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Have we discussed the live-action remake of 1937's Snow White and the Seven Dwarfs since it came out?
In an effort to drum up business my local theater is running a promotion that includes free movie tickets for spending money at local bars and restaurants. While it's not something I would've spent my own money on, I elected to use one of my free movie vouchers to see the new Snow White because I was curious, and wanted to form my own opinion of it.
I expect most readers of this thread have at least a passing familiarity with the various controversies surrounding this production and more knowledgeable people than I have already done the business and Culture-war narrative side of things to death. So I'm going to focus on the on-screen product.
As a movie Snow White is solidly "Mid". Not good, but not terrible. The writing, acting, and set-peices are all passable. The humor is bland and inoffensive, and the songs are mostly forgettable. Gal Godot may have the dramatic range of an Electric SUV on 5% charge, but "Sultry Femme Fatale" is well within that range, and she seems to be having fun vamping it up (As is often the case the "villain song" is one of the better ones). To Rachel Ziegler's credit she sings well and serves adequately in the role of "pretty princess" / "coquettish ingenue" coming across as substantially less "Girlbossey" than I had expected given her off-screen persona.
The movie wastes no time establishing it's left wing-wing politics. The opening song and dance number is essentially all about how wonderful life is when people give according to their ability and receive according to their need. The word-play between "fair" as in "light-skinned" or "pleasing to the eye" and "fair" as in "fair use" "fair trade" and a "fair contest" is a recurring leitmotif throughout the script and it gets established in this bit.
Because Disney princesses are not allowed to have a mother the good queen falls ill and dies at the end of the song which is when a wild Gal Godot appears. She is a beautiful noblewoman from a far-off land across the sea whose people, covet wealth, power, and beauty above all else, and have magical powers. The King (Snow White's dad) is naturally smitten and immediately marries Gal Godot presumably because she is wealthy, powerful, and looks like Gal Godot.
In her new position as Queen, Snow White's stepmother immediately begins to subtly corrupt the Realm and remake it in her own harder and more covetous image (think Pottersville versus Bedford Falls in It's a Wonderful Life). In case you haven't picked up on it yet, Snow White's canonical origin story in this movie is about a virtuous and happy left-wing government being subverted and taken over from within by an evil Jewish woman through a combination of sex-appeal, blood magic, and propaganda.
We skip forward an indeterminate number of years, Snow White has been kept cloistered in the castle "because it is not safe". The evil queen Gal Godot has been sowing fear about a nebulous threat on the southern border as an excuse to get Snow White's Dad out of the picture and to crack down on dissent. (I wonder what that was intended as an allegory for?) Snow White catches a thief named Johnathan played by Handsome McStrongJaw raiding the Castle's pantry, and he informs her that life outside the castle walls is not all sunshine and adorable woodland creatures. Snow White's response is to inform the Queen. You see, if only the queen knew what was going on she would put a stop to it. Johnathan is arrested and put to death, but Snow White helps him escape the castle because this is a Disney movie and he is the designated love-interest.
Snow White is getting a bit too uppity and too "fair" for her own good so Gal Godot convinces the one black guy in the palace guard to take Snow White out to the woods and kill her by getting all up in the guard's personal space and offering him anything he wants. Black guy takes Snow White out to the woods to kill her, but he gets cold-feet and decides to tell Snow White about the whole murder plot because she was nice to him and asked him how his day was going.
Snow White flees into the enchanted wood where she meets the Seven AI-Generated Dwarves we are all familiar with from the 1937 original. After some hijinks and another musical number the Dwarves inform her that the enchanted wood is also home to Seven Bandits. A troupe of erstwhile actors who are plotting to overthrow Gal Godot and have recently been joined by our "prince of thieves" Johnathan. Snow White sets out to find them and a bunch of stuff happens without any real rhyme or reason. There is singing, there is dancing, there is peril, but none of it really effects the plot or evokes a feeling.
The proverbial "final battle" of the movie is Snow White and the Seven Bandits leading a protest march against Gal Godot that ends with the Townspeople and Palace Guards
all drinking a pepsiturning on the queen and reinstating the socialist order from the opening musical number.In conclusion, for what is otherwise a very bland and boring movie in the watching there seems to be a lot going on. And im curious to hear other people's thoughts on it.
I also find it funny that what is easily the most "woke" movie in recent memory could plausibly be interpreted as endorsing dissident right ideals, Jews Bad, hereditary monarchy good, "the people" are sheep, etc...
I've been following the commentary around this movie in a desultory way for the past couple of years. So far it seems like it's doing very sluggish opening business, and because it's been delayed so long and gone through so much re-writes/add in CGI, the budget has ballooned and Disney is allegedly facing another box office bomb.
I think the main problem was Zegler shooting her mouth off. She's very young and would have been even younger when the movie originally went into production, but trash talking the original cartoon, claiming the central romance is creepy stalker and Snow White Don't Need No Man, and joking about the main male lead being written out and edited out completely, as well as "now 'who is the fairest of them all?' means 'being powerful and ruling fairly and not needing no man'" does not sell the movie to families wanting a traditional Disney movie they can bring their kids to.
Updating something from 1937 isn't impossible or a bad thing, but they should have put a muzzle on Zegler. Add in the delays and the unforced errors about replacing the Seven Dwarves with the Seven Persons Experiencing Unhousedness (who now turn out to be the merry band of thieves in the forest led by the prince who is no longer a prince but a bandit chief this time round) and then having to bring back the dwarves with poor-looking CGI, and you get a mess. EDIT: I also heard that the climactic battle is anti-climactic? Originally it was supposed to be Snow White and Evil Queen going toe-to-toe, but now she just falls off a cliff or something?
To my own eyes, Snow White's costume looked terribly cheap - for a big budget movie, where did the money go? So too late, too pulled about, and it's just a rehash of the cartoon so parents will probably wait for it to turn up on the streaming service instead of spending the money for a cinema trip which is increasingly expensive.
Seems like the main problem then was on the production side at Disney and Zegler was mostly just mirroring their energy. The ambivalence-at-best towards the source material seems to come from the top.
I don't think her inability to shut her mouth is good - why would you bring in Palestine on what's an already fraught campaign? - but Disney made multiple inexplicable decisions that not only apparently harmed the movie but ballooned the budget to the point it was far less likely to make its money back even had the changes worked. And now they're leaking that Zegler's big mouth put them in this mess to shift the blame.
Disney has a major problem where it is unwilling or unable to constrain budgets on productions.
I think midlevel execs get an ego boost from writing big cheques. It makes them feel important and powerful.
My theory is that it's fear of commitment. They're delaying every single production decision to the last minute because technology now allows them to and they're afraid that the audience context will change at the last minute and sabotage any choice. And execs are too cowardly to take bets, so everything must be CGI and reshoots galore, which means ballooning budgets.
Ironically, this particular movie (on track to be the biggest bomb ever) proves them right, the bad buzz around the dwarves most likely made them go for CGI counterparts, but the political landscape changed so fast and so unpredictably that the entire premise of the movie is a hopelessly outdated tale of girlbossing coming out on the tail end of a Kamalastrophe. Wicked made money, why didn't his work?!
The world is indeed changing too fast for execs to make the right choices. But as anybody with good artistic sense knows this calls not for indecision and fingerpointing, but long term vision and decisive action, the supply of which is nonexistent in Hollywood at the moment.
This will probably continue until we get new new Hollywood figures. The next Lucas might already be around in the shadows.
Part of it clearly seems to have been COVID breaking something because it's been significantly worse since.
But I don't think it's a coincidence that Marvel, which is notorious for fiddling, fired Victoria Alonso as the sacrificial lamb. And one of the complaints about her? She was infamous for pushing animators to their breaking point and making late changes.
They were already notorious for marginalizing directors Maybe COVID revealed to them just how far they could go with it and they hit a Lucas-level of hubris about the tech. After all, who suffers from this indecisiveness except animators who need to work with Disney anyway?
I find this far more sympathetic with Marvel, which had to do something even comics struggled with before doubling its output.
There's little reason for this indecisiveness around Snow White.
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