem imo is that GRRM's entire plot has spiralled out of his control and he keeps adding new and new plotlines to push things forward. This is fine for GRRM because he explicitly left TV to not have writing constraints. However this is obviously a problem for a TV, even the one with the largest budget ever.

Disclaimer: everything after this is well-worn fandom speculation.

In this case the problems in GoT are likely due to the showrunners - understandably- removing major characters like the alleged surviving Targaryen heir Aegon and his Dornish allies. Why? Cause we'd have to go back to Dorne and explain just how this Targaryen hid for years just like Dany, maybe adding seasons to the show and annoying the audience.

The problem is that roles like this are likely pivotal and its absence explains a lot of weird things.

For one: why Cersei has permanent support despite her actions which are so norm-breaking I can't think of a real-world precedent. In the books, if this happened, Aegon and his wife (lovelier than Cersei) would likely depose her and they'd be the threat to Dany.

This actually makes a lot more sense: Season 7 and 8 basically butchered Tyrion and Varys' characters to provide some justification for why Dany wouldn't just destroy Cersei instantly to much rejoicing (this causes the attendant problem that any/all warnings about Dany going evil aren't credible until she does something ludicrously over the top)

However, Dany's reticence would make sense if she was dealing with a fellow Targaryen pretender to the Throne. She actually can't just roast him. And his existence is the perfect thing that would cause her to be insecure and/or slip up.

I think there's sort of a cascade of problems like this, due to having to deal with an increasingly spiraling Martin plot. A plot that is so dense and complicated and unworkable that Martin literally scrapped a lot of work that didn't go well and hasn't successfully put out a book since Dance With Dragons. So I actually wouldn't be convinced that Martin can do it in two.

As I said:

GRRM could probably have made it work, though maybe 2 books would have become 4.

Fair enough. Then I should say: I'm not convinced that Martin can do it at all (especially given that the "split the books up" was tried for Feast/Dance and we've been stuck for a decade)