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My memory is that Neil Gaiman's name occasionally pops up around here (edit: here). New York Magazine pulled no punches today. Headline?
The headline is false, though maybe not for the reasons you would immediately guess. As far as I can tell the story itself is not a scoop so much as a rigorous summary of things already known. It's difficult to know where to begin, commentary-wise; probably this belongs in the long tail of 2017's "#metoo" movement? But maybe we should begin with Sandman.
If you don't know who Neil Gaiman is, he's... a writer! A talented writer--not so talented a comic writer as Alan Moore, not so talented a novelist as Neal Stephenson, not so talented a screenwriter as Joss Whedon, but what makes him remarkable is that he is almost as good as every one of those writers within their respective mediums of mastery. He became Alan Moore's protégé; he collaborated with Terry Pratchett (Discworld) on Good Omens (1990). But it was his new take on an old DC character, Sandman, that became his own personal magnum opus. Running from 1989 to 1996, the book briefly outsold even Superman and Batman as DC's top title.
If you read it today, you'll see a lot of English punk, a gothic flair, deep cut literary references, edgy takes on stuff that 21st century Westerners now take culturally for granted... and a whole, whole lot of not-even-repressed sexual deviance, both of varieties that have since become more culturally acceptable, and varieties that have not. Hence my suggestion that the headline is false; as near as I can tell, Neil Gaiman never hid the darkest parts of himself from anyone, ever.
In fact, owing to decades of involvement in fringe geek fandoms, I have had a handful of glancing personal encounters with Neil Gaiman. The first thing to know is that he basically sweats charisma. Where Alan Moore is a spectacle, where Joss Whedon is a douche, Neil Gaiman is patently avuncular. He is warm and articulate, a storyteller every second, and when you meet him you know immediately within you, down to the marrow of your very bones: this man fucks.
And as far as I could tell, he made absolutely no secret of it. By no later than 2010 I had heard multiple totally separate stories from women claiming to have accompanied Gaiman to his home for playtime, hippie-style (or rationalist style, if some of the things I hear about San Francisco group homes are true). It is entirely possible that some or all of them were lying! Certainly they were all boasting. One was very clearly imagining that this would be her big break into the literary world, which seems like a strange hope to express if you are lying about the sex.
This is not the sort of behavior I want to encourage from anyone, for a variety of reasons, but it's probably worth noting, very clearly, that this did not seem at all surprising to me. I remember Bill Clinton, I remember Bill Gates, I know what a groupie is. Famous, powerful, wealthy, men have for all of history been inclined toward promiscuity, and women have been inclined to indulge them that.
The article seems to confirm my own, limited historical experiences:
Inevitably, it seems, in such contexts there is never any shortage of... misunderstanding. The article gets into pretty explicit detail concerning accusations of outright rape--often, however, with women who had been involved with Gaiman for some time, and continued to be involved with him for some time afterward. His second marriage (to a C-list celebrity in her own right) was "open"--
Indeed!
That sort of thing only lasted a few years. Eventually, Palmer was pregnant and decided to try to close the marriage. This seems to have been the beginning of the end of that, and the New York Magazine story could be viewed through the lens of "hit piece intended to influence the drawn-out divorce proceedings." I do not (and cannot) know the truth of these events for myself, but it probably doesn't matter; his career has been drying up for a while now, and once studios milk the requisite profits from their current investments in his IP, those contracts seem likely to be among his last. Well, he's in his 60s and he has plenty of money (even if Palmer absconds with half of it), I don't feel too badly for him.
But the whole charade does remind me once more of the peculiar way in which Western culture has come to insist that there is nothing problematic about sexual promiscuity. Marriage is just one choice among many! Homosexuality, polyamory, open marriages, monogamish couples, as long as it is consensual then it's fine, right? Except that, unlike the terribly old-fashioned practice of "celibacy when single, monogamy when married," the clarity of consent seems to break down in the absence of clearly-delineated relationship boundaries. Gaiman's putative victims do not say that they unequivocally rejected his advances; some, indeed, texted him after the fact with reassurances that their encounters were in fact consensual.
That's the kind of evidence that keeps Gaiman out of jail, regardless of what social media mob justice decides on the matter. Even assuming she was being completely honest when she later said, in effect, "I texted him lies because I was scared," there's no evidence of what she was thinking at the time, except what she actually wrote. A world with clear relationship-grounded boundaries around sexual activity alleviates such ambiguities!
I am sort of peripherally aware of some of the "sex pest" stories that occasionally circulate in rationalist circles, and certainly I am aware of the polyamory (and e.g. Scott's occasional defense of it). Apparently it can work, for some people, at least for a time. But more often it seems to end up like this: if you want an open marriage, probably you don't really want a marriage in any robust sense of the term. And wealthy, powerful men who do not commit themselves to monogamy wholly and from the outset, Pence style, will be promiscuous, and it will eventually create headaches for them, of one kind or another.
Hm. Maybe someone should write a comic book about that.
Forgive my naivete here, but I'm not really sure what the story here is, beyond "Neil Gaiman is a creepy sexpest."
Well, yes, and I will happily join in with condemning his sordid exploits. Promiscuity is bad and this seems quite a straightforward example. I'm just wondering what particular light is shed by this specific case?
I feel like the real story is that this isn't just one guy. It's part of an ongoing pattern where a lot of men turn into creepy sexpests when they're given fame and power. And this guy was able to cover it up for decades, so it makes you wonder if basically every celebrity is secretly like this and they're just hiding it. And to some extent it makes me wonder- are these celebrities uniquely terrible, or is every man a creepy sexpest at heart, and we just restrain ourselves because we don't have the power to get what we want?
On the internet we get to chose our own celebrities
Littlewood and Hardy instead of Laurel and Hardy
Paul J. Cohen instead of Leonard Cohen
Frank Ramsey instead of Gordon Ramsey
David Moon of X3J13 instead of Keith Moon of the Who
Which raises a different question. Rather than ask whether "every celebrity is like this", we might ask "Why are we choosing these guys as our celebrities?". Or we might ponder who is choosing our celebrities? Us? Really?
Are there hidden influencers choosing our celebrities from behind a curtain, much like I'm trying to force you to celebrate Paul J. Cohen? Harvey Weinstein is a partial example; not entirely hidden, not able to make just any-one a star, but still wielding substantial covert power over which attractive young actress becomes a minor celebrity for a while.
My impression is that the pathologies of locally high-status men engaging in dubious pussy-chasing are basically the same in other contexts and this isn't specific to conventional celebrities. Gamergate happened because Zoe Quinn looked like she was cheating on her boyfriend with someone locally high-status in the indie game community, and the community seemed to think there was nothing odd about this. This kind of thing is absolutely rife in academia - probably more so than it is in Hollywood, although the press doesn't cover it as much.
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