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Culture War Roundup for the week of January 13, 2025

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My memory is that Neil Gaiman's name occasionally pops up around here (edit: here). New York Magazine pulled no punches today. Headline?

There Is No Safe Word How the best-selling fantasy author Neil Gaiman hid the darkest parts of himself for decades.

The headline is false, though maybe not for the reasons you would immediately guess. As far as I can tell the story itself is not a scoop so much as a rigorous summary of things already known. It's difficult to know where to begin, commentary-wise; probably this belongs in the long tail of 2017's "#metoo" movement? But maybe we should begin with Sandman.

If you don't know who Neil Gaiman is, he's... a writer! A talented writer--not so talented a comic writer as Alan Moore, not so talented a novelist as Neal Stephenson, not so talented a screenwriter as Joss Whedon, but what makes him remarkable is that he is almost as good as every one of those writers within their respective mediums of mastery. He became Alan Moore's protégé; he collaborated with Terry Pratchett (Discworld) on Good Omens (1990). But it was his new take on an old DC character, Sandman, that became his own personal magnum opus. Running from 1989 to 1996, the book briefly outsold even Superman and Batman as DC's top title.

If you read it today, you'll see a lot of English punk, a gothic flair, deep cut literary references, edgy takes on stuff that 21st century Westerners now take culturally for granted... and a whole, whole lot of not-even-repressed sexual deviance, both of varieties that have since become more culturally acceptable, and varieties that have not. Hence my suggestion that the headline is false; as near as I can tell, Neil Gaiman never hid the darkest parts of himself from anyone, ever.

In fact, owing to decades of involvement in fringe geek fandoms, I have had a handful of glancing personal encounters with Neil Gaiman. The first thing to know is that he basically sweats charisma. Where Alan Moore is a spectacle, where Joss Whedon is a douche, Neil Gaiman is patently avuncular. He is warm and articulate, a storyteller every second, and when you meet him you know immediately within you, down to the marrow of your very bones: this man fucks.

And as far as I could tell, he made absolutely no secret of it. By no later than 2010 I had heard multiple totally separate stories from women claiming to have accompanied Gaiman to his home for playtime, hippie-style (or rationalist style, if some of the things I hear about San Francisco group homes are true). It is entirely possible that some or all of them were lying! Certainly they were all boasting. One was very clearly imagining that this would be her big break into the literary world, which seems like a strange hope to express if you are lying about the sex.

This is not the sort of behavior I want to encourage from anyone, for a variety of reasons, but it's probably worth noting, very clearly, that this did not seem at all surprising to me. I remember Bill Clinton, I remember Bill Gates, I know what a groupie is. Famous, powerful, wealthy, men have for all of history been inclined toward promiscuity, and women have been inclined to indulge them that.

The article seems to confirm my own, limited historical experiences:

It was an open secret in the late ’90s and early aughts among conventiongoers that Gaiman cheated on his first wife, Mary McGrath, a private midwestern Scientologist he’d married in his early 20s. But in my conversations with Gaiman’s old friends, collaborators, and peers, nearly all of them told me that they never imagined that Gaiman’s affairs could have been anything but enthusiastically consensual.

Inevitably, it seems, in such contexts there is never any shortage of... misunderstanding. The article gets into pretty explicit detail concerning accusations of outright rape--often, however, with women who had been involved with Gaiman for some time, and continued to be involved with him for some time afterward. His second marriage (to a C-list celebrity in her own right) was "open"--

During the early years of their marriage, they lived apart for months at a time and encouraged each other to have affairs. According to conversations with five of Palmer’s closest friends, the most important rule governing their open relationship was honesty. They found that sharing the details of their extramarital dalliances — and sometimes sharing the same partners — brought them closer together.

Indeed!

In 2012, Palmer met a 20-year-old fan, who has asked to be referred to as Rachel, at a Dresden Dolls concert. After one of Palmer’s next shows, the women had sex. The morning after, Palmer snapped a few semi-naked pictures of Rachel and asked if she could send one to Gaiman. She and Palmer slept together a few more times, but then Palmer seemed to lose interest in sex with her. Some six months after they met, Palmer introduced Rachel to Gaiman online, telling Rachel, “He’ll love you.” The two struck up a correspondence that quickly turned sexual, and Gaiman invited her to his house in Wisconsin. As she packed for the trip, she asked Palmer over email if she had any advice for pleasing Gaiman in bed. Palmer joked in response, “i think the fun is finding out on your own.” With Gaiman, Rachel says there was never a “blatant rupture of consent” but that he was always pressing her to do things that hurt and scared her. Looking back, she feels Palmer gave her to him “like a toy.”

That sort of thing only lasted a few years. Eventually, Palmer was pregnant and decided to try to close the marriage. This seems to have been the beginning of the end of that, and the New York Magazine story could be viewed through the lens of "hit piece intended to influence the drawn-out divorce proceedings." I do not (and cannot) know the truth of these events for myself, but it probably doesn't matter; his career has been drying up for a while now, and once studios milk the requisite profits from their current investments in his IP, those contracts seem likely to be among his last. Well, he's in his 60s and he has plenty of money (even if Palmer absconds with half of it), I don't feel too badly for him.

But the whole charade does remind me once more of the peculiar way in which Western culture has come to insist that there is nothing problematic about sexual promiscuity. Marriage is just one choice among many! Homosexuality, polyamory, open marriages, monogamish couples, as long as it is consensual then it's fine, right? Except that, unlike the terribly old-fashioned practice of "celibacy when single, monogamy when married," the clarity of consent seems to break down in the absence of clearly-delineated relationship boundaries. Gaiman's putative victims do not say that they unequivocally rejected his advances; some, indeed, texted him after the fact with reassurances that their encounters were in fact consensual.

Pavlovich remembers her palms sweating, hot coils in her stomach. She was terrified of upsetting Gaiman. “I was disconnected from everybody else at that point in my life,” she tells me. She rushed to reassure him. “It was consensual (and wonderful)!” she wrote.

That's the kind of evidence that keeps Gaiman out of jail, regardless of what social media mob justice decides on the matter. Even assuming she was being completely honest when she later said, in effect, "I texted him lies because I was scared," there's no evidence of what she was thinking at the time, except what she actually wrote. A world with clear relationship-grounded boundaries around sexual activity alleviates such ambiguities!

I am sort of peripherally aware of some of the "sex pest" stories that occasionally circulate in rationalist circles, and certainly I am aware of the polyamory (and e.g. Scott's occasional defense of it). Apparently it can work, for some people, at least for a time. But more often it seems to end up like this: if you want an open marriage, probably you don't really want a marriage in any robust sense of the term. And wealthy, powerful men who do not commit themselves to monogamy wholly and from the outset, Pence style, will be promiscuous, and it will eventually create headaches for them, of one kind or another.

Hm. Maybe someone should write a comic book about that.

Forgive my naivete here, but I'm not really sure what the story here is, beyond "Neil Gaiman is a creepy sexpest."

Well, yes, and I will happily join in with condemning his sordid exploits. Promiscuity is bad and this seems quite a straightforward example. I'm just wondering what particular light is shed by this specific case?

I mean, maybe Gaiman is a creepy sexpest, assuming the truth of the allegations. Certainly the evidence seems to be that he is quite promiscuous, like so many other men of similar repute.

Will he be cancelled entirely? Is this evidence against the plausibility of "open marriage?" Should we accept the article's allegations at face value, or question the veracity of the claims, victim-blaming style? What is "consent," really?

There seemed to me to be a plethora of culture war angles--that's all.

Ah, to be clear, I'm using 'sexpest' mainly just to mean 'aggressively promiscuous person'. It doesn't imply non-consent for me. I like it as a gender-neutral alternative to 'slut', I suppose? It also implies actively seeking out or badgering others for sex, and that also sounds like Gaiman. This is enough for me to morally condemn Gaiman.

But this was known already, and I'm not sure what Gaiman's case specifically, or the vagaries of whether he gets cancelled or not, tells us about either the broad issue of sexual ethics, or even that much about the moment. Gaiman is an ageing white man who's also, at best, what we used to call a dirty old man. He seems potentially vulnerable to cancellation, but then, cancellation has never had a 100% hit rate, so it could go either way.

So I think I'm with 4bpp in terms of what we can draw from Gaiman's case, even if I suspect we differ on overall sexual ethics. There's just a limit to how much can be inferred from any one case.

I like it as a gender-neutral alternative to 'slut', I suppose?

I think it implies male as much as 'slut' implies female. You can have a woman who's a sex pest just like you can have a man who's a slut.

I think the distinction that comes most naturally to mind for me is that a sexpest is someone who aggressively pesters others for sex, and a slut is a person who rapidly or unhesitatingly gives in to such pestering. They're complementary, I suppose?